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(293, 'Séminaire sur la Turquie contemporaine 2010-2011', 'séminaire-sur-la-turquie-contemporaine-2010-2011', 79, 1, '<h1 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify"><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial">Responsables : Esra Atuk, Magali Boumaz<span style="color: #888888;" mce_style="color: #888888;">a, </span></span><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=93%3Amallet-laurent&amp;catid=57%3Aifea-chercheurs-associes&amp;Itemid=56&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=93%3Amallet-laurent&amp;catid=57%3Aifea-chercheurs-associes&amp;Itemid=56&amp;lang=fr"><span style="color: #888888;" mce_style="color: #888888;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;">Virginie Descoutures<span style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; text-decoration: none; outline-style: none;" mce_style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; text-decoration: none; outline-style: none;">, </span> </span></span></span></a><span style="color: #888888;" mce_style="color: #888888;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=93%3Amallet-laurent&amp;catid=57%3Aifea-chercheurs-associes&amp;Itemid=56&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=93%3Amallet-laurent&amp;catid=57%3Aifea-chercheurs-associes&amp;Itemid=56&amp;lang=fr"><span style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; text-decoration: none; outline-style: none;" mce_style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; text-decoration: none; outline-style: none;">Laurent Mallet</span></a>, <a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=824%3Amassicard-elise&amp;catid=56%3Aifea-permanents&amp;Itemid=36&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=824%3Amassicard-elise&amp;catid=56%3Aifea-permanents&amp;Itemid=36&amp;lang=fr">Elise Massicard</a>, Aude Signoles et  <a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=60&amp;Itemid=32&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=60&amp;Itemid=32&amp;lang=fr"><span style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; text-decoration: none; outline-style: none;" mce_style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; text-decoration: none; outline-style: none;">Alexandre Toumarkine</span></a> </span></span></span><br><br><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><b><img style="border-style: none; border-width: 2px; float: left;" mce_style="border-style: none; border-width: 2px; float: left;" alt="semin1" src="images/stories/OVIPOT/semin1.jpg" mce_src="images/stories/OVIPOT/semin1.jpg" height="240" width="320">I- Les objectifs du séminaire</b><br><br></span></h1>\r\n<div><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial">Le séminaire sur la Turquie contemporaine a deux objectifs principaux :</span></div>\r\n<ol>\r\n<li><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial">permettre aux étudiants de mieux tirer parti leur séjour de mobilité en abordant avec des spécialistes une série de thématiques fondamentales pour la compréhension la Turquie contemporaine</span></li>\r\n<li><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial">fournir un cadre d’accueil méthodologique et un centre de ressources pour la préparation d’un travail de recherche sur la Turquie contemporaine</span></li>\r\n</ol>\r\n<div style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify">\r\n<h1><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><br></span></h1>\r\n</div>\r\n<div style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify">\r\n<h1><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><b>II- L’Organisation du séminaire</b></span></h1>\r\n<h1><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"> </span></h1>\r\n<span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><br>Le séminaire se déroule, selon un calendrier précis qui est fourni aux étudiants, du mois d''octobre 2010 au mois de juin 2011, en règle générale le jeudi de 16h30 à 18h30 en salle de réunion de l''IFEA. L’assistance au séminaire est obligatoire. Les séances sont organisées autour d’un thème, à l’exception de celles qui sont consacrées à la méthodologie du rapport. Les séances à thèmes sont animées par des chercheurs de l’IFEA ou par une personnalité extérieure invitée. Le nom des intervenants est communiqué aux étudiants en début de semestre. Les séances de méthodologie sont animés par les responsables du séminaire. </span></div>\r\n<h1 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify"><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"> </span><br><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><b>III- Le mémoire</b></span>\r\n<p style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><b> </b><br></span></p>\r\n</h1>\r\n<div><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;">Le mémoire est un travail d’études et de recherche mené par les étudiants  du séminaire qui le souhaitent sur une question turque contemporaine. Les études de terrain sont les bienvenues.  Ce mémoire doit faire environ une vingtaine de pages c’est-à-dire au  moins 35 000 caractères de texte rédigé (hors annexes). L’étudiant  travaille sous la direction d’un tuteur, de préférence chercheur à  l’IFEA ou responsable du séminaire. Il doit indiquer, par déclaration écrite, aux responsables du  séminaire le sujet du rapport et le tuteur qu’il a choisis avant la fin  de l’année 2010. Ce rapport est soutenu en fin d’année universitaire  devant un jury qui l’évalue. L’évaluation du mémoire est donc distincte  de celle du séminaire mais la progression de la réalisation du mémoire fait bien sûr l’objet d’un suivi en séminaire.</span></div>\r\n<h1 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify">\r\n<div style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><br></span></div>\r\n<span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #ff6600; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #ff6600; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"> </span></h1>\r\n<div style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify"></div>\r\n<h1 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify"></h1>\r\n<h1 style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><b>IV- Validation</b></span>\r\n<p style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><b> </b><br></span></p>\r\n</h1>\r\n<div><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;">Le séminaire et le mémoire font l’objet d’une évaluation distincte qui est proposée à l’institution dont est issu l’étudiant :</span></div>\r\n<ul>\r\n<li><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;">le séminaire est validé par 10 « ECTS », l’étudiant pour  obtenir ces crédits doit assister aux séances de l''année et réaliser deux travaux écrits. Il est aussi possible de valider un seul semestre (5  "ECTS")</span></li>\r\n<li><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;">le mémoire est validé par 10 « ECTS », l’étudiant  pour obtenir ces crédits doit réaliser, sous la direction d’un tuteur un mémoire de recherche d’une vingtaine de pages (au moins 35000  caractères) et le soutenir publiquement en fin d’année.</span></li>\r\n</ul>\r\n<h1 style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify">\r\n<div style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><br></span></div>\r\n</h1>\r\n<span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><b>V- Inscription au séminaire</b></span>\r\n<p style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><b> </b><br></span></p>\r\n<div>\r\n<p><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;">Les  étudiants qui souhaitent s’inscrire au séminaire sur la Turquie  contemporaine sont priés de faire acte de candidature par e-mail auprès  d''Elise Massicard </span><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; color: #ff6600; text-decoration: none; outline-style: none;" mce_style="border-width: 0px; margin: 0px; padding: 0px; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; font-size-adjust: none; font-stretch: normal; vertical-align: baseline; cursor: pointer; color: #ff6600; text-decoration: none; outline-style: none;">elise.massicard(a)gmail.com</span> </span></span><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="color: #808080;" mce_style="color: #808080;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;">en in</span></span>diquant :</span></span></p>\r\n</div>\r\n<div>\r\n<p><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="color: #808080;" mce_style="color: #808080;"> </span></span></p>\r\n</div>\r\n<ul>\r\n<li><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="color: #808080;" mce_style="color: #808080;">leur prénom et nom ;</span></span></li>\r\n<li><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="color: #808080;" mce_style="color: #808080;">leur institution d’origine en France ;</span></span></li>\r\n<li><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="color: #808080;" mce_style="color: #808080;">leur institution d’accueil en Turquie ; </span></span></li>\r\n<li><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="color: #808080;" mce_style="color: #808080;"><span style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px;">leur adresse e-mail et leur téléphone portable en Turquie (le cas échéant).</span></span></span></li>\r\n</ul>\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify">\r\n<h1><b><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;">VI- Programme</span></b></h1>\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"></div>\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;">Au second semestre, le séminaire reprend le <b>jeudi 24  février <span style="color: #ff6600;" mce_style="color: #ff6600;">(exceptionnellement la séance commencera à 18h)</span></b>.</span></div>\r\n</div>\r\n<br>\r\n<h2 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify"><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"> </span><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #808080; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><b><img style="float: left;" mce_style="float: left;" alt="semin2" src="images/stories/OVIPOT/semin2.jpg" mce_src="images/stories/OVIPOT/semin2.jpg" height="174" width="202"></b></span><span style="text-decoration: underline;" mce_style="text-decoration: underline;"><span style="color: #808080;" mce_style="color: #808080;"><span style="background-color: #888888;" mce_style="background-color: #888888;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><b><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; outline-width: 0px;"> </span></b><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; outline-width: 0px;"><b> </b></span></span></span></span></span></span></h2>\r\n<h2 style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="text-decoration: underline;" mce_style="text-decoration: underline;"><b><span style="color: #808080;" mce_style="color: #808080;"><span style="background-color: #ffffff;" mce_style="background-color: #ffffff;">Premier semestre</span></span></b></span></span></span></h2>\r\n<h3 style="border-width: 0px; padding: 0px 0px 0px 30px; margin: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px 0px 0px 30px; margin: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #999999;" mce_style="color: #999999;"><span style="color: #808080;" mce_style="color: #808080;"><b>28 octobre 2010 : </b>Introduction et méthodologie </span></span><br><br><span style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px;">L’Héritage turc et ottoman</span><br></span></span></h3>\r\n<span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;" mce_style="color: #808080;"><b>4 novembre 2010 : </b>La réforme ottomane I, Özgür Türesay (Docteur en histoire et enseignant à l''Université de Galatasaray)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><b><span style="color: #888888;" mce_style="color: #888888;">11</span></b><span style="color: #888888;" mce_style="color: #888888;"><b> novembre 2010</b> : Méthodologie</span><span style="color: #888888;" mce_style="color: #888888;"><br> </span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;" mce_style="color: #808080;"><span style="color: #888888;" mce_style="color: #888888;"><span style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;"><b>25 novembre 2010 :</b> </span>La réforme ottomane I</span>I, Özgür Türesay (Docteur en histoire et enseignant à l''Université de Galatasaray)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;" mce_style="color: #808080;"><span style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;"><b>Mercredi 1 décembre 2010 :</b> </span>Révolutions et République I, Ahmet Kuyaş (professeur à l''Université de Galatasaray)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;" mce_style="color: #808080;"><span style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;"><b>9 décembre 2010 : </b>Révolutions et République II, Ahmet Kuyas (professeur à l''Université de Galatasaray) </span><br> </span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;" mce_style="color: #808080;"><span style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;"><b>16 décembre 2010 :</b> </span>Méthodologie<span style="color: #888888;" mce_style="color: #888888;"> </span></span><span style="color: #888888;" mce_style="color: #888888;">(pour les étudiants préparant un mémoire)</span></span></span>\r\n<h2 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify">\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;" mce_style="color: #808080;"><br></span></span></span></div>\r\n</h2>\r\n<h2 style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;">Second semestre</span></span></span></h2>\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><b>24 février 2011 (exceptionnellement à 18h)</b> : Les enjeux de l''Histoire pour la Turquie, Alexandre Tourmakine (chercheur associé à l''IFEA)</span></span></span></div>\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><br></span></span></span></div>\r\n<h3 style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #ff6600;" mce_style="color: #ff6600;">Le système politique</span></span></span></h3>\r\n<span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #ff6600;" mce_style="color: #ff6600;"> </span><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><b>03 mars 2011 (17:45) :</b> L''armée est-elle encore un acteur du système politique turc? Ahmet Insel, professeur à l''Université de Galatasaray, chroniqueur à <i>Radikal</i>)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><b>10 mars 2011 :</b> Le mouvement constitutionnel, les débats autour de la "Constitution civile" et le référendum du 12 septembre 2010 (Jean Marcou, Professeur à l''Institut d''Etudes Politiques de Grenoble, chercheur associé à l''IFEA)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><b>17 mars 2011 (18:00) :</b> L''évolution du système partisan (Esra Atuk, enseignante à l''Université de Galatasaray)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><b>24 mars 2011 :</b> Méthodologie (pour les étudiants préparant un mémoire)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><b>31 mars 2011 :</b> Etat de droit et citoyenneté (Ibrahim Kaboğlu, Professeur de droit constitutionnel à l''Université Marmara, chroniqueur à "Birgün")</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><b>07 avril 2011</b> : Etat et religions (Elise Massicard, pensionnaire scientifique à l''IFEA)</span></span></span>\r\n<h2 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify">\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><br></span></span></span></div>\r\n</h2>\r\n<h3 style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><span style="color: #ff6600;" mce_style="color: #ff6600;">Dynamiques sociales</span></span></span></span></h3>\r\n<span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><span style="color: #ff6600;" mce_style="color: #ff6600;"><span style="color: #808080;" mce_style="color: #808080;"><b>14 avril 2011</b> : Dynamiques urbaines. La gestion du grand Istanbul (Jean-François Pérouse, maître de conférences à l''Université de Galatasaray et chercheur associé à l''IFEA)</span></span></span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><span style="color: #ff6600;" mce_style="color: #ff6600;"><span style="color: #808080;" mce_style="color: #808080;"><b>21 avril 2011</b> : Les migrations internes et externes et leur impact sur la société turque (Didem Danış, docteure en sociologie et enseignante à l''Université de Galatasaray)</span></span></span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px;"><span style="color: #ff6600;" mce_style="color: #ff6600;"><span style="color: #808080;" mce_style="color: #808080;"><b>28 avril 2011</b> : </span></span></span><span style="color: #888888;" mce_style="color: #888888;">Perspectives macro-économiques de l’économie turque (Seyfettin Gürsel, professeur à l''Université de Bahçeşehir)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;" mce_style="color: #888888;"><b>05 mai 2011</b> : Méthodologie </span><span style="color: #888888;" mce_style="color: #888888;">(pour les étudiants préparant un mémoire)</span></span></span><br><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;" mce_style="color: #888888;"><b>13 mai 2011</b> : </span><span style="color: #888888;" mce_style="color: #888888;">The Kurdish issue in Turkey (Abbas Vali, professeur à l''Université Boğaziçi)</span></span></span>\r\n<h2 style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" mce_style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 11px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial" align="justify">\r\n<p style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;" mce_style="color: #888888;"><br></span></span></span></p>\r\n<div style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" mce_style="border-width: 0px; margin: 0px; padding: 0px; vertical-align: baseline; outline-width: 0px;" align="justify"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;" mce_style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px;"> </span></div>\r\n</h2>', '', NULL, NULL, '[]', '', '2010-04-18 15:56:02', 62, '', 0, '0000-00-00 00:00:00', '2011-09-27 12:13:06', 600, '2010-04-18 15:56:02', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 76, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
INSERT INTO `jos_k2_items` (`id`, `title`, `alias`, `catid`, `published`, `introtext`, `fulltext`, `video`, `gallery`, `extra_fields`, `extra_fields_search`, `created`, `created_by`, `created_by_alias`, `checked_out`, `checked_out_time`, `modified`, `modified_by`, `publish_up`, `publish_down`, `trash`, `access`, `ordering`, `featured`, `featured_ordering`, `image_caption`, `image_credits`, `video_caption`, `video_credits`, `hits`, `params`, `metadesc`, `metadata`, `metakey`, `plugins`) VALUES
(31, 'CULTURE', 'culture', 81, 1, '<span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> \r\n<meta name="Generator" content="Microsoft Word 11" />\r\n<meta name="Originator" content="Microsoft Word 11" />\r\n</span></span>\r\n<p class="MsoNormal"><span style="color: #ff6600;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><strong>Observatoire des politiques culturelles et artistiques à Istanbul. </strong></span></span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><strong>Nouvelles logiques, nouveaux acteurs, nouveaux métiers de la production artistique et culturelle</strong> </span></span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;">NORA SENI </span></span></p>\r\n<span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><o:p> </o:p> </span></span>\r\n<p class="MsoNormal"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;">Depuis que l’équipement culturel s’est imposé comme un instrument majeur de la valorisation territoriale, le musée et  le centre culturel sont devenus les motifs centraux d’un nouveau paradigme de l’action urbaine et diplomatique.<strong> </strong>Au cours de la dernière décennie ont été créés, à Istanbul, plus de dix musées privés dédiés pour la plupart à l’art contemporain et portant tous l''ambition d''un rayonnement international. La vitalité d’Istanbul dans ce domaine n’est pas étrangère au choix de la ville comme capitale culturelle de l’Europe  pour 2010.  Istanbul Modern, le Musée de Péra, Santral İstanbul et Musée Kadir Has sont les exemples les plus récents. Les familles à l''origine de ces créations sont celles-là mêmes qui, quelques années auparavant, avaient fondé des universités éponymes. L''ensemble de ces initiatives confirme l''émergence de nouveaux usages, atteste du rôle du mécénat et des fondations privées tant sur la scène culturelle qu’artistique </span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;">Un nouveau motif s''ajoute aux politiques culturelles qui soutendent les équipements culturels à Istanbul: <em>le néo ottomanisme . </em>Le Musée de la Conquête, Feth Müzesi, récemment créé est une scène où se donne à voir la réécriture de l''histoire ottomane à travers des images sanglantes de conquêtes conçues à la manière d''un mauvais film hollywoodien. </span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;">Ainsi des visions concurrentes et antagoniques traversent les politiques culturelles à l''oeuvre à Istanbul et se manifestent dans des conceptions muséales radicalement opposées. </span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;">Dans le cadre de ce pôle se regroupent à l’IFEA les recherches et actions ayant pour objet l’étude des nouvelles logiques qui traversent la production culturelle et artistique (institutions, équipements, œuvres) à l’heure de la globalisation. De nouveaux acteurs émergent (fondations privées,  hommes d’affaires mécènes et/ou philanthropes), de nouveaux usages se généralisent parmi les élites (collectionner, faire donation de collections, édifier des musées). De nouvelles normes de gestion de l’information, de nouvelles formes esthétiques et de marketing s’imposent aux musées qui exigent nouvelles compétences, nouveaux métiers. L’ensemble établit une nouvelle muséologie qu’il est nécessaire d’identifier, d’analyser </span></span></p>\r\n<p class="MsoNormal"><span style="font-size: x-small;"><span style="color: #999999;"><br /><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></span></span></p>\r\n<p class="MsoNormal"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></p>', '', NULL, NULL, NULL, '', '2010-03-06 14:16:20', 62, '', 0, '0000-00-00 00:00:00', '2010-06-10 13:22:50', 62, '2010-03-06 14:16:20', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 3983, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(160, 'Istanbul 2010', 'istanbul-2010', 81, 1, '<img src="../website/images/stories/agendaarchives/istanbul_2010_logo.jpg" alt="istanbul_2010_logo.jpg" style="float: left; margin: 5px; width: 106px; height: 150px;" title="istanbul_2010_logo.jpg" width="106" height="150" />\r\n<p><span style="font-size: 10pt; color: #ff6600; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p><span style="font-size: 10pt; color: #ff6600; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p><span style="font-size: 10pt; color: #ff6600; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p><span style="font-size: 10pt; color: #ff6600; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p><span style="font-size: 10pt; color: #ff6600; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p><span style="color: #ff6600; font-family: Arial;"> </span></p>\r\n<p><span style="color: #ff6600; font-family: Arial;"> </span></p>\r\n<p><span style="font-size: 10pt; color: #ff6600; font-family: arial,helvetica,sans-serif;"><span style="color: #808080;">L''</span><strong>IFEA</strong> <span style="color: #808080;">et son</span> <strong>O</strong>bservatoire  <strong>U</strong>rbain d''<strong>I</strong>stanbul <span style="color: #808080;">effectuent un suivi des nombreuses activités qui  se déroulent sous l''égide d''</span><em>Istanbul 2010,  Capitale européenne de la culture</em><span style="color: #808080; font-family: arial,helvetica,sans-serif;">. Vous trouverez dans  cette rubrique le programme des séminaires en analysant les enjeux,  ainsi qu''une série d''articles relatant les événements intervenus.</span></span></p>\r\n<p><span style="font-size: 10pt; color: gray; line-height: 115%; font-family: ''Arial'',''sans-serif'';" lang="FR"><span style="color: #808080; font-family: arial,helvetica,sans-serif;">L’<span style="color: #ff6600;">IFEA</span> (Fransız Anadolu  Araştırmaları Merkezi) dahilindeki <span style="color: #ff6600;">Şehir Gözlem Merkezi</span> İstanbul 2010 Avrupa Kültür Başkenti  kapsamında devam eden bir çok etkinliği inceliyor. Bu başlık altında,  yapılan seminerler ve gündemleri, aynı zamanda takip ettiğimiz  etkinlikleri anlatan bir makale dizisi de yer almaktadır.</span></span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:26:51', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:26:51', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 713, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(183, 'le 16 décembre 2008: Conférence de Nora Seni', 'le-16-décembre-2008-conférence-de-nora-seni', 82, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=878" target="_blank" title="Convertir en PDF"> </a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=878&amp;pop=1&amp;page=0&amp;Itemid=861" target="_blank" title="Version imprimable"> </a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan="2" valign="top"><span style="color: #888888;"><strong>le 16  décembre 2008</strong> conférence de <strong>Nora Sen</strong>i "Conception  et destin de deux grands projets de  centres d''art  contemporain à Paris" dans le cadre de  la série <em>"Conversations Vers la Ville"</em> organisée par la  Grande Municipalité d''Istanbul,en compagnie de Ihsan  Bilgin (Professeur à l''Université Bilgi) et  Ömer Kanipak, directeur de la revue <em>Arkitera</em></span>\r\n<p><span style="color: #888888;"><strong>le 16 décembre à 18h  au Centre  Tarik Zafer Tunaya </strong><br /></span></p>\r\n<span style="color: #888888;"> IBB''nin organize ettigi <em>Kente doğru konuşmalar</em> çerçevesinde <br /> Nora Şeni "Paris''deki iki büyük  çağdaş sanatlar müzesi projesinin akibeti" hakkında bir konferans verecektir. <br /> Diger konferansçi Prof . Ihsan Bilgin (Bilgi Ünivesitesi), moderatör ise  <em>Arkitera</em>''nin yoneticisi Ömer Kanıpak olacaktir <br /><strong>Tarik Zafer Tunaya Merkezi </strong></span> <span style="color: #888888;"><br /><strong>16 Aralik 2008, Saat  18''de</strong></span></td>\r\n</tr>\r\n</tbody>\r\n</table>', '', NULL, NULL, NULL, '', '2010-04-06 12:45:42', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:45:42', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 179, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(184, 'Rendez-vous de l''IFEA: Christine Peltre', 'rendez-vous-de-lifea-christine-peltre', 82, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1173" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1173'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1173&amp;pop=1&amp;page=0&amp;Itemid=861" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1173&amp;pop=1&amp;page=0&amp;Itemid=861'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<strong><span style="font-size: 10pt; color: #ff6600; font-family: ''Arial'',''sans-serif'';">Les RENDEZ-VOUS de l''IFEA ; Conférences/débats: </span></strong><strong><span style="font-size: 10pt; color: #ff6600; font-family: ''Arial'',''sans-serif'';">Christine Peltre</span></strong><span style="font-size: 10pt; color: #999999; font-family: ''Arial'',''sans-serif'';"> <br /> </span>\r\n<p><span style="font-size: 10pt; color: #999999; font-family: ''Arial'',''sans-serif'';"><strong><br /> <span style="font-size: 10pt;">Vendredi 6 mars à 17h</span></strong><span style="font-size: 10pt;"> </span></span></p>\r\n<span style="color: #999999; font-family: ''Arial'',''sans-serif'';"></span><span style="color: #000000; font-family: ''Arial'',''sans-serif'';"><o:p></o:p></span><strong><span style="font-size: 12pt; color: #999999; font-family: ''Arial'',''sans-serif'';"><span style="font-size: 10pt;">Christine Peltre</span>,</span></strong><span style="font-size: 10pt; color: #999999; font-family: ''Arial'',''sans-serif'';"> (Professeur, directrice de l’Institut d’histoire  de l’art, Université Marc Bloch, Strasbourg) : Mille et Une Nuits et  l’art du XIXème siècle. </span>\r\n<p><span style="font-size: 10pt; color: #999999; font-family: ''Arial'',''sans-serif'';">Cette conférence portera sur le rôle des contes  dans les arts islamiques et leur rapport à l’esthétique occidentale. </span></p>\r\n<span style="font-size: 10pt; color: #000000; font-family: ''Arial'',''sans-serif'';"><o:p></o:p></span><span style="font-size: 10pt; color: #999999; font-family: ''Arial'',''sans-serif'';">vendredi 5  mars à 18h, à la Bibliothèque Nationale d''İzmir, conférence organisée  en coopération et à l''initiative du Centre culturel français d''İzmir.</span>', '', NULL, NULL, NULL, '', '2010-04-06 12:46:14', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:46:14', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 242, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(185, 'Rendez-vous de l''IFEA: Conférence de Maria Alexandra Duchêne', 'rendez-vous-de-lifea-conférence-de-maria-alexandra-duchêne', 82, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;"><br /></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1307" target="_blank" title="Convertir en PDF"> </a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1307&amp;pop=1&amp;page=0&amp;Itemid=861" target="_blank" title="Version imprimable"> </a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="color: #888888;"><strong>Conférence  de Maria Alexandra  Duchêne</strong> (Attachée de conservation au Patrimoine,  Musée de l’Ile de France, Château de Sceaux), sur <strong> Jardins ottomans entre  empathie et revivification. Un regard européen de 1630 à 1820</strong><strong>, organisée en  coopération avec le Centre Culturel Français d''İzmir. </strong></span></p>\r\n<p><span style="color: #888888;"><strong>le 22 mai 2009, à 18h, à  l''IFEA</strong></span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:46:29', 62, '', 0, '0000-00-00 00:00:00', '2010-04-06 12:47:05', 62, '2010-04-06 12:46:29', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 234, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(186, 'NORA SENI Pour la restauration du Mausolée Camondo', 'nora-seni-pour-la-restauration-du-mausolée-camondo', 82, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%">NORA SENI Pour la restauration du Mausolée Camondo</td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1371" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1371'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1371&amp;pop=1&amp;page=0&amp;Itemid=861" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1371&amp;pop=1&amp;page=0&amp;Itemid=861'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style="color: #999999;">Conférence donnée à  l''Agence Istanbul 2010 le 10 juin 2009 à 18h</span>', '', NULL, NULL, NULL, '', '2010-04-06 12:47:33', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:47:33', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 282, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(187, 'Istanbul dans le marché de l''art international', 'istanbul-dans-le-marché-de-lart-international', 82, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1823" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1823'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1823&amp;pop=1&amp;page=0&amp;Itemid=861" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1823&amp;pop=1&amp;page=0&amp;Itemid=861'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-size: 11pt; line-height: 115%; font-family: ''Calibri'',''sans-serif'';" lang="FR"><strong>Jeudi 18 mars 2010 à 18h à l’IFEA</strong></span></span><br /> </span></span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-size: 11pt; line-height: 115%; font-family: ''Calibri'',''sans-serif'';" lang="FR"><span style="color: #ff6600;"><strong><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">"Istanbul dans le marché de  l''art international"<br /> </span></strong></span></span></span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-size: 11pt; line-height: 115%; font-family: ''Calibri'',''sans-serif'';" lang="FR"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Conférencier : <strong>Emin Mahir  Balcıoğlu</strong> (Directeur de Contemporary Istanbul)<br /> Invitée : <strong>Oya Delahaye </strong>(directrice de Sotheby''s à Istanbul)</span></span></span></p>\r\n<p><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-size: 11pt; line-height: 115%; font-family: ''Calibri'',''sans-serif'';" lang="FR"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-size: 11pt; line-height: 115%; font-family: ''Calibri'',''sans-serif'';" lang="FR"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Cliquer  ici pour voir la </span><a target="_self" href="../website/index.php?option=com_content&amp;task=view&amp;id=1813&amp;Itemid=1001"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Conférence  en ligne</span></a></span></span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:48:02', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:48:02', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 275, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(168, 'les 22-23 juin 2007 - Colloque:"Les Reinach"', 'les-22-23-juin-2007-colloqueles-reinach', 83, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=313" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=313'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=313&amp;pop=1&amp;page=0&amp;Itemid=860" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=313&amp;pop=1&amp;page=0&amp;Itemid=860'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style="font-size: 9pt; font-family: Arial; color: gray;">Colloque  <strong><span style="font-family: Arial;">"<span style="color: gray;">Les  Reinach</span>"</span></strong> organisé par <strong><span style="font-family: Arial;">Sophie Basch</span></strong> (Institut universitaire de France,  université de Poitiers) et <strong><span style="font-family: Arial;">Michel  Espagne</span></strong> (CNRS, École normale supérieure) avec le concours de  l’École française d’Athènes (<strong>Dominique Mulliez</strong>) et de l’Institut  français d’Études anatoliennes (<strong>Pierre Chuvin</strong>) à l''Académie des  Inscriptions et Belles Lettres - l''Institut de France sous le haut  patronage de Jean Leclant, Secrétaire perpétuel de l''A.I.B.I.L.</span>\r\n<p><strong><span style="font-size: 9pt; font-family: Arial; color: #ff6600;">Les Reinach</span></strong><span style="font-size: 9pt; font-family: Arial; color: #ff6600;"></span></p>\r\n<p><strong><span style="font-size: 9pt; font-family: Arial; color: gray;">Institut  de France</span></strong><strong><span style="font-size: 9pt; font-family: Arial; color: gray;"><br /> <strong><span style="font-family: Arial;">Académie des Inscriptions et Belles  Lettres</span></strong><br /> <strong><span style="font-family: Arial;">22-23 juin 2007</span></strong></span></strong><span style="font-size: 9pt; font-family: Arial; color: gray;"></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;">Colloque  organisé par <strong><span style="font-family: Arial;">Sophie Basch</span></strong> (Institut universitaire de France, université de Poitiers) et <strong><span style="font-family: Arial;">Michel Espagne</span></strong> (CNRS, École  normale supérieure)</span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;">avec le  concours de l’École française d’Athènes et de l’Institut français  d’Études anatoliennes.</span></p>\r\n<p><strong><span style="font-size: 9pt; font-family: Arial; color: gray;">Programme</span></strong><span style="font-size: 9pt; font-family: Arial; color: gray;"></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;"><br /> <strong><span style="font-family: Arial;">Vendredi 22 juin, matinée,  9h30-12h30</span></strong><strong><br /> <strong><span style="font-family: Arial;">Sous la présidence de Jean Leclant,  Secrétaire perpétuel de l’Académie des Inscriptions et Belles Lettres</span></strong></strong></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;">-  Alexandre Farnoux, professeur à l’université Paris-Sorbonne<br /> <em><span style="font-family: Arial;">Salomon Reinach ethnologue et  anthropologue</span></em><br /> - Agnès Rouveret, professeur à l’université Paris X<br /> <em><span style="font-family: Arial;">Les Reinach et la peinture antique</span></em><br /> - Annie Bélis, directrice de recherches au CNRS<br /> <em><span style="font-family: Arial;">Théodore Reinach et la musique  antique</span></em><br /> - Ève Gran-Aymerich, chercheur auprès de l''Académie des inscriptions et  belles-lettres<br /> <em><span style="font-family: Arial;">L’Égypte dans l’œuvre de Salomon et  Adolphe Reinach</span></em><br /> - François de Callatay, directeur d’études à l’ÉPHE <br /> <em><span style="font-family: Arial;">Théodore Reinach, entre histoire  ancienne et engagement contemporain</span></em></span></p>\r\n<p><strong><span style="font-size: 9pt; font-family: Arial; color: gray;">Vendredi  22, après-midi (séance solennelle de l’Académie des Inscriptions et  Belles Lettres), 15h30-17h30</span></strong><strong><span style="font-size: 9pt; font-family: Arial; color: gray;"><br /> <strong><span style="font-family: Arial;">Sous la présidence de Bernard  Pottier, de l’Institut</span></strong></span></strong><span style="font-size: 9pt; font-family: Arial; color: gray;"></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;">-  Dominique Mulliez, directeur de l’École Française d’Athènes<br /> <em><span style="font-family: Arial;">Les Reinach et l’École française  d’Athènes</span></em><br /> - Pierre Chuvin, directeur de l’Institut français d’Études anatoliennes<br /> <em><span style="font-family: Arial;">Les Reinach et l’Empire ottoman</span></em><br /> - André Lemaire, directeur d’études à l’ÉPHE<br /> <em><span style="font-family: Arial;">Les Reinach et les études sur la  tradition juive</span></em><br /> -Antoine Compagnon, professeur au Collège de France<br /> <em><span style="font-family: Arial;">Joseph Reinach et Le « Conciones »  français. L’Éloquence française depuis la Révolution jusqu’à nos jours</span></em>,  1894</span></p>\r\n<p><strong><span style="font-size: 9pt; font-family: Arial; color: gray;">Cocktail,  18h</span></strong><span style="font-size: 9pt; font-family: Arial; color: gray;"></span></p>\r\n<p><strong><span style="font-size: 9pt; font-family: Arial; color: gray;">Samedi  23, matin, 9h30-12h30</span></strong><strong><span style="font-size: 9pt; font-family: Arial; color: gray;"><br /> <strong><span style="font-family: Arial;">Sous la présidence de Pierre Nora,  de l’Académie Française</span></strong></span></strong><span style="font-size: 9pt; font-family: Arial; color: gray;"></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;">- Roland  Recht, professeur au Collège de France<br /> <em><span style="font-family: Arial;">Louis Courajod et Salomon Reinach à  l’École du Louvre : deux conceptions de l’histoire de l’art</span></em><br /> - Renate Schlesier, professeur à la Freie Universität de Berlin<br /> <em><span style="font-family: Arial;">Salomon Reinach et l''anthropologie  moderne de la Grèce ancienne</span></em><br /> - Élisabeth Décultot, directeur de recherche au CNRS<br /> <em><span style="font-family: Arial;">Salomon et Adolphe Reinach lecteurs  des archéologues allemands</span></em><br /> - Édith Karagiannis-Mazeaud, maître de conférences à l’Université Marc  Bloch, Strasbourg <br /> <em><span style="font-family: Arial;">Les Reinach et la Renaissance</span></em><br /> - Michel Espagne, directeur de recherche au CNRS<br /> <em><span style="font-family: Arial;">La référence allemande chez Salomon  Reinach</span></em></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;"><br /> <strong><span style="font-family: Arial;">Samedi 23, après-midi, 14h30-18h</span></strong><strong><br /> <strong><span style="font-family: Arial;">Sous la présidence de Jean-Denis  Bredin, de l’Académie Française</span></strong></strong></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;">- Anne  Couderc, directrice du Département des études grecques modernes et  contemporaines de l’École française d’Athènes<br /> <em><span style="font-family: Arial;">Les Reinach et la Question d’Orient</span></em><br /> - Georges Tolias, directeur de recherche au FNRS d’Athènes<br /> <em><span style="font-family: Arial;">Les interlocuteurs grecs de Joseph  Reinach</span></em><br /> - Dominique Bourel, directeur de recherche au CNRS<br /> <em><span style="font-family: Arial;">Les Reinach et le sionisme</span></em><br /> - Pierre Birnbaum, professeur émérite à l’université Paris I<br /> <em><span style="font-family: Arial;">L’affaire Raphaël Lévy</span></em><br /> - Sophie Basch, professeur à l’université de Poitiers, IUF <br /> <em><span style="font-family: Arial;">Salomon Reinach, cible de la  renaissance catholique</span></em><br /> - Jacques Le Rider, directeur d’études à l’ÉPHE<br /> <em><span style="font-family: Arial;">Freud, lecteur de Salomon Reinach</span></em></span></p>\r\n<p><span style="font-size: 9pt; font-family: Arial; color: gray;">Comité  scientifique, sous le haut patronage de <strong><span style="font-family: Arial;">M. Jean Leclant</span></strong>, Secrétaire perpétuel de l’Académie  des Inscriptions et Belles-Lettres : <strong><span style="font-family: Arial;">Sophie Basch </span></strong>(Université de Poitiers, IUF), <strong><span style="font-family: Arial;">Pierre Chuvin</span></strong> (IFEA), <strong><span style="font-family: Arial;">Michel Espagne</span></strong> (CNRS-ENS), <strong><span style="font-family: Arial;">Dominique Mulliez</span></strong> (EFA).</span></p>\r\n<p style="text-align: justify;"><span style="font-size: 9pt; font-family: Arial; color: gray;">L’histoire  n’a pas perdu le souvenir des trois frères Reinach, Joseph (1856-1921),  Salomon (1858-1932) et Théodore (1860-1928), surnommés les « frères Je  sais tout » en raison de leur prodigieuse érudition. Si des hommages  ponctuels ont été rendus à chacune de ces personnalités, aucune  manifestation d’ampleur n’a honoré la mémoire de la fratrie dans son  ensemble. Elle couvre tout un pan de la vie intellectuelle, scientifique  et politique, de la IIIe République : Joseph, chef de cabinet de  Gambetta, anti-boulangiste acharné, auteur d’une monumentale Histoire de  l’affaire Dreyfus dont il fut à la fois acteur et témoin ; Théodore,  archéologue, papyrologue, numismate, musicologue, professeur au Collège  de France ; Salomon, normalien, membre de l’École française d’Athènes  puis de l’Académie des Inscriptions et Belles Lettres, conservateur du  Musée national des Antiquités de Saint-Germain-en-Laye, auteur d’une  œuvre aussi immense qu’éclectique, pionnier de l’histoire des religions,  remarquable érudit et vulgarisateur, infatigable pilier de la vie  académique et littéraire. Sans oublier le fils de Joseph, Adolphe  Reinach (1887-1914), qui épousa la fille de Mathieu Dreyfus : sa mort au  front priva l’archéologie grecque et l’égyptologie d’une figure  exceptionnelle.</span></p>\r\n<p style="text-align: justify;"><span style="font-size: 9pt; font-family: Arial; color: gray;"><br /> L’historien Théodore était député de Savoie, l’avocat Joseph député de  Digne, l’helléniste et orientaliste Salomon ne cessa de s’intéresser à  la vie politique de son temps. Joseph, le seul qui ne fît pas profession  de sa culture classique, est l’auteur d’un des plus importants Voyage  en Orient de la seconde moitié du XIXe siècle. Théodore confia la  traduction du Contre Apion de Flavius Josèphe à un jeune agrégé de  lettres, professeur au lycée Janson-de-Sailly : Léon Blum. Les trois  frères soutinrent activement l’action de l’Alliance israélite  universelle. Le mélange de la philologie et de la politique apparaît  comme un des traits distinctifs de l’identité de cette famille juive  installée en France, passionnément francophile, mais fidèle aux valeurs  du judaïsme comme aux méthodes de la science germanique. Famille au sens  aussi de famille spirituelle : les frères Reinach, fils d’un banquier  de Francfort installé à Paris dans les années 1840, sont exemplairement  représentatifs de l’ambition totalisante caractérisant les travaux  philologiques des professeurs allemands expatriés qui furent leurs  maîtres en France. La société qu’ils forment à eux seuls n’est pas  exclusive : ils appartiennent à un milieu bien défini, celui des « fous  de la République ». C’est à l’intérieur de ce cadre, indissociable de  leur rayonnement international, que le colloque souhaite resituer  l’œuvre des trois frères. Délaissant les approches trop étroites,  historiens, philologues, hellénistes, orientalistes et historiens de  l’art tenteront de mettre en évidence les croisements incessants entre  les mondes de la science, de la politique et des arts, sans lesquels on  ne peut prendre la mesure des Reinach. </span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:38:03', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:38:03', '0000-00-00 00:00:00', 0, 0, 7, 0, 0, '', '', '', '', 205, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(169, '30-31/10/08-Symposium: La Constitution monarchique de 1908, l''art et la littérature', '30-31/10/08-symposium-la-constitution-monarchique-de-1908-lart-et-la-littérature', 83, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;"><br /></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=874" target="_blank" title="Convertir en PDF"> </a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=874&amp;pop=1&amp;page=0&amp;Itemid=860" target="_blank" title="Version imprimable"> </a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="color: #888888;"><strong><span style="color: #ff6600;">Symposium : « La Constitution monarchique de 1908, l''art et la  littérature»</span><br /> </strong>Symposium organisé par l’Université  Technique de Yıldız, l’Institut Français d’Etudes Anatoliennes et l’UMR  8032- Etudes turques et ottomanes.</span></p>\r\n<p><span style="color: #888888;"> </span></p>\r\n<p><span style="color: #888888;"><strong>les  30-31 octobre 2008 à l’Auditorium de l’Université Technique de Yıldız  (Beşiktaş)</strong><strong><br /> <a href="http://mesrutiyetvesanat.net/">Voir le site du colloque </a></strong></span></p>\r\n<p><span style="color: #888888;"> </span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:38:23', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:38:23', '0000-00-00 00:00:00', 0, 0, 6, 0, 0, '', '', '', '', 189, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(170, 'Série de conférences: "On Support"', 'série-de-conférences-on-support', 83, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=848" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=848'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=848&amp;pop=1&amp;page=0&amp;Itemid=860" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=848&amp;pop=1&amp;page=0&amp;Itemid=860'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan="2" valign="top"><!-- @page { size: 8.5in 11in; margin: 0.79in } P { margin-bottom: 0.08in } -->\r\n<div align="justify"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #999999;">En collaboration avec <em>Platform Garanti Güncel Sanat</em> et <em>Garanti  Gallery</em>, une série de conférences en anglais est organisée entre décembre 2008 et février 2009 sur le thème “On Support”. <br /> <br /> La notion du support et de son implication dans le dévelopment des pratiques culturelles, artistiques et architecturales y seront discutées. <br /> <br /> Les conférences auront lieu dans la salle de conférence du musée de la Banque Ottomane à Bankalar Caddesi 11, Karaköy.</span></div>\r\n<p style="margin-bottom: 0in;"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #808080;"><a href="http://platformgaranti.blogspot.com/2008/12/on-support.html" target="_blank"><span style="color: #ff6600;">Cliquer pour plus  d''informations</span></a></span></p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>', '', NULL, NULL, NULL, '', '2010-04-06 12:39:00', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:39:00', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 201, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(171, '12-13/11/05 Syposium Critique d''Art et de littérature', '12-13/11/05-syposium-critique-dart-et-de-littérature', 83, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;"><br /></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=867" target="_blank" title="Convertir en PDF"> </a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=867&amp;pop=1&amp;page=0&amp;Itemid=860" target="_blank" title="Version imprimable"> </a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="color: #888888;"><strong>Critique d’Art et  Littérature/Sanat Eleştirisi ve Edebiyat</strong></span></p>\r\n<p><span style="color: #888888;"><strong>les 12 et 13 novembre 2005</strong>, symposium  à l’Université technique de Yıldız organisé par l''Institut Français d''Etudes  Anatoliennes et l''Université technique de Yıldız. <br /><em> 12-13 Kasım 2005 tarihlerinde, Fransız Anadolu Araştırmaları Enstitüsü  ve Yıldız Teknik Üniversitesi tarafından düzenlenen sempozyum Yıldız Teknik Üniversitesi''nde</em></span> <span style="color: #888888;"> gerçekleşecektir.</span></p>\r\n<p><span style="color: #888888;">Responsabilité scientifique-Bilimsel  Sorumlular<br /> Timour Mouhiddine (INALCO) et/ve Bahriye Çeri (Yıldız Teknik  Üniversitesi);</span></p>\r\n<p><span style="color: #888888;"><br /><strong>12 novembre /  Kasım 2005</strong></span></p>\r\n<p><span style="color: #888888;">I.La  critique pré-moderne / Modern dönem öncesi eleştiri<br /><br /> Président de séance </span> <span style="color: #888888;"><strong>Doğan Hızlan</strong> (directeur général du groupe  Milliyet-Milliyet Grubu Genel Müdürü)</span></p>\r\n<p><span style="color: #888888;">• <strong>Polymnia Athanassiadi </strong>(Université  d''Athènes), <br /> "Le regard du critique d’art: de Philostrate à Paul le Silentiaire" <br /> "Sanat eleştirmeninin bakışı: Philostratos''tan Mabeynci Pavlos''a"<br /><br /> • </span> <span style="color: #888888;"><strong>Beşir Ayvazoğlu </strong>(Zaman Gazetesi, journal Zaman)<br /> "Şeyh Galip, que critique de poésie"<br /> "Bir şiir eleştirmeni olarak Şeyh Galip"<br /><br /> •</span> <span style="color: #888888;"><strong> Sophie Basch</strong> (Université de Poitiers, Institut Universitaire de  France)<br /> "La chronique d''Orient de l''Art et les Artistes"<br /> "L''Art et les Artistes" dergisinde Doğu dizisi"<br /><br /> • </span> <span style="color: #888888;"><strong>Christophe Balaÿ </strong>( INALCO) <br /> "Poétique de la prose persane moderne: 1946-2006"<br /> " Çağdaş Fars nesirinde nazım unsurları"</span></p>\r\n<p><span style="color: #888888;"><br /><br /><strong> II.Critique d’art et Littérature / Sanat Eleştirisi ve Edebiyat,</strong></span></p>\r\n<p><span style="color: #888888;">Président de séance <strong>Enis Batur</strong><br /><br /> • </span> <span style="color: #888888;"><strong>Duygu Köksal</strong> (Boğaziçi Üniversitesi)<br /> "La critique artistique des débuts de la période républicaine turque et  le modernisme européen "<br /> "Erken Dönem Cumhuriyet Sanatı''nda Eleştiri ve Avrupa Modernizmi"<br /><br /> • </span> <span style="color: #888888;"><strong>Christine Peltre</strong> (Université de Strasbourg)<br /> "L''art islamique en France au XIXe siècle : la constitution d''un  discours critique<br /> " XIX. yüzyılda Fransa''da İslam sanatı: eleştirel bir söylemin oluşturulması" <br /><br /> • </span> <span style="color: #888888;"><strong>Stéphane Hirschi </strong>(Université de Valenciennes)<br /> "La figure de l''odalisque telle qu''Aragon la commente dans Henri  Matisse, roman"<br /> "Henri Matisse, roman" adlı eserde Aragon''un yorumladığı şekliyle "odalık" (cariye) karakteri"<br /><br /> •</span> <span style="color: #888888;"><strong> Bahriye Çeri</strong> (Yıldız Teknik Üniversitesi)<br /> "Nahit Sırrı Örik et la critique d''art"<br /> "Nahit Sırrı Örik ve sanat eleştirisi"<br /><br /> • </span> <span style="color: #888888;"><strong>Michèle Aquien</strong> (Université de Créteil)<br /> "La critique d''art dans À Rebours"<br /> "A Rebours''da sanat eleştirisi"</span></p>\r\n<p><span style="color: #888888;"> </span></p>\r\n<p><span style="color: #888888;"><strong>III.Le Surréalisme au  Proche-Orient / Orta Doğu’da Gerçeküstücülük</strong></span></p>\r\n<p><span style="color: #888888;">Président de séance Polymnia Athanassiadi</span></p>\r\n<p><span style="color: #888888;">• <strong>Timour Mouhiddine (</strong>INALCO)<br /> "Pour un surréalisme alla turca: la lettre d''André Breton"<br /> " Ala turka bir gerçeküstücülük lehine: André Breton''un mektubu" <br /><br /> • </span> <span style="color: #888888;"><strong>Marc Kober </strong>(Paris XIII)<br /> "Le Surréalisme en Égypte"<br /> "Mısır''da gerçeküstücülük"<br /><br /> • </span> <span style="color: #888888;"><strong>Süha Oğuzertem </strong>(Bilkent Üniversitesi)<br /> "De la sociologie à l''historicité dans la critique d''art"<br /> "Edebiyat eleştirisinde Sosyolojiden Tarihselliğe"</span></p>\r\n<p><span style="color: #888888;"> </span></p>\r\n<p><span style="color: #888888;"><strong>IV.La nouvelle  critique / Yeni eleştiri </strong></span></p>\r\n<p><span style="color: #888888;">Président de séance <strong>Sophie Basch </strong>(Université  de Poitiers, Institut Universitaires de France)<br /><br /> • </span> <span style="color: #888888;"><strong>Füsun Akatlı </strong>(Doğuş Üniversitesi)<br /> "Sur la possibilité de fonder la critique littéraire comme la question philosophique"<br /> "Bir Felsefe Sorusu Olarak Edebiyat Eleştirisinin  Temellendirilebilirliği Üzerine"<br /><br /> •</span> <span style="color: #888888;"><strong> Pierre Chuvin</strong> (IFEA)<br /> "L’Orientalisme selon Edward Saïd"<br /> "Edward Said''in bakışıyla oryantalizm"<br /><br /> • </span> <span style="color: #888888;"><strong>Cemren Altan</strong> (Bilkent Üniversitesi)<br /> " Le métier de critique d''art au sein des identités plurielles"<br /> " Çoğul kimlikler içinde Sanat Eleştirmenliği"</span></p>\r\n<p><span style="color: #888888;">Discussion générale / Genel Tartışma</span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:39:34', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:39:34', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 226, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n 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(172, 'Projet 2009: Appropriations et Réinterprétations du Républicanisme France/Turquie', 'projet-2009-appropriations-et-réinterprétations-du-républicanisme-france/turquie', 83, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;">Projet 2009: Appropriations et Réinterprétations du  Républicanisme France/Turquie</span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1208" target="_blank" title="Convertir en PDF"> </a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1208&amp;pop=1&amp;page=0&amp;Itemid=860" target="_blank" title="Version imprimable"> </a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="color: #888888;">Projet de colloque organisé dans le cadre  de <strong>2009, la saison turque en France</strong>, porté par  l''Institut Français d''Etudes Anatoliennes en partenariat avec l’ETO (équipe Etudes  Turques et Ottomanes), Univ. Bahçesehir, Univ. Marmara.</span></p>\r\n<p><span style="color: #888888;">L''objet de ce colloque est de sensibiliser à  l’ampleur de l’influence des idées et des institutions françaises sur  <st1:personname productid="la Turquie" w:st="on">la Turquie</st1:personname>, en  particulier le système et les mentalités politiques .</span></p>\r\n<p><span style="color: #888888;">Cet héritage a été réinterprété au fil des  ans en Turquie pour aboutir aujourd’hui à des pratiques et à un habitus  politique singuliers qu’il s’agit de mieux faire comprendre.</span></p>\r\n<span style="color: #888888;"> Le colloque aura lieu en  France en fin janvier 2010.Les thèmes suivants seront traités : </span>\r\n<p><span style="color: #888888;">Une lecture ottomane du positivisme, la  minorité impossible ou le regard constitutionnel, la laïcité turque, la  nation élective à la française, les mutations du système administratif  turc</span></p>\r\n<span style="color: #888888;"> les  étapes de l’émancipation des non musulmans, les musées de <st1:personname productid="la R￩publique" w:st="on">la République, l</st1:personname>’Ecole  francophone, la grande muette? Armée et politique, les nouveaux acteurs  de la vie civile. </span><br />', '', NULL, NULL, NULL, '', '2010-04-06 12:40:10', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:40:10', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 176, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(1147, 'Journées d''études : "Quels bilans d''Istanbul 2010?"', 'journées-détudes--quels-bilans-distanbul-2010?', 83, 0, '<p style="font-weight: bold; ">Mardi 17 et mercredi 18 mai 2011<br />de 10h à 18h, salle de conférence de l’IFEA</p>\r\n<p style="font-weight: bold; "> </p>\r\n<p style="font-weight: bold; padding-left: 30px; color: #888888;"><img style="float: left;" width="100" src="http://www.yazmavakti.com/wp-content/uploads/2010/09/istanbul-2010-kultur-baskenti.gif" />A l’initiative de la directrice de l’IFEA Nora Şeni, l’IFEA organise deux journées d’études qui nous permettront de revenir sur le projet d’« Istanbul, capitale européenne de la culture 2010 » et d’en ébaucher les bilans possibles. A travers les interventions de chercheurs turcs, français, ou encore d’acteurs au coeur du projet d''Istanbul 2010, nous tenterons d’en analyser les impacts sur les champs sociaux, économiques, politiques et culturels.</p>\r\n<p style="font-weight: bold; padding-left: 30px; color: #888888;"><span style="font-weight: normal;">L''intention étant de laisser le plus d''espace à la discussion, </span><span style="font-weight: normal;">la formule suivante est proposée pour chaque intervention : environ 45min-1heure pour chaque intervention, suivi d''environ la même durée (45 min - 1h ) pour des questions et débats autour des thèmes abordés durant l''intervention.</span></p>\r\n<p style="font-weight: bold; padding-left: 30px; color: #888888;"> </p>\r\n<p style="font-weight: bold; color: #888888; padding-left: 30px;"><span style="font-weight: normal;">Les interventions seront faites en français et en anglais.</span></p>\r\n<p style="font-weight: bold; color: #888888; padding-left: 30px;"><span style="font-weight: normal;"> </span><span style="font-weight: normal;"> En espérant vous voir nombreux,</span></p>\r\n<p style="text-align: left; color: #888888; padding-left: 30px;">Nora Şeni, Julien Paris et Yoann Morvan</p>\r\n<p style="font-weight: bold; "><span style="font-weight: normal;"> </span></p>\r\n<hr style="text-align: left; color: #888888;" />\r\n<p style="color: #888888;"> </p>\r\n<p style="color: #888888;"><strong>Programme (l''ordre des interventions est susceptible de changer en fonction des agendas des intervenants) :</strong></p>\r\n<p style="font-weight: bold; padding-left: 30px;"><span style="color: #ff6600;">Mardi 17 mai 2011 :</span></p>\r\n<p style="padding-left: 60px;"><span style="color: #888888;"><strong>10h : Présentation des journées et des intervenants (Nora Şeni, directrice de l’IFEA) ;</strong><br /><strong>10h30 : « Istanbul, international centre on creative cities and economy » (Seza Sinanlar Uslu, Université Yildiz) ;</strong><br />12h30 : Pause déjeuner ;<br /></span><span style="color: #888888; "><strong>14h : L’évolution du tourisme dans l''économie culturelle (Maria Gravari-Barbas, Université Paris I) ;<br /></strong></span><span style="color: #888888; ">16h : pause café ;<br /></span><strong><em><span style="color: #888888;">16h30 : La place des ONG dans le dispositif Istanbul 2010  (Selcuk Erdoğmuş, président de Cihangir Guzellestirme Dernegi, intervention à confirmer) ;<br /></span></em></strong><span style="color: #888888; ">18h30 : buffet</span></p>\r\n<p style="padding-left: 30px;"><span style="color: #888888; "><strong><span style="color: #ff6600;">Mercredi 18 mai 2011 :</span></strong></span></p>\r\n<p style="font-weight: bold; padding-left: 60px;"><span style="color: #ff6600;"> </span><span style="color: #888888; font-weight: normal; ">10h : Accueil du public ;<br /></span><span style="color: #888888;">10h30 : « Istanbul 2010, entre patrimoine et shopping, un marketing urbain à géométrie variable » (Yoann Morvan, docteur en urbanisme) ;<br /></span><span style="color: #888888; font-weight: normal;">12h30 : pause déjeuner ;<br /></span><span style="color: #888888; font-weight: normal;"><strong>14h : Les méthodes d''évaluation d''Istanbul 2010 et leurs résultats (Korhan Gümüş, Istanbul 2010) ;<br /></strong>16h : pause café ;<br /></span><span style="color: #888888;">16h30 : « Place, fonction et enjeu d''Istanbul dans le dialogue Europe-Turquie » (Cengiz Aktar, Université Bahçesehir) ;<br /></span><span style="color: #888888;">18h : conclusions des journées et table ronde ;<br /></span><span style="color: #888888; font-weight: normal;">19h : cocktail de clôture.</span></p>', '', NULL, NULL, NULL, '', '2011-04-18 12:06:55', 292, '', 0, '0000-00-00 00:00:00', '2011-04-20 11:45:05', 292, '2011-04-18 12:02:28', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 60, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(1052, 'Colloque : Les Antidotes à l’Orientalisme ', 'colloque--les-antidotes-à-l’orientalisme', 83, 0, '<p><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #888888;"><span style="color: #ff6600;"><strong><br /><span style="color: #808080;"><img alt="colloque-orientalisme-200" src="images/stories/ifea/actualites/colloque-orientalisme-200.jpg" width="200" height="283" /><br />23-24 février 2011 au Lycée Notre Dame de Sion</span></strong></span><br /><strong> </strong></span><span style="color: #888888;">Organisé par Nora Seni<br />Avec les participations de <strong>Zeynep Çelik; Zeki Çoşkun; İpek Duben;  Genco Gülan;  Nedim Gürsel; Gülsün Karamustafa;  Vasıf Kortun; Timour Muhidine; Kenizé Mourad;  Silvia Naef ; Burcu Pelvanoğlu, Nora Şeni et Mercedes Volait.</strong><br /><em>En partenariat avec l’<strong>AICA Turquie</strong> (Association internationale des critiques d’art) et <strong>Le lycée Notre Dame de Sion</strong>. </em><br /></span></span></span></p>\r\n<p> </p>\r\n', '\r\n<span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #888888;">Le  but de ce colloque n’est pas de revisiter l''univers d’Edward Saïd et  d’analyser à nouveau la propension à projeter exotisme et clichés sur  l’Orient. Les interventions s’interrogeront plutôt sur la façon dont la  création contemporaine (artistique, architecturale) dans les pays  d’Orient ressuscite, relit, réinterprète, s’approprie, ou récuse, tourne  en dérision le regard orientaliste. Les domaines investigués seront  l’architecture et l’esthétique urbaine, le roman et les arts  contemporains. Les artistes seront invités à exposer leurs productions  qui reflètent ce dialogue avec l’orientalisme. <br /><a target="_blank" href="images/stories/culture/orientalismeprog.pdf">programme</a></span></span></span>', NULL, NULL, NULL, '', '2011-01-24 07:47:19', 66, '', 0, '0000-00-00 00:00:00', '2011-01-31 09:42:46', 66, '2011-01-24 07:47:19', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 860, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(163, 'Séminaires Istanbul 2010', 'séminaires-istanbul-2010', 84, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1732" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1732'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1732&amp;pop=1&amp;page=0&amp;Itemid=859" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1732&amp;pop=1&amp;page=0&amp;Itemid=859'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p style="margin-bottom: 0cm;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><strong><span style="color: #ff6600;">Recherches autour d''« Istanbul 2010. Capitale européenne de la  culture » <br /> </span></strong></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm;"><span><span><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><strong>Organisé par </strong></span><a target="_self" href="../website/index.php?option=com_content&amp;task=view&amp;id=1421&amp;Itemid=1033"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><strong>Yoann Morvan</strong></span></a></span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p style="margin-bottom: 0cm;"><span><br /> <span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<span style="color: #808080;"><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Le séminaire se  tient un <strong>lundi</strong> (<strong>19h / IFEA</strong>) par  mois sur cette thématique ouverte et transdisciplinaire.</span> </span></span></span></span></span></span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><span><span style="color: #808080;"><strong>-</strong> Le <strong>Lundi 14 décembre</strong>, <strong><span style="color: #ff6600;">Korhan Gümüş</span></strong> est invité.</span></span></span></span> </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span><span><span style="color: #808080;"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Cliquer  ici pour la </span><a target="_self" href="../website/index.php?option=com_content&amp;task=view&amp;id=1609&amp;Itemid=1001"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Conférence  en ligne</span></a><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">.</span></span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span style="color: #808080;"><strong>-</strong> Le <strong>11 janvier</strong>, les invités sont <strong><span style="color: #ff6600;">Asu Aksoy</span></strong> et <strong><span style="color: #ff6600;">Orhan Esen</span></strong>.</span></span> </span></span></span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><span><span style="color: #808080;"><strong>-</strong> Le <strong>22 février</strong>, <strong><span style="color: #ff6600;">Cengiz Aktar</span></strong> est  invité.</span></span></span></span> </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span><span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Cliquer ici pour la </span><a target="_self" href="../website/index.php?option=com_content&amp;task=view&amp;id=1767&amp;Itemid=1001"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Conférence  en ligne</span></a><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">. </span></span></span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><span><span style="color: #808080;"><strong>-</strong> Le <strong>15 mars</strong>, <strong><span style="color: #ff6600;">Nora Şeni</span></strong> est invitée.</span></span></span></span> </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><strong>-</strong> Le <strong>26  avril</strong>, <strong><span style="color: #ff6600;">Bige Örer</span></strong> est invitée.</span></span><span> </span></span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>-</strong> Le <strong>24 mai</strong>,  <strong><span style="color: #ff6600;">Jean-François Pérouse</span></strong> est invité.</span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"> </p>\r\n</span>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">En 2010, Istanbul va jouir d’une importante  visibilité médiatique en Europe. En effet, la mégalopole turque  bénéficiera de son statut temporaire de « Capitale européenne de la  culture », label attribué par la Commission européenne destiné à  promouvoir un certain nombre de manifestations culturelles. C’est la  première fois qu’une entité urbaine d’un tel poids, tant historique que  démographique, s’est trouvée être sélectionnée depuis la montée en  puissance de ce label au cours des années 1990. Certes, Istanbul  s’inscrit dans la liste déjà longue des métropoles entendant utiliser  cette occasion pour se doter par la culture, notamment par la  requalification de friches industrielles et la reconquête de <em>waterfronts</em>,  d’une image de marque sur le très concurrentiel marché globalisé des  villes. Cependant, comme nous l’analyserons, le cas d’Istanbul comporte  des particularités qui le singularisent nettement par rapport à ses  prédécesseurs. </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></p>\r\n<p><span><span><span style="font-family: arial,helvetica,sans-serif;"><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><strong> </strong></span></span></span></span></span></p>\r\n<p><span><span><span style="font-family: arial,helvetica,sans-serif;"><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><strong> </strong></span></span></span></span></span></p>\r\n<span><span><span style="font-family: arial,helvetica,sans-serif;"><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><strong> </strong></span></span></span></span></span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-family: arial,helvetica,sans-serif;">Au premier chef, le contexte géopolitique  place « Istanbul 2010 » au cœur du problème plus complexe de la  candidature turque d’adhésion à l’Union Européenne. Etre « Capitale  européenne de la culture » est pour l’ancienne capitale de l’Empire  Ottoman un moyen d’affirmer son identité occidentale. A travers sa  vitrine urbaine stambouliote transformée par cet évènement, c’est aussi  pour la Turquie une manière de s’intégrer virtuellement au club des  membres de l’Union. Parallèlement à ce contexte interétatique, un jeu  d’acteurs propre aux tensions d’une société urbaine locale en pleine  effervescence est le terreau qui a permis à Istanbul de décrocher ce  statut si convoité : son obtention doit beaucoup aux actions d’une  nouvelle élite économique désireuse de s’investir dans le champ  culturel. Les autorités politiques islamiques modérées n’ont fait  qu’accompagner des initiatives qui ne pouvaient qu’accroitre leur image  de respectabilité et de tolérance. Ainsi, d’inédits partenariats  public/privé ont été institués de façon à soutenir les projets et  équipements qui allaient servir à la candidature puis aux manifestations  estampillées « Capitale européenne de la culture ». Ces partenariats  reflètent les processus contradictoires d’une modernisation turque dont  l’urbanisation des mœurs stambouliotes est le fer de lance. Toutefois, à  qui s’adresse en définitive « Istanbul 2010 »? </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;">Cheval  de Troie de l’européanisation, le public visé par « Istanbul 2010 »  n’est peut-être pas tant la frange la plus occidentalisée de la  population urbaine locale qu’une nouvelle fraction de la masse  touristique se rendant sur les rives du Bosphore souhaitant découvrir un  patrimoine différent de celui constitué par les édifices historiques de  la Corne d’Or (Topkapi, Sainte-Sophie, etc.). Que restera-t-il de cette  année 2010 dans le paysage culturel stambouliote? L’exemple Lillois,  avec l’opération « Lille 3000 », semblerait plaider en faveur d’une  pérennisation des acquis symboliques engrangés à la suite de son année  passée (2004) sous la bannière de la « Capitale européenne de la culture  ». Qu’en sera-t-il à Istanbul où de nombreux projets voient  actuellement le jour?</span> </span></span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="font-family: arial,helvetica,sans-serif;">Témoin privilégié, l’IFEA s’appuie sur son  Observatoire Urbain et sur ses partenaires locaux pour s’engager dans  une étude à court et moyen terme de l’impact généré par « Istanbul 2010  ». Il s’agira d’analyser dans la durée comment les équipements et les  jeux d’acteurs mis en place, ainsi que leurs divers usages locaux et  globaux, évolueront au cours des prochaines années. </span></span></p>\r\n<p style="margin-bottom: 0cm;" align="justify"> </p>\r\n</span></span></span></span></span>\r\n<p><span><span><span><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></span></span></span></p>\r\n<p><span><span><span><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><strong> </strong></span></span></span></span></span></p>\r\n<p><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><span><span><span style="color: #808080;"><strong>- Lundi 14 décembre 2009</strong></span></span></span></span></span> </span></span></p>\r\n<p><span><span><span><span><span><span style="color: #808080;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #ff6600;">Korhan  Gümüş</span><span><span> a témoigné en tant qu''acteur majeur d''<em>Istanbul  2010, Capitale Européenne de la Culture</em></span></span> </span></span></span></span></span></span></span></span></p>\r\n<p><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm;"><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm;"><span><span><span><span><span style="color: #808080;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span>Korhan Gümüş est architecte. Intellectuel engagé dans la  vie de la Cité, incarnation de la société civile, il est actuellement  directeur de projets urbains pour Istanbul capitale européenne de la  culture 2010. Par ailleurs, il anime un programme hebdomadaire à Açık  Radio à Istanbul et est</span><span> conférencier dans des associations  d’urbanisme. Il publie régulièrement dans des journaux quotidiens turcs  ainsi que dans des revues d’architecture (Arkitera, Domus, Arrademento  Mimarlık, Yapı).</span> </span></span></span></span></span></span></span><a rel="nofollow" target="_blank" href="http://www.istanbul2010.org/index.htm"><span style="text-decoration: underline;"><span style="color: #0066cc;"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">http://www.istanbul2010.org/index.htm</span></span></span></a><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm;"><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm;"><span><span><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></span></span></p>\r\n<p style="margin-bottom: 0cm;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><strong>- Lundi 11 janvier 2010</strong><br /> <span style="color: #ff6600;">Asu Aksoy</span> (Bilgi  University) et <span style="color: #ff6600;">Orhan Esen</span> ont proposé (en anglais) une analyse croisée d''<em>Istanbul 2010,  Capitale européenne de la culture</em></span></span> </span></span></span></span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:35:27', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:35:27', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 243, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(164, 'Séminaires ethno-musicologie', 'séminaires-ethno-musicologie', 84, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1647" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1647'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1647&amp;pop=1&amp;page=0&amp;Itemid=859" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1647&amp;pop=1&amp;page=0&amp;Itemid=859'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p style="margin-bottom: 0cm; font-style: normal;" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #ff6600;">Seminary in ethnomusicology (IFEA) 2010</span> </span></span></span></span></span></span></span></span></p>\r\n<h1 style="font-style: normal;" lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Music and Identity : analysing the musical  construction of Turkey </span></h1>\r\n<p style="margin-bottom: 0cm; font-style: normal;" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Monthly cycle of lectures in English.</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Organisation: Altu ­ Yılmaz, Nicolas  Elias, Ruben Tenenbaum</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Can Turkish society be understood  through the analysis of its specific musical processes? Whether through  the State Radio network (TRT), the urban scene or local organizations,  resulting either from imposed ideology or civil protest, the presence of  music in the public sphere causes intense discourse on identity and  musical change. By analysing the mechanisms of identity prevailing in  the emergence and categorisation of music, we postulate that there is an  analogy between music and identity, all the more since the / notion of  identity is subject to tenseness. Such an analogy in turn raises a  thorny issue: Is music captive of the identity mechanisms that stage it?</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Through a series of examples, the  object of this seminar is first to decode the construction of the  musical scene of Turkey in order to define its underlying ideological  frameworks (notions of authenticity, purity or tradition; ethnic  identity; multiculturalism…) and then to try and grasp some of the  processes at work in contemporary Turkish society (nationalisation,  regionalisation, urbanisation, state control/opposition of minorities,  “westernisation”…).</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Scheduled lectures: (temporary titles) </span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span style="color: #808080;"><span lang="en-GB">- 6</span><span><span><sup><span lang="en-GB">th</span></sup><span lang="en-GB"> of January: Dr Bülent  Aksoy (Bosphorus University), The Impact of State Radio on Turkish Music  in the Republican Era.</span></span></span></span></span> </span></span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span style="color: #808080;"><span lang="en-GB">- 15</span><span><span><sup><span lang="en-GB">th</span></sup><span lang="en-GB"> of February: Jean  During (CNRS), “The soufi''s musics in Central Asia and Iran".</span></span></span></span></span> </span></span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- March: Turkey in the Istanbul  scene: The path of Kardeş Türküler.</span> </span></span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- April: Glimpses onto Ottoman music,  from an empire of decline to an empire of tolerance</span> </span></span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span style="color: #808080;"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span lang="en-GB">- May: yet to be defined.</span><span lang="en-GB"> </span></span></span></span></span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<span lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span><span lang="en-GB">\r\n<h1 style="font-style: normal;"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Séminaires d’ethnomusicologie 2010</span></h1>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #ff6600;">Musique et identité : analyser la  construction musicale de la Turquie</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Cycle de conférences mensuelles, en  anglais.</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Organisateurs : Altu<span lang="tr-TR">ğ Yılmaz, </span>Ruben Tenenbaum<span lang="tr-TR">, </span>Nicolas  Elias</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Peut-on étudier la société turque en  analysant le devenir de ses musiques ? Qu’elle se fasse par le biais de  la radio d’Etat, des scènes urbaines ou d’associations locales, qu’elle  résulte d’une idéologie imposée ou d’une contestation civile, l’entrée  de musiques dans l’ « espace public » est à la fois objet d’un discours  identitaire intense et cause de profonds changements musicaux. En  analysant les ressorts identitaires qui prévalent à l’émergence et à la  catégorisation des musiques, le postulat serait celui d’une analogie  entre musique et identité, d’autant plus étroite que la notion  d’identité est sujette à crispation. Analogie qui pose en retour une  question épineuse : la musique est-elle alors prisonnière des mécanismes  identitaires qui la mettent en scène ? </span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">A travers une série d’exemples,  l’objet de ce séminaire serait donc de décrypter la construction du  paysage musical de la Turquie, pour cerner les cadres idéologiques qui  la sous-tendent (notion d’authenticité, de pureté ou de tradition ;  identité ethnique ; multiculturalisme…) et ainsi appréhender certains  processus à l’œuvre dans la société turque contemporaine  (nationalisation, régionalisation, urbanisation, contrôle  étatique/opposition des minorités, « occidentalisation »…).</span> </span></span></span></span></span></span></span></span></p>\r\n<span>\r\n<p style="margin-bottom: 0cm; font-style: normal;"> </p>\r\n<span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Séances (titres provisoires) :</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><span><span style="color: #808080;"><span><span>- 6 janvier : <span lang="en-GB">Dr Bülent  Aksoy (Université du Bosphore), The Impact of State Radio on Turkish  Music in the Republican Era.</span></span></span></span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span style="font-family: Arial;"> </span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- 15 février : Jean During (CNRS),  « Les musiques dites soufies en Asie centrale et en Iran  »</span> </span></span></span></span></span></span></span></span></p>\r\n<p><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Cliquer ici pour<span style="font-family: arial,helvetica,sans-serif;"> voir la </span><a target="_self" href="../website/index.php?option=com_content&amp;task=view&amp;id=1755&amp;Itemid=1001"><span style="font-family: arial,helvetica,sans-serif;">Conférence en ligne</span></a><span style="font-family: arial,helvetica,sans-serif;">.</span></span></p>\r\n<p> </p>\r\n<p><span> </span></p>\r\n<span> </span><span>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- Mars : La Turquie sur la scène  d’Istanbul ? Le parcours de Karde<span lang="tr-TR">ş T</span>ürküler</span> </span></span></span></span></span></span></span></span></p>\r\n</span>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- Avril : Regards sur la musique  ottomane, d’un empire de décadence à un empire de tolérance</span> </span></span></span></span></span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- Mai : A définir</span> </span></span></span></span></span></span></p>\r\n</span>', '', NULL, NULL, NULL, '', '2010-04-06 12:35:54', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:35:54', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 238, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(165, 'Séminaires 2009-2: Les nouveaux acteurs de la production artistique et culturelle', 'séminaires-2009-2-les-nouveaux-acteurs-de-la-production-artistique-et-culturelle', 84, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=877" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=877'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=877&amp;pop=1&amp;page=0&amp;Itemid=859" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=877&amp;pop=1&amp;page=0&amp;Itemid=859'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><strong><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #ff6600;">Les nouveaux  acteurs de la production artistique et culturelle</span></strong></p>\r\n<p><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #999999;">Cours hebdomadaires de <em>Master Cultural  Management</em> à l''Université Bilgi/santralistanbul (2ème semestre). <br /> </span></p>\r\n<span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #999999;">Responsable: <strong>Nora Şeni</strong></span>', '', NULL, NULL, NULL, '', '2010-04-06 12:36:21', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:36:21', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 213, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(166, 'Séminaires 2009-1: Les sciences humaines dialoguent avec les arts et la culture', 'séminaires-2009-1-les-sciences-humaines-dialoguent-avec-les-arts-et-la-culture', 84, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=876" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=876'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=876&amp;pop=1&amp;page=0&amp;Itemid=859" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=876&amp;pop=1&amp;page=0&amp;Itemid=859'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><strong><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #ff6600;">Les sciences  humaines dialoguent avec les arts et la culture</span></strong></p>\r\n<p><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #999999;">Séminaires organisés par l''IFEA et le  nouveau <em>Centre de recherches interdisciplinaires sur la culture </em>(CRIC)  de l''Université Mimar Sinan.  Il s''agira de développer les approches  des sciences humaines (</span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #999999;">histoire, </span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #999999;">anthropologie, littérature, gastronomie, etc.) au  sujet de la production artistique et culturelle contemporaine.  Responsables du programme: Ali Akay (Université Mimar Sinan), Nora Şeni  (IFEA).</span></p>\r\n<p><span style="color: #808080;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;">Partciperont à  l''organisation du sémainaire les intervenants suivants:  Ebru B.  Yetişkin, Derya Fırat,  Selva Şahin, Burcu Pelvanoğlu, Azra Tüzünoğlu;  Ender Keskin </span></span></span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:36:47', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:36:47', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 251, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(167, 'Séminaires 2006: Philanthropie, mécénat et politiques culturelles', 'séminaires-2006-philanthropie-mécénat-et-politiques-culturelles', 84, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;"><br /></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=875" target="_blank" title="Convertir en PDF"> </a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=875&amp;pop=1&amp;page=0&amp;Itemid=859" target="_blank" title="Version imprimable"> </a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="color: #ff6600;"><strong>Philanthropie, mécénat et politiques  culturelles </strong></span></p>\r\n<p><span style="color: #888888;">Cette série de séminaires est organisée par  l''Institut Français d''Etudes Anatoliennes avec la collaboration de l''Université Bilgi (Cultural Management - licence),  l''Université Mimar Sinan (Départements de sociologie et de planification urbaine), du « Centre d''Histoire du Domaine Turc » (EHESS/CNRS),</span></p>\r\n<p><span style="color: #888888;">sous la responsabilité scientifique de <strong>Nora  Şeni </strong>(Université Paris 8, Institut Français d''Urbanisme).</span></p>\r\n<p><span style="color: #888888;"><strong>3 avril 2006</strong> : conférence de <strong>Nora  Şeni</strong>, " Philanthropie fille des Lumières ; entre charité et État social. Europe-Empire  ottoman, XIXe siècle. L''empreinte sur la ville ".</span></p>\r\n<p><span style="color: #888888;"><strong>10 avril 2006</strong> : conférence de <strong>Régine  Hollander</strong> (Université Paris I), « La philanthropie américaine, XIXe-XXe siècles ».</span></p>\r\n<p><span style="color: #888888;"><strong>17 avril 2006 : </strong>conférence de <strong>Nadir Özbek </strong>(Université du Bosphore, département d''histoire), " Un philanthrope ottoman : Abdulhamid II ".</span></p>\r\n<p><span style="color: #888888;"><strong>15 mai 2006 </strong>: conférence de <strong>Nuran  Yıldırım</strong> (Université d''Istanbul. Faculté de Médecine) sur " La création de l''asile Istanbul Darülaceze Müessesesi  [Asile pour les handicapés] ".</span></p>\r\n<p><span style="color: #888888;"><strong>22 mai 2006 </strong>: conférence de Serhan  Ada et de Burcu Yasemin Çavuş (Université Bilgi d''Istanbul, département des arts de la  scène) sur " Résultats d''enquêtes sur les activités de sponsoring dans les  années 2000 en Turquie. Constats et analyses ".</span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:37:09', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:37:09', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 247, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(173, 'NORA SENI éds. Les actes du colloque: "Philantropes et Mécènes dans la ville"', 'nora-seni-éds-les-actes-du-colloque-philantropes-et-mécènes-dans-la-ville', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%">NORA SENI éds. Les actes du colloque: "Philantropes et  Mécènes dans la ville"</td>\r\n<td align="right" width="100%"><a href="../website/index2.php?option=com_content&do_pdf=1&id=885" target="_blank" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td align="right" width="100%"><a href="../website/index2.php?option=com_content&task=view&id=885&pop=1&page=0&Itemid=873" target="_blank" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><strong><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif; color: #ff6600;">A PARAITRE </span></strong></p>\r\n<p><strong><span style="font-size: 9pt; font-weight: normal; font-family: Arial; color: #ff6600;"><span style="color: #999999;">Les  actes du colloque</span> </span><em><span style="font-size: 9pt; font-weight: normal; font-family: Arial; color: #ff6600;">Philanthropes  et Mécènes dans la ville. Pour une politique culturelle contemporaine</span></em></strong><span style="font-size: 9pt; font-family: Arial; color: gray;">, colloque  organisé sous la responsabilité scientifique de Nora Şeni au Musée de  Péra et à santralistanbul . </span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:41:02', 62, '', 0, '0000-00-00 00:00:00', '2010-10-11 15:43:09', 292, '2010-04-06 12:41:02', '0000-00-00 00:00:00', 0, 0, 10, 0, 0, '', '', '', '', 227, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(174, 'NORA SENI La demeure d''un collectionneur', 'nora-seni-la-demeure-dun-collectionneur', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;"><br /></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=886" target="_blank" title="Convertir en PDF"> </a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=886&amp;pop=1&amp;page=0&amp;Itemid=873" target="_blank" title="Version imprimable"> </a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="color: #888888;">Nora Şeni et Sophie Tarnec, "D''Istanbul à Paris",  dans <em>La demeure d''un  collectionneur</em>, Livre publié sous la direction de</span></p>\r\n<p><span style="color: #888888;">Marie-Noel de Gary, Musée Nissim de Camondo,  Edition Les Arts Décoratifs, octobre 2007.</span></p>\r\n<p><span style="color: #888888;"> </span></p>\r\n<p><span style="color: #888888;">Cet ouvrage est le premier à présenter dans  leur globalité les éléments qui font du musée Nissim de Camondo un lieu singulier. Cet  hôtel particulier, construit par René Sergent sur le modèle du Petit Trianon à Versailles, est l''un des ultimes exemples de grande résidence privée  parisienne du début du XXe siècle.</span></p>\r\n<p><span style="color: #888888;">Précieux témoignage d''un art de vivre à la  française cultivé jusqu''à son plus haut raffinement, il est l''écrin de la remarquable  collection de mobilier et d''objets d''art du XVIIIe siècle rassemblée par le comte  Moïse de Camondo et, plus encore peut-être, le témoin du destin exceptionnel et  tragique d''une famille.</span></p>\r\n<p><span style="color: #888888;">Richement illustré, ce livre invite à une  visite intime, poétique et sensible du musée. Les photographies de Jean-Marie del  Moral, toujours en lumière naturelle, révèlent au rythme des heures et des  saisons le caractère de chacune des pièces et les œuvres qui les habitent.</span></p>\r\n<p><span style="color: #888888;">Biographie des auteurs: Sous la direction de  Marie-Noël DE GARY, conservatrice générale du musée Nissim de Camondo. François LOYER  est vice-président de la Commission du Vieux Paris, directeur du département Histoire de l''architecture et Archéologie de Paris. Bertrand RONDOT est conservateur du patrimoine, chargé du département XVIIe et XVIIIe  siècles du musée des Arts décoratifs et des collections du musée Nissim de Camondo.  Sophie LE TARNEC est assistante de conservation au musée Nissim de Camondo,  chargée des archives de la famille Camondo. Nora SENI, directeur de l’Institut  Français d’Etudes Anatoliennes. Jean-Marie DEL MORAL, photographe, travaille  depuis longtemps autour des peintres, de leurs ateliers et de l''architecture.</span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:41:17', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:41:17', '0000-00-00 00:00:00', 0, 0, 9, 0, 0, '', '', '', '', 163, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(175, 'NORA SENI: Les acteurs contemporains de la politique urbaine', 'nora-seni-les-acteurs-contemporains-de-la-politique-urbaine', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td align="right" width="100%"><a href="../website/index2.php?option=com_content&do_pdf=1&id=898" target="_blank" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td align="right" width="100%"><a href="../website/index2.php?option=com_content&task=view&id=898&pop=1&page=0&Itemid=873" target="_blank" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style="color: #999999;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;">Nora Şeni,<span style="color: #ff6600;"> <a href="http://www.radikal.com.tr/ek_haber.php?ek=r2&haberno=7911" target="_self">"Çağdaş Kent politikasının aktörleri"</a> </span>, <em>Radikal2</em>,  20 Ocak 2008.</span></span></span>', '', NULL, NULL, NULL, '', '2010-04-06 12:41:50', 62, '', 0, '0000-00-00 00:00:00', '2010-10-11 15:42:09', 292, '2010-04-06 12:41:50', '0000-00-00 00:00:00', 0, 0, 8, 0, 0, '', '', '', '', 230, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(176, 'NORA SENI: Ville/Culture:un nouveau paradigme', 'nora-seni-ville/cultureun-nouveau-paradigme', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=903" target="_blank" title="Convertir en PDF"> </a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=903&amp;pop=1&amp;page=0&amp;Itemid=873" target="_blank" title="Version imprimable"> </a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan="2" valign="top">\r\n<p align="right"><strong> </strong></p>\r\n<p>Yeni bir paradigma</p>\r\n<p>http://www.radikal.com.tr/ek_haber.php?ek=r2&amp;haberno=6938</p>\r\n<table style="width: 2px;" align="right" border="0" cellpadding="0" cellspacing="0">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<p> </p>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td>\r\n<p> </p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p> </p>\r\n<p><a href="http://www.radikal.com.tr/ek_sayfa.php?ek=r2&amp;ek_tarihi=08/04/2007">08/04/2007 <em> RADIKAL</em></a></p>\r\n<p>NORA ŞENİ (<a href="http://www.radikal.com.tr/arama.php?ara=1&amp;y=3&amp;edi=NORA%20%C5%9EEN%C4%B0" title="NORA ŞENİ tarafından yazılan diğer haberler">Arşivi</a>)</p>\r\n<p align="right">Tate''in şubesi, Tate  Modern Çağdaş Sanat Müzesi.</p>\r\n<p> </p>\r\n<table style="width: 809px; height: 229px;" border="0" cellpadding="0" cellspacing="0">\r\n<tbody>\r\n<tr>\r\n<td><strong>Yeni bir paradigma</strong>\r\n<p><strong>Günümüzde kentsel projeyi  başarıya ulaştırmanın bir garantisi, kurulacak  			kültür mekânının halihazırda varolan ünlü bir müzenin şubesi olması.  			Diğer koşul ise projede uluslararası şöhretli mimar adları olması</strong></p>\r\n<table style="width: 160px;" align="right" border="0" cellpadding="2" cellspacing="0">\r\n<tbody>\r\n<tr>\r\n<td align="center" bgcolor="#f2f2f2"></td>\r\n</tr>\r\n<tr>\r\n<td align="center" bgcolor="#f2f2f2"></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p> </p>\r\n<p> </p>\r\n<p><a href="http://www.radikal.com.tr/ek_sayfa.php?ek=r2&amp;ek_tarihi=08/04/2007">08/04/2007</a></p>\r\n<p> </p>\r\n<p><em><strong>NORA ŞENİ</strong></em> (<a href="http://www.radikal.com.tr/arama.php?ara=1&amp;y=3&amp;edi=NORA%20%C5%9EEN%C4%B0" title="NORA ŞENİ tarafından yazılan diğer haberler">Arşivi</a>)</p>\r\nTürkiye 			basının da geçtiğimiz ay içinde sıkça sözünü ettiği Louvre Müzesi''nin 			Abu Dabi Saadiyat adasında bir "şube" kurması, aynı adada Louvre 			dışında yeni bir Guggenheim''ın açılması, artı iki kültür kompleksi 			kurulması, projede, müzecilik mimarisinde dünyaca en ünlü dört  mimarın 			etkin olması (Tadao Ando, Franck Gehry, Jean Nouvel, Zaha Hadid) yeni 			bir kültür/kent paradigmasının varlığını, bu paradigmanın  küreselliğini 			sergiliyor. Bu paradigmayı şöyle tanımlamak mümkün: Gelişmek, 			görünürlük elde etmek isteyen bir şehir, yeni merkezler yaratmak 			isteyen, mekânsal odaklar oluşturmak, yeni kamusal alanlar kurmak 			isteyen bir kent, bu yolda oluşturduğu mimari/kentsel dönüşüm 			projesinin başarısı için o projenin merkezine ünlü bir müzeyi 			yerleştirmek ya da bir sanat eserleri sergi alanı oluşturmak  durumunda. 			Kurulacak müze, kentsel dönüşüm projesinin eksenini oluşturacaktır. 			80''li yıllarda yeni mahalleler, yeni uydu kentler oluşturulurken 			kentsel projelere eksen olarak, kamusal alan yaratacaklarına  güvenilen 			ticaret merkezleri kurulurdu, Amerikalıların deyimiyle ''mall''lar inşa 			edilirdi. Ticari alışverişe mekânsal animasyonun aleti olarak  bakıldığı 			yıllardı. Bugün mall''un yerini "müze" aldı. Burada Andy Warhol''un 			sözünü hatırlamamak mümkün değil: "Bir gün bütün süpermarketler müze, 			bütün müzeler süpermarket olacak". 			<br /> Kentsel projeyi başarıya ulaştırmanın bir garantisi, kurulacak 			kültür mekânının halihazırda varolan ünlü bir müzenin şubesi olması. 			Buna en iyi örnek Londra''da Thames kıyısında, unutulmuş, 			periferikleşmiş eski dok mahallesinde, Bankside''da, terk edilmiş bir 			elektrik fabrikasında Tate Britain''in şubesi olarak Tate Modern  Çağdaş 			Sanat Müzesi''nin kurulması. Tate Modern''in yerleşim projesi 			çerçevesinde Bankside eski karakterleri muhafaza da edilerek 			temizlendi, sinematek buraya taşındı, muhteşem bir konser salonu, 			işyerleri, bürolar kuruldu, Shakespeare''in tiyatrosu olarak bilinen 			Globe tiyatrosunu Thames''in diğer yakasına, Londra''nın merkezine 			bağlayan yeni bir köprü inşa edildi. Fransa''nın taşra kenti Lens''da  bir 			Louvre şubesi, eski sanayi kenti Metz''de bir Pompidou Çağdaş Sanat 			Müzesi şubesi açılıyor. 			<br /> Terk edilmiş sanayi komplekslerine müze yerleştirilmesine bir 			başka örnek de, -ama başarısız- Paris''te, şimdi içleri boş Citroen 			fabrikalarının bulunduğu Seguin adasını yeniden Paris''e bağlayan 			kentsel dönüşüm projesidir. İhaleye açılan bu proje Fransa''nın en 			zengin işadamı François Pinault''nun çağdaş sanat koleksiyonlarını, 			adada kurulacak bir müzeye bağışlamayı vaat etmesiyle canlanır. 			Pinault''nun müzeye mimar olarak ünlü Tadao Ando''yu seçmesi projeye ek 			bir görünürlük sağlar. (Kentsel yetkililerin, devletin yeterince  hızlı 			hareket etmediklerini gerekçe gösteren Pinault 2005''te  koleksiyonlarını 			hibe etmekten vazgeçer ve onları Venedik''de Agnelli ailesinden -Fiat- 			satın aldığı Palazzo Grassi''de sergiler.) 			<br />\r\n<p><strong>Şöhretli mimar etkisi</strong> <br /> İşte sözünü ettiğim paradigmanın birinci elemanı eğer kentsel 			projenin müze kurulmasını öngörme zorundalığı ise, ikinci elemanı da  bu 			müzenin uluslararası şöhrete sahip bir mimara yaptırılması. Bunun 			mükemmel örneği Bilbao. İspanya''nın bu az bilinen şehrinin dönüşüm 			projesi bir türlü hayata geçirilemiyorken New York''taki Salomon 			Guggenheim Vakfı''nın Bilbao''da müze açmaya karar vermesiyle ve Franck 			Gehry''nin müzenin mimarı olacağının ilan edilmesiyle gayrimenkul 			fiyatları fırlar, yatrırımcılar akın eder, proje sonuna kadar 			götürülür, kent bir turizm patlaması yaşar. 			<br /> Bu yeni kent/kültür, mekânsal-dönüşüm/müze eklemlenmeleri yeni bir 			aktörü sahne önüne itiyor: Mesenler, aileleri ve kurdukları kültür 			vakıfları. Bunlar paradigmanın üçüncü elemanıdırlar. Bu aktörler 19.  yy 			sonunda, 20. yy başında Amerika''da (Carnegie, Rockefeller, Salomon 			Guggenheim vs.) Avrupa''da (Tate, Camondo, Cernuschi) kütüphane ve  müze 			kurmakta çok aktif oldular. 20. yy''da devletin sosyal  fonksiyonlarının 			geliştiği ülkelerde ise bu rolleri iyice azaldı, yok olmaya yüz  tuttu. 			1990''lardan beri ise mesen kaynaklı inisiyatiflerin rolü yeniden ve 			kuvvetle canlanıyor. Fransa gibi devlet kültür politikalarının hâlâ  çok 			kuvvetli olduğu bir ülkede bile özel mesenlerin rolü arttı, François 			Pinault gibi, Bernard Arnault (Vuitton) gibi  koleksiyoncu/bağışçı/müze 			kurucusu işadamları ortaya çıktı. Bu kez, bu uluslararası mesenler 			topluluğuna Turkiye''den de katılanlar mevcuttur. Elit burjuva olmanın 			gerektirdiği "davranış tarzları" (antropolojik anlamda) birer küresel 			norm olarak Türkiye elitlerini de belirliyor, bu "davranış 			standartları" bu kesimlerce benimseniyor, koleksiyocu, bağışçı, müze 			kurucusu aktörler sivriliyor. Yeni müzelerin kentsel dönüşüme etkisi 			olduğu muhakkak. Ancak bu etkileşim şimdilik herhangi bir 			mekânsal/kültürel düşünce çerçevesi, vizyonu ya da planı ya da  projesi 			dahilinde ele alınmıyor. Oysa bir İstanbul Modern''in, Pera  Müze''sinin, 			Sabancı Müzesi sergilerinin, Santral İstanbul''un, içinde olduklari 			mekânları yenileme, dönüştürme potansiyelleri devasa. <br /> Yukarıda ancak temas edebildiğim paradigmanın ortaya çıkış 			koşulları, elemanları arasındaki ilişkiler; kompleks tarihsel, siyasi 			nedensellik sistemlerine dayanır. Bunların araştırılması,  anlaşılması, 			spesifik ülke şartlarındaki eklemleniş tarzlarının açığa çıkarılması 			yeni potansiyellerin değerlendirilebilmesi için elzemdir.  Küreselleşen 			kültür tüketim/üretim standartlarını, kültürün yeni toplumsal rolünü, 			kültür politikalarını ve yeni aktörlerini, kültürün kent  dönüşümündekj 			yerini, kentsel/kültürel projelerde özel/kamu işbölümlerini  sorgulamak 			acildir.</p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a href="javascript:history.go(-1)"> [ Retour ]</a>', '', NULL, NULL, NULL, '', '2010-04-06 12:42:19', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:42:19', '0000-00-00 00:00:00', 0, 0, 7, 0, 0, '', '', '', '', 226, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(177, 'NORA SENI Dinî sadakadan modern hayirseverlige', 'nora-seni-dinî-sadakadan-modern-hayirseverlige', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1058" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1058'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1058&amp;pop=1&amp;page=0&amp;Itemid=873" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1058&amp;pop=1&amp;page=0&amp;Itemid=873'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><span style="font-size: 18pt; font-family: Tahoma;"><strong>Dini  sadakadan modern hayırseverliğe</strong></span> </span>\r\n<p> </p>\r\n<table style="width: 160px;" align="right" border="0" cellpadding="2" cellspacing="0">\r\n<tbody>\r\n<tr>\r\n<td align="center" bgcolor="#f2f2f2"><span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif,geneva,helvetica;"><img src="http://www.radikal.com.tr/veriler/ekler/cumartesi/2005/08/13/dini.gif" alt="Dini sadakadan modern hayırseverliğe" width="160" align="right" border="0" height="106" /> </span></td>\r\n</tr>\r\n<tr>\r\n<td align="center" bgcolor="#f2f2f2"><span style="font-size: 8pt; font-family: Arial,Verdana,MS Sans Serif,geneva,helvetica;"> Nora Şeni, 19. yüzyılda İstanbul''un kentleşmesinde önemli rol oynayan 			Kamondo Ailesi''nin adını taşıyan Karaköy''deki merdivenlerde.  FOTOĞRAF: <a href="http://www.radikal.com.tr/arama.php?ara=1&amp;y=4&amp;foto=SERKAN%20TAYCAN">SERKAN  TAYCAN</a><br /> </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p> </p>\r\n<p><span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><span style="font-family: Tahoma;"><strong>Fransa''da yayımlanan Yahudi Hayırseverliğinin Mucitleri adlı kitabında 19. yüzyıldaki hayırseverleri anlatan Nora Şeni, şimdi de sanat ve kültür hamisi Türk burjuvalarının elit olmak adına neler yaptıklarını araştırıyor </strong></span></span></p>\r\n<p> </p>\r\n<p><em>RADIKAL</em> 13/08/2005</p>\r\n<p>http://www.radikal.com.tr/ek_haber.php?ek=cts&amp;haberno=4896</p>\r\n<p> </p>\r\n<p><span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><span style="font-size: 8pt; color: gray;"><a href="http://www.radikal.com.tr/ek_sayfa.php?ek=cts&amp;ek_tarihi=13/08/2005">13/08/2005</a> </span> </span></p>\r\n<p> </p>\r\n<p><span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><em><strong>ŞULE  ÇİZMECİ</strong></em></span></p>\r\n<br /> </span> <span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><span style="font-size: 18pt; font-family: Tahoma;"></span></span><br /> <br />\r\n<p> </p>\r\n<span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;">Paris 8  Üniversitesi öğretim üyesi Nora Şeni''nin Yahudi Hayırseverliğinin Mucitleri / Les Inventeurs de la Philanthropie Juive adlı kitabının Fransa''nın en büyük yayınevlerinden biri olan La Martiniere tarafından yayımlandığını öğrenince, Nora Şeni''nin izini sürmek farz oldu. Şeni ile Türkiye''de son yıllarda sanata ve kültüre destek veren ''hayırsever'' Türk burjuvazisinin profili hakkında konuşmak istedik çünkü. 30 yıldır akademik çalışmalarını Fransa''da sürdüren Prof. Dr. Nora Şeni''nin uzmanlık alanı 19. yüzyıl İstanbulu. Şeni, dördüncü kitabı Yahudi Hayırseverliğinin Mucitleri''nde 1840-1860 yılları arasında filizlenen kişisel hayırseverlik olgusunu (kurumsal hayırseverlik 1860''lardan sonra gelişiyor), sosyal rol ve elit olmanın bir kuralı olarak yerleştirenlerin hikâyelerini ele alıyor. <br /> Tarihçilere has bir koku alma yetisiyle yola çıkan Şeni, Türk burjuvazisinin neden 1980 sonrası hayırsever bir tutum izlediğini ve son birkaç yıldır sanatın ve kültürün hamisi haline geldiğini anlamamıza ışık tutacak bir çalışmanın alt yapısını oluşturmuş bu çalışmasında. Sosyal sorumluluk ilkesini Osmanlı''da ilk uygulayan mucitlerin peşine düşmüş yazar; kitaba konu olan Yahudi hayırseverler, günümüz sponsorlarının <br /> ''baba''ları. Şeni''nin üzerinde durduğu bir başka olgu ise dinsel yardımlaşmadan (sadaka) laik insan sevgisine dayalı hayırseverliğe nasıl geçildiği... <br /> </span>\r\n<p><span style="font-size: 10pt; font-family: Arial,Verdana,MS Sans Serif;"><span style="font-size: 12pt; font-family: Tahoma; color: maroon;"><strong>Amaç  Yahudiler''i korumaktı</strong></span> <br /> Şeni, hayırseverlik olgusunun bir modernite aracı olduğu görüşünde. Toplumun belirli kesimlerini zamanın çağdaşlığına taşıyan önemli bir faktör. "18. yüzyıl eğer aydınlanma hareketinin çağı ise, 19. yüzyıl hayırseverlik çağıdır. Elitlerin sosyal ''borç''larıyla, toplumla dayanışmalarını ifade ediş biçimleri zaman içinde farklı biçimler alır. 19. yüzyılda hayırseverlik olgusu toplumun laikleşmesiyle, dinin kurum olarak zayıflamaya başlamasıyla ortaya çıkan şekillerden biri. 19. yüzyılın sonunda ise hayırseverlik yerini sanat ve bilim koleksiyonculuğuna ve bağışçılığa terk eder, hayırseverler müze kurucuları olur. 19. yüzyılın sonunda artık Avrupa burjuvazisi için sanat hamisi olmadan burjuva olmak yok." <br /> Yahudi Hayırseverliğinin Mucitleri''nde, Yahudi hayırseverliğinin başlamasına önayak olan bir olay tasvir ediliyor. 1840''da Osmanlı yönetiminde, Mehmet Ali Paşa''nın kontrolündeki Şam''dayız. Bir papaz kaybolur, ardından Yahudiler tarafından kanı Paskalya törenlerinde kullanılmak üzere kaçırıldığı tevatür edilir. Olay, Fransız konsolosunun kışkırtmasıyla büyür. 20 Yahudi hapsedilir ve bunlardan ikisi işkence sırasında ölünce Avrupalı Yahudiler işe karışır. Altı kişiden oluşan bir delegasyon oluşur; bunların üçü banker, üçü şarkiyatçıdır. Şeni, bu olayın ardından Avrupalı Yahudilerin yeni bir davranış biçimi geliştirdiklerini, zulüm gören Yahudilerin korunmasını kamusal alanda gütmeye başladıklarını söylüyor: "Asimile olmuş, Fransızlaşmış Yahudiler eğitime yönelik çalışmalara başlarlar. Osmanlı topraklarındaki Yahudi cemaatlerinde de Fransızca ve Türkçe eğitim veren okullar açılır. Bu okullar, 1860''lardan Birinci Dünya Savaşı''na kadar eğitim verdiler." <br /> Kitapta şarkiyatçı üç hayırseverin portresini betimleyen, Osmanlı''da Rum ve Yahudi hayırseverliğini kıyaslayan Şeni, hayırseverlik konusunda Rumların milli bilinç geliştirici, Yahudilerin ise önceliği evrenselliğe verdiklerini ileri sürüyor. Hayırseverlik söz konusu olunca neden azınlıklar öne çıkıyor? Neden Müslümanlar ortada yok? Bu durum sadece Osmanlı''da değil, Cumhuriyet kurulduktan sonra da geçerli. Söz Şeni''de: "Avrupa''da sosyal devlet kurulduktan sonra hayırseverlik ortadan kalkıyor. Bugünün Türkiye''sinde ise devletin eksik kaldığı yerde hayırseverler var." <br /> Şeni''nin yeni projesi Türkiye''nin ''modern hayırseverler''i üzerine. Eczacıbaşı, Sabancı, Koç, Has, Şahenk gibi son yıllarda sanata ve kültüre damgasını vurmuş ailelerin girişimlerini, projelerine diğer aktörlerin nasıl katıldığını araştıracak tarihçi, sosyolog ve şehircilerden oluşacak bir ekip kurmak için Türkiye''ye geldi. Şeni, bu ailelerin neden eğitim, kültür ve sanat hamiliğine şimdi yöneldiklerini araştıracak: "Bunlar anlaşılırsa hayırseverlik olgusunun Türkiye''de neden bir yüzyıl sonra ortaya çıktığı, ''burjuvazi vardı, yoktu'' gibi basitlemeler aşılarak açıklanabilir. Ben bunları Türk burjuvazisinin nihayet dünya burjuvazisine eklemlendiğinin işareti, kanıtı olarak okuyorum. Dünya elitlerinin bir parçası olacaklarsa onların geliştirdiği var olma biçim ve standartlarını uygulamak zorundalar, eğitim ve kültürde bir tür rol oynamak zorundalar. Bunu Eczacıbaşılar gibi 30-40 yıl önce anlamış olanların yanı sıra bu bilince daha yeni ulaşanlar var." </span></p>\r\n</span>', '', NULL, NULL, NULL, '', '2010-04-06 12:43:07', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:43:07', '0000-00-00 00:00:00', 0, 0, 6, 0, 0, '', '', '', '', 370, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(178, 'KORHAN GÜMÜS: Que symbolise le Musée de la Conquête', 'korhan-gümüs-que-symbolise-le-musée-de-la-conquête', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;"><br /></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1369" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1369'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1369&amp;pop=1&amp;page=0&amp;Itemid=873" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1369&amp;pop=1&amp;page=0&amp;Itemid=873'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="color: #888888;">Göğüslere saplanan oklar, kesilmiş kol ve kafalar, topların yıktığı duvarlar altında ezilen insanlarla, çocuklara verilmeye çalışılan mesaj ne olabilir?</span></p>\r\n<p><span style="color: #888888;"><a href="http://www.yapi.com.tr/Haberler/fetih-muzesi-neyi-simgeliyor_69492.html" target="_self" title="Fetih müzesi neyi simgeliyor">Korhan Gümüs,  Radikal, 31 Mayis 2009</a></span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:43:33', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:43:33', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 232, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(179, 'KLAUS KREISER Sternstunden des türkischen Patriotismus', 'klaus-kreiser-sternstunden-des-türkischen-patriotismus', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><span style="color: #888888;"><br /></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1370" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1370'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></span></td>\r\n<td width="100%" align="right"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1370&amp;pop=1&amp;page=0&amp;Itemid=873" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1370&amp;pop=1&amp;page=0&amp;Itemid=873'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<div><span style="color: #888888;">28. Mai 2009, Neue Zürcher Zeitung</span></div>\r\n<div><span style="color: #888888;">KLAUS KREISER <a href="http://www.nzz.ch/nachrichten/kultur/aktuell/sternstunden_des_tuerkischen_patriotismus_1.2636859.html" target="_self">Sternstunden des türkischen Patriotismus</a></span></div>\r\n<div></div>\r\n<h1></h1>', '', NULL, NULL, NULL, '', '2010-04-06 12:43:55', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:43:55', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 297, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(180, 'Article de Nora Seni, revue Urbanisme (décembre 2009)', 'article-de-nora-seni-revue-urbanisme-décembre-2009', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td align="right" width="100%"><a href="../website/index2.php?option=com_content&do_pdf=1&id=1665" target="_blank" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td align="right" width="100%"><a href="../website/index2.php?option=com_content&task=view&id=1665&pop=1&page=0&Itemid=873" target="_blank" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"><span style="color: #ff6600;"><img src="images/stories/oui/urbanismevillemdit1.jpg" alt="urbanismevillemdit1" style="margin: 5px; width: 120px; height: 159px; float: left;" title="urbanismevillemdit1.jpg" width="120" height="159" /><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;">Parution d''un article de <strong>Nora Şeni</strong></span></span></span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;">dans  le dernier numéro (369) de la revue <strong>Urbanisme</strong> (novembre/ décembre 2009).</span> </span></span></p>\r\n<p><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;">Il  est intitulé <em>Une métropole promue par sa politique culturelle...  privée</em>,</span> </span></span></p>\r\n<p><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;">et  figure en bonne place dans le dossier consacré aux <em>Villes  méditerranéennes</em>.</span> </span></span></p>\r\n<p><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;">Pour  accéder au sommaire, visiter le site :</span> </span></span><a href="http://www.urbanisme.fr/"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">www.urbanisme.fr</span></a></p>\r\n<br />\r\n<p> </p>\r\n<p><img src="images/stories/oui/actualitesurbaines/revue_urbanisme1.jpg" alt="revue_urbanisme1" style="margin: 5px; width: 750px; height: 1115px; vertical-align: bottom;" title="revue_urbanisme1.jpg" width="750" height="1115" /></p>\r\n<p><img src="images/stories/oui/actualitesurbaines/revueurbanisme21.jpg" alt="revueurbanisme21" style="margin: 5px; width: 750px; height: 1173px; vertical-align: bottom;" title="revueurbanisme21.jpg" width="750" height="1173" /></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:44:13', 62, '', 0, '0000-00-00 00:00:00', '2010-10-11 15:39:33', 292, '2010-04-06 12:44:13', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 254, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(181, 'Article sur Nora Seni dans Radikal (11 mars 2010)', 'article-sur-nora-seni-dans-radikal-11-mars-2010', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1802" target="_blank" title="Convertir en PDF"> </a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1802&amp;pop=1&amp;page=0&amp;Itemid=873" target="_blank" title="Version imprimable"> </a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan="2" valign="top">\r\n<p><strong>Kültürlerarası</strong></p>\r\n<p><strong>NECMİYE ALPAY, </strong><strong>Politika / 11/03/2010</strong></p>\r\nDünyada yaşayan dil sayısının 6 bine yakın  olduğunu, yüzyıl sonuna kadar bunlardan büyük bir bölümünün ölüp...Dünyada yaşayan dil sayısının 6 bine yakın  olduğunu, yüzyıl sonuna kadar bunlardan büyük bir bölümünün ölüp gitmiş  olacağını hemen herkes ezberledi ve her fırsatta tekrarlıyor. Bu  dillerden bazılarının şuracıkta yaşamakta olduğu gerçeğiyle ilgilenmek  isteyen kaç kişi, hatta kaç dilci var peki?<br /> Kitap Çevirmenleri Meslek Birliği Çevbir, “Anadolu Dilleri  Söyleşileri”ne devam ediyor.  6 Mart Cumartesi günü yapılan ikinci  söyleşide, anadilleri Lazca, Gürcüce ve Çerkezce olan konuşmacıları  dinledik. Zaman sınırı olmasa, yirmi dört saat konuşabilecek gibiydi  küçük salon. <br /> Gerçi tıpkı aile içi ilişkiler gibi, diller arası ilişkiler de  aşk-nefret sarmalına son derece elverişli. En sevecen anlardan en  gerginine bir anda geçilebiliyor. Belki de insanların birbirine  yaklaştığı bütün durumlardaki gibi, demeliyim. Diyaloğun tam da böyle  bir şey olduğunu bilmek gerekiyor belki: Bir araya gelinmese, diğer  bilgiler kadar, içimize neyin işlemiş olduğu, gerginlik yaratan  temellerin neler olduğunu da yakından göremeyeceğiz...<br /> Söyleşilerin devamı ve  diğer çeviri/dil sorunlarıyla ilgili olarak:<br /> <a href="http://www.cevbir.org/"><span style="text-decoration: underline;">www.cevbir.org</span></a><br /> *<br /> ABD’li şair Mel Kenne’den, İngilizcesi ve Türkçesiyle şiirler. Kitabın  adı “Galata’dan (The View from Galata)”. İlk selam Orhan Veli’ye:  “İstanbul’u Dinliyorum Bugün”...<br /> Her ikidilli kitap bize bambaşka bir ufuk genişliği sunar. Sol sayfada  özgün dil, sağ sayfada çevirisi. Dünyayı ve bir başka dili öğrenmeye  çalışan her çocuğa böyle bir tanecik olsun kitap armağan edilmeli. Çok  sayıda yazarın kurmaca yapıtlarını Türkçe-Kürtçe olarak yayımlayan Lîs  Yayınları’nın da böyle bir etkide bulunabileceğini sanıyorum. <br /> *<br /> “İki Dil Bir Bavul”: Dil babında toplumumuzun durumuna ilişkin temel bir  kavrayış sağlayan güzelim film. Birinci sınıf bir sanat eseri olduğunda  herkes hemfikir. <br /> Geçenlerde, “İki Dil Bir Bavul”un anneannesi diyebileceğim bir film  gördük: Nora Şeni’nin “Ya Pazarları?” adlı, 1976 tarihli kısa filmi  (26’). İstanbul’daki Fransız Kültür Merkezi’nde, “İstanbul 2010”  programı çerçevesinde düzenlenen ve Fransa’ya işçi göçünü konu alan bir  konferansla aynı bağlam içinde gösterildi.<br /> Adında “bavul” sözcüğü olmasa da, ilk sahnelerde devreye giren bavul ve  filmin meselesinde belirleyici bir boyut olan dil sorunuyla, “İki Dil  Bir Bavul”un yakın akrabası bu film. Bu kez, emek parası için doğuya  değil, batıya giden bir yalnız genç adam söz konusu: 1970’li yıllarda  Fransa’da çalışmaya giden işçilerden biri. Film, genç bir işçinin peşine  düşerek, sömürü ilişkisinin yanı sıra nasıl da dramatik bir  kültürel-dilsel karşılaşmanın yaşandığını gösteriyor.<br /> “Göstermek” fiili burada bütün görkemiyle devrede; filmde çok az konuşma  var, yönetmen bize her şeyi görsel yoldan, olanca ağırlığıyla anlatmayı  başarıyor. Bence bir klasik.<br /> Çok çeşitli bağlamlarda gösterilebilecek bir film “Ya Pazarları?”: Dil  sorununun öne çıktığı tüm ortamları, işçileri ve genel olarak  kültürlerarası karşılaşmaları ilgilendireceği kadar, sinemaseverler için  de vazgeçilmez bir yapıt.<br /> Şeni, 1970’li yıllarda Fransa’da öğrenciyken yapmış bu filmi.  Yaşamöyküsünde, belgeseller yapmaya devam ettiği yazılı.<br /> *<br /> Prof. Dr. Nora Şeni’yi daha önce yazıları ve kitap boyu çalışmalarıyla  tanımıştı kamuoyu: “Emperyalist Sistemde Kontrol Sanayii”, “Marie ve  Marie”, “Camondolar (Sophie Le Tarnec ile birlikte)”, “Seni Unutursam  İstanbul”. Birkaç ay önce de “Oryantalizm ve Hayırseverliğin İttifakı”  adlı çalışması yayımlandı. <br /> Fransızca yazılıp Türkçeye Elif Ertan tarafından çevrilen kitapta,  ‘sadaka-yardım-sosyal  yardım-yardımseverlik-insanseverlik-hayırseverlik-kurumsal/bireysel  filantropi’ gibi birbirine yakın bir dizi <br /> kavram, tarihsel gelişimi içinde ve Yahudi filantropisi çerçevesinde ele  alınıyor. “Balık vermek yerine balık tutmayı öğretmek” meselini de  çağrıştıran teze göre, hayırseverlik (filantropi), aydınlanmayla  birlikte laik bir nitelik kazanan yardımseverlik türüdür.<br /> Kitap, Parisli Yahudi hayırseverlerle şarkiyatçılardan oluşan altı  kişilik bir kadronun, 1840’ta patlak veren “Şam Hadisesi”yle ilgili  yolculuğuna odaklanarak başlıyor. “İnsanseverlik mi, Sosyal Devlet mi?  Sultan II. Abdülhamid’e Göre Hayırseverlik” gibi başlıkları da kapsayan  aydınlatıcı veriler ve sorgulamalarla devam ediyor. AKP’nin seçim  yatırımı olduğu ileri sürülen kömür ve beyaz eşya dağıtımını vb  düşününce, güncel boyutu da olan tartışmalar bunlar. <br /> Şeni birkaç yıldır, önde gelen kültürlerarası kurumlardan birinin  başkanlığını yapıyor: <br /> Geçen hafta sözünü ettiğim “İslam’ın Psikanalizi” başlıklı konferans  gibi pek çok konferans ve seminerin de düzenleyicisi olan İstanbul  Fransız Anadolu Araştırmaları Enstitüsü (IFEA):<br /> <a href="..//"><span style="text-decoration: underline;">www.ifea-istanbul.net</span></a> <br /> <br /> <strong>TV</strong><br /> Ülke TV’de “Nöbetçi Filozof/ Filozofya” diye bir program vardı.  Batılıların dediği gibi, “gerçek olamayacak kadar güzel”; bir televizyon  kanalında aheste beste felsefe konuşulan bir programın var olması,  ikide bir okullardan felsefe dersini kaldırmaya kalkışan toplumumuz  için, gerçek olamayacak kadar güzel bir durumdu... Galiba gerçekliği  kalmadı onun da. Reyting dışı üç beş programı bile normal saatlerde  yayımlayamıyor ülke. <br /> <br /> <strong>Şiir</strong><br /> Metin Üstündağ’ın “Apartman Haikuları” çıktı. Metin Üstündağ: Mizahın  büyük yaratıcılarından; mizahı şiirle, şiiri mizahla dolu sanatçı. Dili  kendi üzerine döndürüp foyasını meydana çıkaranlardan:<br /> “şimdi bir de akıllı evler çıktı başımıza/<br /> pışıık! villa residence ofis dururken/<br /> ev mi olunurmuş hiç akılları olsa”<br /> Nesneler arası akrabalığı yakalama ustası:<br /> “sıradan bir kitaba yazılan/<br /> toleranslı önsöz gibi/<br /> uzanmış paspas” <br /> Ve insanlar arası akrabalığı:<br /> “yataklarda yusuf’un asıl kuyusu/<br /> bu gece şu saat şu an şimdi/<br /> sevişenler bir ulus”\r\n<p> </p>\r\n<strong>Traduction  en français de la partie surlignée</strong>\r\n<p> </p>\r\n<strong> </strong><strong><em>Radikal</em> du 11 mars 2010 <br /> Article de Necmiye Alpay</strong>\r\n<p><strong> </strong></p>\r\n<p> </p>\r\nTout le monde s’accorde à penser  que le magnifique film “Deux langues, une valise” qui questionne la  société contemporaine sur le versant de ses langues parlées est une  oeuvre majeure.Il  n’y a pas longtemps, le court métrage de Nora Şeni “Et les dimanches?”  (26’) a été projeté à l’İnstitut Français Culturel d’Istanbul à  l’occasion d’une conférence sur la migration turque ouvrière en France .  Il peut être qualifié de pionnier de “Deux langues, une valise”. En effet, même si dans le titre  de ce court métrage, il n’y a pas de mot “valise”, les premières images  du film s’attardent sur des valises. La question de la langue est au  centre de ce récit. Ici il est question d’un jeune homme qui va vers  l’Occident  pour gagner sa vie: un parmi les milliers d’  ouvriers qui se rendent en France dans les années 1970.  En  suivant le jeune ouvrier dans la ville, le film expose la condition  ouvrière, nous sommes face à un tel rencontre culturelle-linguistique  dramatique.Le  verbe “montrer” est ici en jeu dans toute sa splendeur; avec  très peu de dialogues , le réalisateur réussit à tout montrer par  l’image. Pour moi, c’est un classique.\r\n<p> </p>\r\n<p> </p>\r\n“Et les Dimanches?” est un film que l’on  peut projeter dans différentes circonstances: il exprime les difficultés  linguistiques, celles liées aux différences culturels et à la condition  ouvrière, c’est une oeuvre indispensable aux cinéphiles. Seni a réalisé  ce film dans les années 1970 alors qu’elle était étudiante. Sa  biographie précise qu’elle continue à réaliser des documentaires.L’opinion  publique s’était familiarisée avec Nora Şeni par ses ouvrages:  “L’économie mondiale et la branche hégémonique”,   “Marie  et Marie, une saison à Constantinople. 1856-1858.” , “Si je t’oublie  İstanbul...”. La traduction de son livre “Les inventeurs de la  philantropie” vient de paraître voici quelques mois. Dans cet ouvrage,  l’auteur interroge les notions de charité, aide sociale, philantropie et  de bienfaisance. Elle explique qu’avec l’ère des Lumières, la  bienfaisance choisit de prévenir plutôt que de donner l’aumône. Depuis quelques années, Şeni est à la tête  d’une institution interculturelle majeure. La conférence que j’ai  évoquée la semaine dernière intitulé “La psychanalise de l’Islam” est  une des nombreuses conférences organisées par l’Institut Français  d’Etudes Anatoliennes.\r\n<p> </p>\r\nwww.ifea-istanbul.net</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<br />', '', NULL, NULL, NULL, '', '2010-04-06 12:44:46', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:44:46', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 303, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(182, 'Article de Nora Seni dans Urbanisme', 'article-de-nora-seni-dans-urbanisme', 85, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><br /></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1831" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1831'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1831&amp;pop=1&amp;page=0&amp;Itemid=873" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1831&amp;pop=1&amp;page=0&amp;Itemid=873'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<pre><span style="color: #ff6600;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><strong>2010-Istanbul, capitale culturelle européenne dans <em>Urbanisme:</em></strong></span></span></span><br /></pre>\r\n<pre><span><span><span style="color: #808080;"><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;">Article de <span style="line-height: 115%;">Nora Seni, </span><span style="line-height: 115%;">n. 371, mars-avril 2010.</span></span></span></span></span></span><br /></pre>\r\n<pre><span><span><span style="color: #808080;"><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Pour lire cet article en français, <a href="../website/images/stories/actualites/urbanismeii.pdf" target="_self">cliquer ici</a> .</span></span></span></span><br /><br /></pre>', '', NULL, NULL, NULL, '', '2010-04-06 12:45:10', 62, '', 0, '0000-00-00 00:00:00', '0000-00-00 00:00:00', 0, '2010-04-06 12:45:10', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 252, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(161, 'Etat des lieux de l''Orientalisme aujourd''hui', 'etat-des-lieux-de-lorientalisme-aujourdhui', 86, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%">Etat des lieux de l''Orientalisme aujourd''hui</td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1008" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;do_pdf=1&amp;id=1008'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Convertir en PDF"> <img src="../website/templates/gk_moxmovies/images/pdf_button.png" alt="Convertir en PDF" name="Convertir en PDF" align="middle" border="0" /></a></td>\r\n<td width="100%" align="right"><a href="../website/index2.php?option=com_content&amp;task=view&amp;id=1008&amp;pop=1&amp;page=0&amp;Itemid=862" target="_blank" onclick="window.open(''http://www.ifea-istanbul.net/website/index2.php?option=com_content&amp;task=view&amp;id=1008&amp;pop=1&amp;page=0&amp;Itemid=862'',''win2'',''status=no,toolbar=no,scrollbars=yes,titlebar=no,menubar=no,resizable=yes,width=640,height=480,directories=no,location=no'');  return false;" title="Version imprimable"> <img src="../website/templates/gk_moxmovies/images/printButton.png" alt="Version imprimable" name="Version imprimable" align="middle" border="0" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan="2" valign="top">\r\n<p><span style="font-size: 10pt; color: #ff6600; font-family: arial,helvetica,sans-serif;"><strong>Etat des lieux de l''Orientalisme  aujourd''hui</strong></span></p>\r\n<p><span style="font-size: 10pt; color: #999999; font-family: arial,helvetica,sans-serif;">Responsables du projet  : Sophie Basch  (Professeur à l''Université Paris IV-Sorbonne) et Nora Şeni (Professeur à  l''Université Paris 8-Directrice de l''IFEA)</span></p>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span><br /></span>', '', NULL, NULL, NULL, '', '2010-04-06 12:32:39', 62, '', 0, '0000-00-00 00:00:00', '2010-04-06 12:33:32', 62, '2010-04-06 12:32:39', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 330, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(162, 'Projet 2010: Inventaire des établissements culturels d’Istanbul', 'projet-2010-inventaire-des-établissements-culturels-d’istanbul', 86, 1, '<table>\r\n<tbody>\r\n<tr>\r\n<td width="100%"><strong><span style="background-color: #ffffff;"><span style="color: #ff6600;">Projet 2010: Inventaire culturel  d’Istanbul</span></span></strong></td>\r\n<td align="right" width="100%"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&do_pdf=1&id=892" target="_blank" title="Convertir en PDF"> </a></span><br /></td>\r\n<td align="right" width="100%"><span style="color: #888888;"><a href="../website/index2.php?option=com_content&task=view&id=892&pop=1&page=0&Itemid=862" target="_blank" title="Version imprimable"> </a></span><br /></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p><img alt="baslik4" src="images/stories/baslik4.jpg" width="77" height="118" /><img alt="kultur_ve_turizm_bakanligi.gif" src="images/stories/kultur_ve_turizm_bakanligi.gif.jpg" width="192" height="149" /><img alt="tba" src="images/stories/ifea/logo/tba.jpg" width="115" height="106" /> <img alt="ifealogo-couleur" src="images/stories/ifea/logo/ifealogo-couleur.jpg" width="142" height="109" /></p>\r\n<p> </p>\r\n<p><span style="color: #888888;"><strong>Inventaire des  établissements culturels d’Istanbul</strong></span></p>\r\n<p><span style="color: #888888;">Ce programme vise à recenser l’ensemble des équipements culturels (musées, centres culturels,  bibliothèques etc.) et des événements  (festivals,  biennales, etc.) qui animent İstanbul.<br />Le fonds cartographique de l''IFEA sera exploité dans le cadre de ce programme dans une démarche comparative à travers l''histoire de la ville d''Istanbul. Les cartes du fonds IFEA seront</span><span style="color: #888888;"> mises en  ligne</span><span style="color: #888888;"> et accessibles à tous.   <br />Sous la responsabilité scientifique de <span style="color: #ff6600;">Nora Seni</span>, l''IFEA s''occupe également d''une partie des grandes rubriques de la section "Economie culturelle" du projet. Une recherche est conduite au sujet des musées privées, des galléries d''art. Les collections et les collectionneurs seront recensés.</span></p>\r\n<p><span style="color: #888888;"><strong>Les partenaires du projet</strong> : La Direction générale de la Culture et du Tourisme à Istanbul (İstanbul İl Kültür Turizm Müdürlüğü), l''Académie turque des sciences (TÜBA), la Grande Mairie d''Istanbul (İBB) et l''Institut Français d''Etudes Anatoliennes.<br /><strong>Le coordinateur du projet<span style="background-color: #ffffff;"> global: </span></strong><span style="background-color: #ffffff;"><span style="color: #ff6600;">Hakan Tanrıöver <span style="color: #808080;">du Ministère de la Culture et du Tourisme.</span></span></span></span><img title="Preview" src="../images/stories/baslik4.jpg" width="52" height="80" /><span style="color: #888888;"><span style="background-color: #ffffff;"><span style="color: #ff6600;"><span style="color: #808080;"> </span></span></span> <br /></span></p>', '', NULL, NULL, NULL, '', '2010-04-06 12:33:36', 62, '', 0, '0000-00-00 00:00:00', '2010-06-11 07:06:52', 64, '2010-04-06 12:33:36', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 909, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(58, 'Musa CIMEN', 'cimen-musa', 196, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><img src="http://127.0.0.1:4001/restor/images/stories/pagespersos/musacimen/musa-cimen.jpg" mce_src="images/stories/pagespersos/musacimen/musa-cimen.jpg"><br>Inscription en doctorat: octobre 2006.</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Titre provisoire du projet de thèse&nbsp;:<b> La science médicale ottomane à&nbsp;la veille de la “révolution scientifique” de l’âge des réformes (à partir de 1839). Contribution à une histoire de la pensée scientifique dans l’Empire ottoman au XIXe siècle.&nbsp; <br></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Directeurs de recherche&nbsp;: Prof. Paul Dumont (UMB) et Dr. Johann Strauss.&nbsp; ', '</b></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Discipline&nbsp;: Histoire des sciences.</span>\r\n</p><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b> </b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Equipe de recherche: UMR 7043, "Cultures et sociétés en Europe" (CNRS et UMB)</b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b> </b><b>Musa Çimen </b></span></p>\r\n<div style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Musa Çimen est né en 1979 à Strasbourg. Il est venu aux études turques tardivement, après avoir d’abord suivi une filière médecine et sciences à l’Université Louis Pasteur – Strasbourg I (deux années de médecine, suivies de la préparation d’une licence des Sciences de la vie). Titulaire d’une licence de turc de l’Université Marc Bloch (2004), il s’est lancé, dans le cadre de ses études de Master, dans l’étude du <i>Hezar-Esrar </i>(“Mille secrets”), un ouvrage peu connu de Mustafa Behçet Bey, médecin en chef du sultan Mahmut II, et en a fourni une première exploration (traduction et annotation) qui a mis en évidence les potentialités de cette source, à mi chemin entre la médecine savante/institutionnelle et les recettes de la médecine populaire. Il a obtenu son <i>Master d’études méditerranéennes, orientales et slaves, spécialité «&nbsp;études turques&nbsp;»</i> en 2006. La même année, il s’est inscrit en doctorat sous la direction de Paul Dumont et Johann Strauss. Son projet de thèse porte sur les relations entre médecine savante/institutionnelle et médecine populaire dans l’Empire ottoman de la première moitié du XIXe siècle. </span><br><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span></div><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">En 2007, Musa Çimen a obtenu une Bourse d’aide à la recherche du ministère français des Affaires étrangères et a rejoint le groupe des boursiers affectés à l’Institut français d’études Anatoliennes, IFEA, Istanbul).</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Entre 2003 et 2007, le Département d’études turques de l’Université Marc Bloch a largement bénéficié de ses connaissances dans les domaines du graphisme, de <st1:personname w:st="on" productid="la PAO">la PAO</st1:personname> et de l’informatique. Musa Çimen est l’auteur du site internet du Département et en assure la gestion au quotidien. Avec quelques-une de ses camarades, il a également participé à la création d’une revue littéraire sur support électronique, Bachibozouck. Enfin, il a élaboré une “banque de données iconographiques” sur l’Empire ottoman à la fois riche et ludique.</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b> par Paul Dumont<br></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">source : site internet du Département d''Etudes Turques de Strasbourg<br>http://turcologie.u-strasbg.fr/dets/index.php?option=com_content&amp;task=view&amp;id=41&amp;Itemid=37</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>', NULL, NULL, '[]', '', '2010-03-06 16:02:43', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:14:55', 600, '2010-03-06 16:02:43', '0000-00-00 00:00:00', 0, 0, 6, 0, 0, '', '', '', '', 758, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(60, 'Alexandre TOUMARKINE', 'toumarkine-alexandre', 92, 0, '<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: Arial,sans-serif;" style="font-family: Arial,sans-serif;"><span mce_style="font-size: 12pt;" style="font-size: 12pt;">Alexandre TOUMARKINE</span></span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: Arial,sans-serif;" style="font-size: 10pt; font-family: Arial,sans-serif;">secrétaire scientifique de l''IFEA de 2006 à 2010<br></span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br> </span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: Arial,sans-serif;" style="font-size: 10pt; font-family: Arial,sans-serif;">Hormis mes activités scientifiques personnelles, mon travail  consiste en une coordination et animation scientifique des activités de  l''IFEA pour les domaines de l''Empire ottoman et de la Turquie  contemporaine, et d''autre part à l''assistance au directeur de  l''Institut.</span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: Arial,sans-serif;" style="font-size: 10pt; font-family: Arial,sans-serif;">Agrégé d''histoire, docteur en histoire.', '</span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: Arial,sans-serif;" style="font-family: Arial,sans-serif;"><span mce_style="font-size: 12pt;" style="font-size: 12pt;">Thèmes de recherches</span></span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: Arial,sans-serif;" style="font-size: 10pt; font-family: Arial,sans-serif;">Histoire contemporaine (XIXe-XXe  siècles). Migrations ; mer Noire ; Ordre public et violence ; histoire  sociale des guerres ; naissance de la psychiatrie dans l''Empire ottoman ;  <span lang="fr-FR">mouvement ouvrier ; rapprochement gréco-turc.</span> </span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: Arial,sans-serif;" style="font-family: Arial,sans-serif;"><span mce_style="font-size: 12pt;" style="font-size: 12pt;">Publications récentes : </span></span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p style="margin-bottom: 0cm; text-decoration: none; text-align: justify;" lang="tr-TR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: Arial,sans-serif;" style="font-family: Arial,sans-serif;"><span mce_style="font-style: normal;" style="font-style: normal;">Co-direction avec Nikos Sigalas d''un numéro double de la revue </span><i>European  Journal of Turkish Studies </i><span mce_style="font-style: normal;" style="font-style: normal;">(EJTS)  sur l''ingénierie démographique (introduction publiée + un article à  paraître). La première partie du numéro est sortie en décembre 2008, la  seconde est prévue pour septembre 2009.</span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><br> </span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Avec Sigalas, Nikos (2008) ''Ingénierie  démographique, génocide, nettoyage ethnique. Les paradigmes dominants  pour l’étude de la violence sur les populations minoritaires en Turquie  et dans les Balkans'', European Journal of Turkish Studies, Thematic  Issue n° 7 , | Demographic Engineering - Part I, URL :  http://www.ejts.org/document2933.html </span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><br> </span></span></p>\r\n<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">"Dumézil ''in Kafkasya Türkiye''deki  çalışmaları", <i>Toplumsal Tarih,</i> Mayıs 2009, pp. 60-65.</span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: Arial,sans-serif;" style="font-family: Arial,sans-serif;"><span mce_style="font-size: 12pt;" style="font-size: 12pt;">A paraître : </span></span></span></p>\r\n<p style="margin-bottom: 0cm; font-style: normal; text-decoration: none; text-align: justify;" lang="tr-TR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: Arial,sans-serif;" style="font-family: Arial,sans-serif;">Coédition avec Noémi Levy  (IFEA) et Nadir Özbek (Boğaziçi) en turc au éditions du Tarih Vakfi des  actes d''un colloque tenu en janvier 2008 sur le regards croisés des  historiographies française et turque de la police et de la gendarmerie.  Parution prévue pour automne 2009.</span></span></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:13:12', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:50:52', 600, '2010-03-06 16:13:12', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 962, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(62, 'Markus KOHL', 'kohl-markus', 196, 1, '<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Chercheur à l’IFEA, sciences de l’antiquité, histoire et  archéologie classiques.<br></span></p>\r\n\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Adresse&nbsp;:</span></address>\r\n\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">IFEA – Institut Français d’études Anatoliennes<br>Palais de France, Nuru Ziya Sokak 10 P.K. 54</span></address>\r\n\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">34433 Beyoğlu – İstanbul</span></address>\r\n\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Tel.&nbsp;: &nbsp;+90 (0)212&nbsp;244 17 17 poste 131</span></address>\r\n\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Fax.&nbsp;: +90 (0)212&nbsp;252 80 91</span></address>\r\n\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Mel.&nbsp;: <a href="mailto:%20%3Cscript%20language=%27JavaScript%27%20type=%27text/javascript%27%3E%20%3C%21--%20var%20prefix%20=%20%27ma%27%20+%20%27il%27%20+%20%27to%27;%20var%20path%20=%20%27hr%27%20+%20%27ef%27%20+%20%27=%27;%20var%20addy47250%20=%20%27markus.kohl%27%20+%20%27@%27;%20addy47250%20=%20addy47250%20+%20%27ifea-istanbul%27%20+%20%27.%27%20+%20%27net%27;%20document.write%28%20%27%3Ca%20%27%20+%20path%20+%20%27%5C%27%27%20+%20prefix%20+%20%27:%27%20+%20addy47250%20+%20%27%5C%27%3E%27%20%29;%20document.write%28%20addy47250%20%29;%20document.write%28%20%27%3C%5C/a%3E%27%20%29;%20//--%3E%5Cn%20%3C/script%3E%3Cscript%20language=%27JavaScript%27%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%20%27%3Cspan%20style=%5C%27display:%20none;%5C%27%3E%27%20%29;%20//--%3E%20%3C/script%3ECet%20e-mail%20est%20prot%C3%A9g%C3%A9%20contre%20les%20robots%20collecteurs%20de%20mails,%20votre%20navigateur%20doit%20accepter%20le%20Javascript%20pour%20le%20voir%20%3Cscript%20language=%27JavaScript%27%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%20%27%3C/%27%20%29;%20document.write%28%20%27span%3E%27%20%29;%20//--%3E%20%3C/script%3E" mce_href="mailto:%20%3Cscript%20language=%27JavaScript%27%20type=%27text/javascript%27%3E%20%3C%21--%20var%20prefix%20=%20%27ma%27%20+%20%27il%27%20+%20%27to%27;%20var%20path%20=%20%27hr%27%20+%20%27ef%27%20+%20%27=%27;%20var%20addy47250%20=%20%27markus.kohl%27%20+%20%27@%27;%20addy47250%20=%20addy47250%20+%20%27ifea-istanbul%27%20+%20%27.%27%20+%20%27net%27;%20document.write%28%20%27%3Ca%20%27%20+%20path%20+%20%27%5C%27%27%20+%20prefix%20+%20%27:%27%20+%20addy47250%20+%20%27%5C%27%3E%27%20%29;%20document.write%28%20addy47250%20%29;%20document.write%28%20%27%3C%5C/a%3E%27%20%29;%20//--%3E%5Cn%20%3C/script%3E%3Cscript%20language=%27JavaScript%27%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%20%27%3Cspan%20style=%5C%27display:%20none;%5C%27%3E%27%20%29;%20//--%3E%20%3C/script%3ECet%20e-mail%20est%20prot%C3%A9g%C3%A9%20contre%20les%20robots%20collecteurs%20de%20mails,%20votre%20navigateur%20doit%20accepter%20le%20Javascript%20pour%20le%20voir%20%3Cscript%20language=%27JavaScript%27%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%20%27%3C/%27%20%29;%20document.write%28%20%27span%3E%27%20%29;%20//--%3E%20%3C/script%3E"> </a><a href="mailto:markus.kohl@ifea-istanbul.net" mce_href="mailto:markus.kohl@ifea-istanbul.net">markus.kohl@ifea-istanbul.net', '</a> <br></span></address>\r\n\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Études&nbsp;:</span></p>\r\n<div style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> 1985-1996 études d’Archéologie classique, de Pré- et  Protohistoire&nbsp;; d’Histoire et d''Archéométrie –  Westfälische-Wilhelms-Universität Münster, Freie Universität Berlin  (Allemagne), Université de Provence Aix-Marseille 1 (France). </span></div>\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Boursier du Deutscher Akademischer Austausch-Dienst (DAAD,  Office Allemand d''échanges Universitaires) et de l''École Française  d''Athènes - EfA.</span></p>\r\n\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Dès septembre 1996, Maître de conférences universitaire en  sciences de l’antiquité du monde gréco-romain, du 1<sup>er</sup> septembre 2005 au 31 août 2006 en délégation au CNRS, depuis le 1er  septembre 2006 en détachement à l’IFEA.</span></p>', NULL, NULL, '[]', '', '2010-03-06 16:15:15', 69, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:12:41', 600, '2010-03-06 16:15:15', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 810, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Markus Kohl, chercheur à l''IFEA', 'robots=\nauthor=Markus Kohl', 'Markus Kohl, Archéologie, Archäologie, Archaeology, Türkei, Turquie, Turkey, IFEA, recherche, chercheurs', ''),
(65, 'Jean MARCOU', 'marcou-jean', 92, 1, '<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> Senior researcher at the French Institute of Anatolian  Studies in Istanbul (Turkey) and       University Professor at Grenoble Institute  of Political Studies (France) </span>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">E-mail :   <a href="mailto:jean.marcou@ifea-istanbul.net" mce_href="mailto:jean.marcou@ifea-istanbul.net">jean.marcou@ifea-istanbul.net</a> <br><a href="http://ovipot.hypotheses.org/" mce_href="http://ovipot.hypotheses.org/">Blog : www.ovipot.hypotheses.org', '</a></span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Working languages : French (mother tongue), English,  Turkish, Spanish. Passive understanding : Italian and Arabic.</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Main research Interests<br> </b></span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Contemporary Turkish Politics  (Constitutions, Polical System, Rule of the Law)</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Secularism, laiklik and "laïcité" in France  and Turkey</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Local and regional powers in France, Turkey and Europe</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">European construction (enlargement process, European  boarders'' issue, Euromediteranean Partnership and the Union for the  Mediteranean)</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">International Relations (Turkish Foreign Policy,  Middle-East)</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>JEAN MARCOU</b></span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> Pensionnaire scientifique à l’Institut Français  d’Etudes Anatoliennes d’Istanbul (Turquie) où il dirige l''Observatoire  de <st1:personname productid="la Vie Politique" w:st="on">la Vie  Politique</st1:personname> Turque (OVIPOT). </span>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Professeur des Universités à l’Institut d’Etudes  Politiques de Grenoble (France).</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">E-mail :   <a href="mailto:jean.marcou@ifea-istanbul.net" mce_href="mailto:jean.marcou@ifea-istanbul.net">jean.marcou@ifea-istanbul.net</a> Cet e-mail est protégé contre les  robots collecteurs de mails, votre navigateur doit accepter le  Javascript pour le voir</span><!--  \\n  // --></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Tel : +90 212 244 17 17 (poste 139)</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://ovipot.blogspot.com/" mce_href="http://ovipot.blogspot.com/" target="_self">Blog : www.ovipot.blogspot.com</a></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Langues pratiquées : Français, Anglais,  Turc, Espagnol</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Compréhension passive de l''Italien et de  l''Arabe.</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Thèmes de recherche </b><br> Turquie contemporaine (Constitutions, système politique, Etat de droit) <br> Sécularisation et laïcité en France, en Turquie et en Europe, <br> Pouvoirs locaux et régionaux en France, en Turquie et en Europe, <br> Construction européenne (élargissement, question des frontières de  l’Europe, Partenariat Euroméditerranéen et Union pour <st1:personname productid="la Méditerranée" w:st="on">la Méditerranée</st1:personname>)<br> Relations internationales (Politique étrangère turque, Moyen-Orient).     &nbsp;    <br><b>Recent Publications / Publications récentes </b><br><b>Books / Ouvrages (cliquez sur  les titres !) : </b></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.pug.fr/Titre.asp?Num=1043" mce_href="http://www.pug.fr/Titre.asp?Num=1043" target="_blank">Burdy  (Jean-Paul) et Marcou (Jean) - La Turquie à l’heure de l’Europe, Presses  Universitaires de Grenoble, collection « Le Politique en plus »,  Grenoble, mai 2008.</a></span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.lecavalierbleu.com/f/index.php?sp=liv&amp;livre_id=179" mce_href="http://www.lecavalierbleu.com/f/index.php?sp=liv&amp;livre_id=179" target="_self">Marcou (Jean)-  L’Égypte contemporaine, Editeur « Le Cavalier bleu », collection « Idées  reçues », Paris, avril 2008.<br> </a><br><br><b>Contributions :<br> </b>Marcou (Jean).- Rédacteur de la rubrique «  Le tourisme en Egypte c’est les pyramides ! » in Le Grand Livre des  idées reçues, Paris, Le Cavalier Bleu, septembre 2008, p. 33 à 337.</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Marcou (Jean).- Rédacteur de la rubrique « Turquie »  dans Andrieu (Claire), Braud (Philippe), Pikety (Guillaume) (dir.), «  Dictionnaire de Gaulle », Paris, Robert Laffont, collection « Bouquins  », 2006, p. 1130.</span></p>\r\n<p align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Marcou (Jean) – Rédaction de 16 rubriques dans Burdy  (Jean-Paul) (dir.), Les mots de <st1:personname productid="La Turquie" w:st="on">la Turquie</st1:personname>, Toulouse, Presses Universitaires  du Mirail, 2006.</span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> Marcou (Jean)- « Le  mouvement constitutionnel turc », contribution à un ouvrage collectif  dirigé par Semih Vaner, <st1:personname productid="La Turquie" w:st="on">La  Turquie</st1:personname>, Paris, Ed. Fayard, novembre 2005, p.85 <br><br><br><b>Articles </b><b> </b><br><b> </b>Marcou (Jean) –  « Turquie : la constitutionnalisation inachevée », Revue du CEDEJ «  Egypte-Monde Arabe», N°2, Ed. <st1:personname productid="La Découverte" w:st="on">La Découverte</st1:personname>, décembre 2005.&nbsp;    Marcou (Jean) – « Etat et Etat de droit en Turquie »,  Revue « Pouvoirs » N°115, Ed. du Seuil, novembre 2005, p.25. <br> Marcou (Jean).- «  Turquie-Europe : l’heure de vérité », article paru en arabe dans la  revue égyptienne Al Siayassa Al Dawliya (Politique internationale), N°  159, Janvier 2005.<br><br><b><br> </b></span>', NULL, NULL, '[]', '', '2010-03-06 16:16:34', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:11:48', 600, '2010-03-06 16:16:34', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 743, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(78, 'Eric JEAN', 'jean-eric', 92, 1, 'en construction', '', NULL, NULL, '[]', '', '2010-03-06 16:16:10', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:09:11', 600, '2010-03-06 16:16:10', '0000-00-00 00:00:00', 0, 0, 11, 0, 0, '', '', '', '', 669, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(84, 'Deniz BEYAZIT', 'beyazit-deniz', 92, 1, '<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Deniz BEYAZIT</span></h1>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Associate Researcher, French Institute for  Anatolian Studies – Georges Dumézil (IFEA), Istanbul</span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> PhD  candidate, Université de Paris I Panthéon – Sorbonne<br> CNRS, UMR 8167 Orient et Méditerranée (laboratoire Islam Médiéval)&nbsp;&nbsp;', '<br></span>\r\n<h1 dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Areas of Interests</span></h1>\r\n\r\n\r\n<ul>\r\n</ul>\r\n\r\n<ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Art and Archaeology of Islamic world</span><br></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Art and Archaeology of  Medieval Anatolia and its surrounding regions</span><br></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> Cultural and artistic  relations between Muslim dominated regions and their neighbors in Europe  and Asia</span></li></ul> \r\n\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Recent Publications</span></h1>\r\n\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span><b><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2009</span></b><br></p> <span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span>Editor together with Simon Rettig of Symposium  Proceedings At the Crossroads of Empires: 14th – 15th Centuries Eastern  Anatolia, held in Istanbul 4th to 6th May 2007, (In preparation, will be  published in Varia Anatolica, Paris: De Boccard) <span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span>\r\n</p>\r\n\r\n\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> “Mamluk Fashion  in late Artuqid Architecture and Decoration of Mardin (14th – Early 15th  Century)”, Proceedings of Symposium At the Crossroads of Empires: 14th –  15th Centuries Eastern Anatolia, 4th to 6th May 2007, Istanbul (In  preparation) </span>\r\n\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span></p><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><br> 2008</b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span></p><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“The “Bā<u>gh</u>ānī”  Complex: Medieval Pavilions in the Mardin Hinterland, Southeastern  Turkey”, Artibus Asiae, 58/1, 2008, p. 145-153.</span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:08:49', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 10, 0, 0, '', '', '', '', 857, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(87, 'Yoann MORVAN', 'morvan-yoann', 92, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: large;" style="font-size: large;">Yoann MORVAN</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b><img style="float: left;" mce_style="float: left;" alt="foto" src="images/stories/pagespersos/yoannmorvan/foto.jpg" mce_src="images/stories/pagespersos/yoannmorvan/foto.jpg" height="97" width="130"> Post doc CNRS / IFEA</b></span><b> </b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b> </b>Co-responsable de l''<b>O</b>bservatoire <b>U</b>rbain d''<b>I</b>stanbul</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Docteur en  Urbanisme de l''<b>I</b>nstitut d''<b>U</b>rbanisme de <b>P</b>aris</span> (Thèse menée sous la  direction de Thierry PAQUOT). <span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Chercheur  associé au Gerphau (Philosophie Architecture Urbain)', '</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><br></span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Organisation  d''un séminaire mensuel</b> autour d'' “<i>Istanbul 2010</i>. Capitale  européenne de la culture”. </span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=685%3Aseminaires-istanbul-2010&amp;catid=145%3Aseminaires&amp;Itemid=136&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=685%3Aseminaires-istanbul-2010&amp;catid=145%3Aseminaires&amp;Itemid=136&amp;lang=fr">Cliquer ici pour voir les Conférences en ligne issues de ce séminaire</a>.<br></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> Thèmes de recherches : </span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">- géographie  sociale du commerce et de la consommation</span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> - marketing  urbain </span></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">- socio-anthropologie de l''échange</span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span>', NULL, NULL, '[]', '', '2010-03-04 16:12:48', 81, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:04:55', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 1055, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Yoann Morvan, chercheur à l''IFEA', 'robots=\nauthor=Yoann Morvan', 'Yoann Morvan, Observatoire Urbain d''Istanbul, Pérouse, IFEA, chercheur, recherche, OUI, Turquie, urbanisme', ''),
(89, 'Thornike GORDADZE', 'gordadze-thornike', 196, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Thorniké GORDADZE</span></span></span></p>\r\n<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Thorniké Gordadzé </b>est diplômé des Instituts d’Etudes Politiques de Paris (DEA des Aires politiques comparés en 1997) et de Bordeaux (en  1996). En 2006 il a soutenu une thèse de sciences politiques à l’IEP de Paris  intitulée «&nbsp;<b>Formation socio-historique de la nation géorgienne. Les legs des identités pré-modernes, les idéologies et acteurs nationalistes</b>&nbsp;». Fox fellow à Yale Center for International and Area Studies (Université de  Yale, Etats-Unis&nbsp; 2002-2003), Thorniké Gordadzé fut chargé de divers enseignements à Sciences-po Paris. </span></p>', '<div style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">(Matières enseignées&nbsp;: «&nbsp;Espace mondial&nbsp;», «&nbsp;États et identités dans le Caucase et en Asie Centrale post-communistes&nbsp;»). Thorniké Gordadzé a collaboré avec le Centre d’Analyse et de Prévision (CAP) du Ministère des Affaires Etrangères en  2004 et 2005, il est membre de <st1:personname productid="la Central Eurasian" w:st="on">la Central Eurasian</st1:personname> Studies Society&nbsp;; &nbsp;de l’Association for the Study of Nationalities&nbsp; (ASN) et Membre fondateur  de l’Association for the Study of Ethnicity and Nationalism (ASEN, Londres)  et du Fonds d’Analyse des Sociétés Politiques (FASOPO, Paris). En septembre  2006, il a été recruté à l’Institut Français des Etudes Anatoliennes (IFEA), où  il a dirigé l''Observatoire du Caucase situé à Bakou jusqu''en 2009. Il y organise un  séminaire bimensuel sur l’ethnicité et le nationalisme dans le Caucase et un autre  sur les transformations du phénomène étatique, conflits et violence dans  l’espace post-communiste. Il parle anglais, russe, géorgien, et apprend le turc  azéri. Depuis 2005 il co-préside la revue Caucasus International qui paraît à  Tbilissi (Géorgie) et depuis fevrier 2007 il est chercheur associé au CERI  (Centre d’Etudes et de Recherches Internationales).<br>Il est actuellement Vice-ministre des Affaires étrangères de Géorgie.<br></span></div><p></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-09-26 15:17:06', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 593, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(92, 'Jean-François PEROUSE', 'perouse-jean-françois', 92, 1, '<p style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 12pt;" style="font-size: 12pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Jean-François Pérouse</span></span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Maître  de conférences à l’Université Toulouse-II, délégué auprès de  l’Université Galatasaray (Turquie) depuis le 1<sup>er</sup> octobre  2006.</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Chercheur  rattaché à l’équipe CNRS-EHESS «&nbsp;Etudes turques et ottomanes&nbsp;»  (UMR-8032)&nbsp;; chercheur associé au CIRUS-CIEU (UMR-5193).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-<u>Titres  universitaires français</u> : Ancien Elève de l’ENS, Agrégation de  géographie, D.E.A. "Géographie et Aménagement" (Paris-IV), D.E.A.  "Histoire et Civilisations" (E.H.E.S.S.), Diplôme des Langues-Orientales  (Turc) et Doctorat de géographie et aménagement ("D''Angora à Ankara  (1919-1950) : la naissance d''une capitale", thèse soutenue en janvier  1994, à l''Université de Reims-Champagne-Ardenne, sous la direction de M.  BAZIN). ', '</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-<b>1</b><sup><b>er</b></sup><b> août 2007-1er août 2008</b>, chargé de mission MAE pour la coordination  des observatoires et pôles urbains du pourtour méditerranéen.  Responsabilité d’animation. </span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-<b>Depuis  le 1</b><sup><b>er</b></sup><b> juin 2007</b> : participation à un  programme de recherche financé par le TÜBITAK turc sur la jeunesse de  trois quartiers défavorisés (enquête quantitative, entretiens  qualitatifs plus approfondis, observations…).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-Depuis le 1</b><sup><b>er</b></sup><b> septembre 2006 </b>: Enseignant-chercheur délégué à l’Université de  Galatasaray (Istanbul, Turquie). Cours de géographie économique, cours  de géographie de la Turquie, cours sur la Turquie contemporaine et la  gestion des risques à Istanbul.</span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">Chercheur  associé à l’Institut Français d’Etudes Anatoliennes (IFEA, Istanbul).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Depuis  2003&nbsp;: rédacteur en chef de la revue en ligne <i>European Journal of  Turkish Studies</i> (</span><a target="_blank" href="http://www.ejts.org/" mce_href="http://www.ejts.org/"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"><u>www.ejts.org</u></span></a><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">). </span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; text-indent: -0.04cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-Du 1</b><sup><b>er</b></sup><b> septembre 2002 à la fin août 2006 </b>: «&nbsp;Pensionnaire Scientifique&nbsp;» à  l’IFEA&nbsp;: </span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-animation  d’un séminaire depuis octobre 2003 (2003-2004&nbsp;: «&nbsp;Analyser les  périphéries d’Istanbul.&nbsp;»&nbsp;; 2004-2005&nbsp;: «&nbsp;Les coopératives de  construction, un acteur méconnu de la filière logement&nbsp;»)&nbsp;; 2006&nbsp;: «&nbsp;La  régénération urbaine à Istanbul&nbsp;: concept et application&nbsp;».</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-responsabilité  de l’Observatoire Urbain d’Istanbul (centre de documentation, centre de  recherches et point d’interface entre la France et la Turquie). Mise en  place d’un Atelier de cartographie et réalisation de l’<i>Atlas  Electronique de la croissance d’Istanbul</i> (sur CD). </span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Encadrement  de jeunes chercheurs (étudiants de maîtrise, de DEA/DESS, et de  stagiaires).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Consultant  pour le Conseil de l’Europe (2004), pour l’Agence Française de  Développement (AFD) et l’OCDE (2005, 2006).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Vacataire  au département de sociologie de l’Université Galatasaray au second  trimestre de l’année universitaire 2005-2006 ( 3h de cours/semaine&nbsp;:  «&nbsp;Sociologie du risque à Istanbul&nbsp;»).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-1</b><sup><b>er</b></sup><b> septembre 1999-30 août 2002 </b>: délégué auprès de l’IFEA, comme  responsable de l’Observatoire Urbain d’Istanbul (OUI), et auprès de  l’université de Marmara comme enseignant au département d’Administration  Publique. </span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Animation  d’un séminaire «&nbsp;Etudier la Turquie contemporaine&nbsp;: sources et  méthodes&nbsp;». </span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Publication  de la Lettre Electronique de l’OUI (<i>Electroui</i>) (disponible sur  le site Internet de l’IFEA&nbsp;: </span><a href="http://www.ifea-istanbul.net/" mce_href="http://www.ifea-istanbul.net/"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"><u>www.ifea-istanbul.net</u></span></a><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> ) .</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Enseignant  à l’Université de Marmara (<i>Kamu Yönetim Bölümü</i>)&nbsp;: cours  magistral pendant 3 ans&nbsp;: «&nbsp;Urbanisme, urbanisation et Environnement&nbsp;»,  «&nbsp;Pouvoirs locaux et urbanisme&nbsp;».</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-1</b><sup><b>er</b></sup><b> septembre 1994-30 août 1999 </b>: maître de conférences en géographie à  l’Université de Toulouse-II.</span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Cours  de préparation au CAPES et à l’agrégation (écrit et oral).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Cours  de DEUG sur l’histoire et l’épistémologie de la géographie.</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Cours  de licence en géographie urbaine (TD et cours magistral).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Cours  de licence en géographie régionale sur le Proche et Moyen-Orient.</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Cours  magistral en DEUG sur l’espace méditerranéen. </span></span></p>\r\n<p style="margin-bottom: 0cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-1</b><sup><b>er</b></sup><b> septembre 1993-30 août 1994</b> : ATER en géographie à l’Université de  Toulouse-II (dite du Mirail).</span></span></span></span></p>\r\n<p style="margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-left: 0.5cm; margin-right: 3.72cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 8pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 8pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-préparation  à l''oral de l''agrégation, cours magistral en DEUG, T.D. en licence  d''urbanisme, et T.D. de licence sur la "géographie de la France".</span></span></p>\r\n<p style="margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-left: 0.5cm; margin-right: 3.72cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 8pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 8pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-mai  1993 : nommé au jury de l''agrégation d''histoire pour corriger l''épreuve  de géographie.</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-1</b><sup><b>er</b></sup><b> octobre 1990-30 août 1993</b> : Allocataire-Moniteur-Normalien à  l''université Toulouse-Le-Mirail : </span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Participation  aux activités du CIEU (Centre Interdisciplinaire d''Études Urbaines,  CNRS-URA 1146).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Cours  d''"études urbaines" en DEUG : initiation aux documents et  problématiques de base en géographie urbaine et quelques "études de  cas". </span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Préparation  à l''oral de géographie de l''agrégation d''histoire.</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Mai-juin  1991 : "chargé de mission" au Conseil régional de la Région  Midi-Pyrénées (travail bibliographique ; notes de synthèse).</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-1</b><sup><b>er</b></sup><b> octobre 1986-30 septembre 1990 </b>: élève-stagiaire à l''E.N.S. (en  "Sciences Humaines", option "Géographie").</span></span></span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Juillet  1989 : obtention de l''agrégation de Géographie (rang&nbsp;: 1<sup>er</sup>)</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-1988&nbsp;:  consultant U.E. pour l’organisation de l’exposition «Terres d’Europe&nbsp;» à  l’occasion du Conseil des Ministres européens de Strasbourg (montage de  bornes interactives, choix d’images satellitales…). </span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Juin  1987 : maîtrise de géographie à l''Université Paris I, option  "géographie urbaine". Mémoire sous la direction de M. Rochefort; titre :  "Les mutations de l''organisation socio-spatiale dans un quartier  pluri-ethnique du Nord-Est parisien".</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);">-Septembre  1986&nbsp;: Licence de géographie à l’Université Lyon-II.</span></span></p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: #ffffff;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif; background-color: rgb(255, 255, 255);"> </span></span> </p>\r\n<p style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" mce_style="margin-bottom: 0cm; margin-left: 0.5cm; margin-right: 3.72cm;" align="justify"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="background-color: #ffffff;" style="background-color: rgb(255, 255, 255);"><b>-Septembre  1982-Juin 1986 </b>: classes préparatoires aux ENS (hypokhâgne et  khâgne), au Lycée du Parc et au Lycée Edouard Herriot.</span></span></span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:01:05', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 9, 0, 0, '', '', '', '', 1553, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(93, 'Laurent MALLET', 'mallet-laurent', 92, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Laurent-Olivier MALLET<br></span></span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 12pt; font-family: arial,helvetica,sans-serif;" style="font-size: 12pt; font-family: arial,helvetica,sans-serif;"> <br> </span><span mce_style="font-size: 12pt; font-family: arial,helvetica,sans-serif;" style="font-size: 12pt; font-family: arial,helvetica,sans-serif;" lang="FR">Enseignant à  l’Université Galatasaray, chercheur associé à l’IFEA<br> <br> <!--  var prefix = ''&#109;a'' + ''i&#108;'' + ''&#116;o'';  var path = ''hr'' + ''ef'' + ''='';  var addy72454 = ''l&#97;&#117;r&#101;nt.m&#97;ll&#101;t'' + ''&#64;'';  addy72454 = addy72454 + ''y&#97;h&#111;&#111;'' + ''&#46;'' + ''fr'';  document.write( ''<a '' + path + ''\\'''' + prefix + '':'' + addy72454 + ''\\''>'' );  document.write( addy72454 );  document.write( ''<\\/a>'' );  //--><a href="mailto:laurent.mallet@yahoo.fr" mce_href="mailto:laurent.mallet@yahoo.fr">laurent.mallet@yahoo.fr</a><!--  document.write( ''<span style="\\" mce_style="\\" ''display: none;\\''>'' ); // --><span mce_style="display: none;" style="display: none;">Cet e-mail est protégé contre les  robots collecteurs de mails, votre navigateur doit accepter le  Javascript pour le voir  <!--  document.write( ''</'' );  document.write( ''span>'' ); // --></span><br></span></span>', '', NULL, NULL, NULL, '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:56:49', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 8, 0, 0, '', '', '', '', 789, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(94, 'Noémi LEVY', 'levy-noémi', 92, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Noémi LÉVY-AKSU<br></span></p><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Öğretim Görevlisi Dr. at Boğaziçi University, History Department.</span></address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Boğaziçi Üniversitesi, Tarih Bölümü, 34 342 Bebek,İstanbul\r\n</span></address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">+90 212 359 66 07</span></address><address>\r\n</address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">e-mail : levy.   noemi@gmail.com</span>', '</address>\r\n<p><br></p><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Education :</span></h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\nJune 2010 Degree of Doctor of Philosophy, “<b>L’ordre public dans la capitale: Istanbul 1879-1909</b>” “with great honor”(EHESS-Paris)\r\n<br>2006-2009 PhD candidate in Ottoman History (EHESS-Paris), scholar at  the French Institute for Anatolian Studies (IFEA-Istanbul).<br>2003-2005  : Master’s degree (EHESS-Paris).<br>2003 :  Agrégation in History.  Rank : 8. (competitive national exam for the highest teaching diploma in France)<br>2002 : Maîtrise in History (first Master’s thesis) in History in Paris I University  (Panthéon-Sorbonne)<br>2001 : Licence (B.A) in History, Paris IV University (Sorbonne)<br>2000.2005 : Student at the “Ecole Normale Supérieure” (Paris-Ulm)<br>\r\n</span>\r\n\r\n\r\n\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Publications   :</span></h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Edited Books:</span></h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span>\r\n<ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Noémi Lévy, Alexandre Toumarkine (eds.), <i><b>Osmanlı’da Asayiş, Suç ve Ceza (18.-20. yy.)</b></i>, Istanbul, Tarih Vakfı, 2008.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Noémi Lévy, Nadir Özbek, Alexandre Toumarkine (eds.), <i><b>Asayiş: Osmanlı ve Fransız Tarihçiliğine Çapraz Bakışlar</b></i>, Istanbul, Tarih Vakfı, 2010.</span></li></ul><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Articles:</span></h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span>\r\n\r\n<ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“Between Order and Disorders: Istanbul kabadayı at the end of the 19th century”, <i><b>TSAJ</b></i>, article accepted and reviewed, forthcoming 2010.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“Modalités et enjeux de la circulation des savoirs policiers: un modèle français pour la police ottomane?”, <b><i>Revue d’Histoire des Sciences Humaines, 2008, 19</i></b>, p. 11-27.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“<a mce_href="http://ejts.revues.org/index2463.html" href="http://ejts.revues.org/index2463.html">Une institution en formation: la police ottomane à l’époque d’Abdülhamid II</a>”, <i><b>EJTS</b></i>, December 2008.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“Savoirs et savoir-faire dans la police ottomane”, in Vincent Milliot (ed.),<i><b> Être policier. Métiers de police en Europe (XVIIIe-XXe siècles)</b></i>, Rennes, Presses Universitaires de Rennes, 2008.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“Salonique et la guerre gréco-turque de 1897, le fragile équilibre d’une ville ottomane”, <i><b>Mesogeios, n°34</b></i>, 2008, pp. 29-47.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“19. Yüyılda Osmanlı’da Kamu Düzeni Konusunda Çalışmak », “Bibliyografya üzerine Bir Değerlendirme”, in Noémi Lévy, Alexandre Toumarkine (eds.) <i><b>Osmanlı’da Asayiş, Suç ve Ceza (18.-20. yy.)</b></i>, Istanbul, Tarih Vakfı, 2008, pp. 55-67.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“Yakından Korunan Düzen : Abdülhamid Devrinden II. Meşrutiyet Dönemine Bekçi Örneği”, Noémi Lévy, Alexandre Toumarkine (dir.), <i><b>Osmanlı’da Asayiş, Suç ve Ceza (18.-20. yy.)</b></i>, Istanbul, Tarih Vakfı, 2008, pp. 135-145.</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">“La police ottomane au tournant des XIXe et XXe siècles : les mémoires d’un commissaire d’Izmir”,<i><b> RHMC, n° 54-2</b></i>, 2007, p. 140-160.</span></li></ul><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span>\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Exhibition album:</span></h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">De Byzance à Istanbul, un port pour deux continents, Paris, RMN, 2009.</span></li></ul><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Translations:</span></h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">M. Edip Özgür, Aspendos. Guide de visite, Ankara, Dönmez Offset, forthcoming 2010</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">M. Edip Özgür, Sculptures du musée d’Antalya, Ankara, Dönmez Offset, 2010 (Turkish to French translation in collaboration with Aksel Tibet)</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">De Byzance à Istanbul, un port pour deux continents, Exhibition Catalogue, 2009 (Turkish to French translation)</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Atilla Durak (ed.), Ebru. Reflets de la diversité culturelle en Turquie, Actes Sud, 2009 (Turkish to French translation in collaboration with Haldun Bayrı)</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Documents of Gilles Dorronsoro’s La Turquie : de la périphérie occidentale à l’affirmation d’une politique globale, Paris, Autrement, 2009 (Turkish to French)</span></li></ul><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span>\r\n\r\n\r\n\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Other activities   :</span></h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Member of the editorial board of the <a mce_href="http://ejts.revues.org" href="http://ejts.revues.org">European Journal of Turkish Studies</a>, a peer-reviewed, online, interdisciplinary social sciences journal founded in 2004.</span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-09-21 12:29:00', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 7, 0, 0, '', '', '', '', 562, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=1\nitemAttachmentsCounter=1\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(96, 'Koray KONUK', 'konuk-koray', 92, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 12pt;" style="font-size: 12pt;">Koray KONUK</span><br></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">ACADEMIC DEGREES</span></span></p>\r\n<p dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·DPhil Ancient&nbsp;History,&nbsp;University&nbsp;of&nbsp;Oxford,&nbsp;1998.</span></span></p>\r\n<p dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·BA,&nbsp;MA&nbsp;Classical&nbsp;Archaeology,&nbsp;University&nbsp;of&nbsp;Louvain,&nbsp;1991.<br> ·BA,&nbsp;MA&nbsp;Public&nbsp;Administration&nbsp;and&nbsp;International&nbsp;Relations,</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">University&nbsp;of&nbsp;Louvain,&nbsp;1993.</span></span></p>', '<br><br> ACADEMIC  EMPLOYMENT<p></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Tenured&nbsp;Research&nbsp;Fellow&nbsp;at&nbsp;the&nbsp;CNRS&nbsp;(National&nbsp;Center&nbsp;for</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Scientific&nbsp;Research)&nbsp;(1999-present).</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Lecturer&nbsp;in&nbsp;Greek&nbsp;Numismatics&nbsp;in&nbsp;the&nbsp;Department&nbsp;of&nbsp;Ancient</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">History&nbsp;at&nbsp;the&nbsp;University&nbsp;of&nbsp;Bordeaux  (1999-2002).</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Invited&nbsp;University&nbsp;Lecturer&nbsp;in&nbsp;the&nbsp;Faculty&nbsp;of&nbsp;Classics,</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">University&nbsp;of&nbsp;Cambridge&nbsp;(1996-99).</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Assistant&nbsp;Keeper&nbsp;in&nbsp;the&nbsp;Department&nbsp;of&nbsp;Coins&nbsp;and&nbsp;Medals,</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">The&nbsp;Fitzwilliam&nbsp;Museum,&nbsp;University&nbsp;of&nbsp;Cambridge&nbsp;(1994-99).</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">VISITING</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Senior&nbsp;Visiting&nbsp;Scholar  at&nbsp;the&nbsp;Research&nbsp;Center&nbsp;on&nbsp;Anatolian&nbsp;Civilizations&nbsp;of&nbsp;Koç&nbsp;University&nbsp;(2007).</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Kraay&nbsp;Visiting&nbsp;Scholar&nbsp;at&nbsp;the&nbsp;University&nbsp;of&nbsp;Oxford&nbsp;(Summer&nbsp;2006).<br> ·Visiting&nbsp;Scholar&nbsp;at&nbsp;the&nbsp;Summer&nbsp;Graduate&nbsp;Seminar,&nbsp;American&nbsp;Numismatic&nbsp;Society,&nbsp;New&nbsp;York&nbsp;(2005).<br><br> TEACHING<br> ·Teaching&nbsp;ancient&nbsp;numismatics.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Co-supervising&nbsp;two&nbsp;doctoral&nbsp;students.<br><br> RESEARCH<br> ·Greek numismatics.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·History&nbsp;and&nbsp;archaeology&nbsp;of&nbsp;Caria.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">ADMINISTRATION<br> ·President&nbsp;of&nbsp;the&nbsp;Middle&nbsp;Common&nbsp;Room&nbsp;of&nbsp;St&nbsp;Edmund&nbsp;Hall,&nbsp;Oxford&nbsp;(1992-93).<br> ·Member&nbsp;of&nbsp;the&nbsp;Council&nbsp;of&nbsp;the&nbsp;Royal&nbsp;Numismatic&nbsp;Society,&nbsp;London&nbsp;(1998-99).<br> ·Member&nbsp;of&nbsp;the&nbsp;Editorial&nbsp;Board&nbsp;of&nbsp;the&nbsp;Revue&nbsp;des&nbsp;Etudes&nbsp;Anciennes&nbsp;(2006-present).<br> ·Member&nbsp;of&nbsp;the&nbsp;Advisory&nbsp;Board&nbsp;of&nbsp;Anadolu&nbsp;(2007-present).<br><br> DISTINCTIONS<br> ·Prix&nbsp;Quadriennal&nbsp;of&nbsp;the&nbsp;Royal&nbsp;Belgian&nbsp;Numismatic&nbsp;Society&nbsp;awarded&nbsp;to&nbsp;my&nbsp;doctoral&nbsp;dissertation&nbsp;(2001).<br> ·INC&nbsp;Travelling&nbsp;Scholarship&nbsp;(1993).<br> ·St&nbsp;Edmund&nbsp;Hall&nbsp;Postgraduate&nbsp;Award&nbsp;(1992-94).<br> ·Oxford&nbsp;University&nbsp;Barclay&nbsp;Head&nbsp;Prize&nbsp;in&nbsp;ancient&nbsp;numismatics&nbsp;(1992).<br> ·Overseas&nbsp;Research&nbsp;Studentship&nbsp;Award&nbsp;funded&nbsp;by&nbsp;the&nbsp;British&nbsp;government&nbsp;(1991-94).<br><br> INVITED&nbsp;LECTURES  (last 3 years)</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Royal Swedish Academy of Letters,  Stockholm, Nov. 2008 (Prof. Lars Karlsson), Labraunda and Karia.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·University of Mersin, Nov. 2008 (Prof.  Serra Durugönül), Wine and Olive Oil Production in Antiquity.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·Academia Belgica, Rome, Sept. 2008  (Prof. François de Callataÿ) Coin Quantifications.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·ENS, Paris, April 2008 (Dr Francis  Prost), Outils de la recherche archéologique française en Turquie</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·University&nbsp;of&nbsp;Münster,&nbsp;March&nbsp;2008&nbsp;(Prof.&nbsp;Dr&nbsp;Engelbert&nbsp;Winter),&nbsp;Geschichte&nbsp;und&nbsp;Kultur&nbsp;Kleinasiens.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·University&nbsp;of&nbsp;Bordeaux,&nbsp;Nov.  2007&nbsp;(Prof.&nbsp;Raymond&nbsp;Descat),&nbsp;Ports&nbsp;de&nbsp;Carie&nbsp;et&nbsp;de&nbsp;Lycie.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·University&nbsp;of&nbsp;Oxford,&nbsp;March&nbsp;2007&nbsp;(Dr  Amelia Dowler), Corpus&nbsp;Christi&nbsp;College&nbsp;Seminars&nbsp;in&nbsp;Classics.</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">·University&nbsp;of&nbsp;Oxford,&nbsp;July&nbsp;2006&nbsp;(Dr&nbsp;Riet&nbsp;van&nbsp;Bremen),  First&nbsp;International&nbsp;Symposium&nbsp;on&nbsp;Hellenistic&nbsp;Caria.<br> ·University&nbsp;of&nbsp;Berlin,&nbsp;Oct. 2005, (Priv. Doz. Frank Rumscheid),  Kolloquium&nbsp;Die&nbsp;Karer&nbsp;und&nbsp;die&nbsp;Anderen.</span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:55:40', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 6, 0, 0, '', '', '', '', 946, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(97, 'Thomas DREW-BEAR', 'drew-bear-thomas', 196, 1, '<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" lang="en-US"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 12pt; font-family: arial,helvetica,sans-serif;" style="font-size: 12pt; font-family: arial,helvetica,sans-serif;"><b>Thomas Drew-Bear</b></span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" lang="en-US"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: Helvetica,sans-serif;" style="font-family: Helvetica,sans-serif;"><span mce_style="font-size: 12pt;" style="font-size: 12pt;"> </span></span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;" mce_style="margin-bottom: 0cm; text-align: justify;" lang="en-US"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Diplômé de l''Université de Harvard (Ph.D.)  et de la Sorbonne - Université Paris I (habilitation), ancien membre de  l''American School of Classical Studies at Athens, ancien Fellow of the  Center for Hellenic Studies et du Dumbarton Oaks Center for Byzantine  Studies (Washington), ancien boursier de l''Alexander von  Humboldt-Stiftung (Cologne et Hambourg), Directeur de Recherche au CNRS  et membre de l''IFEA.</span></span></p>', '<p><br></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" lang="en-US"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<p style="margin-bottom: 0cm; text-align: justify;" mce_style="margin-bottom: 0cm; text-align: justify;" lang="en-US"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Epigraphiste spécialiste des documents  grecs et latins qui travaille en Turquie depuis 1968, menant des  campagnes systématiques de recherche dans les musées et sur le  terrain.&nbsp;Th. Drew-Bear poursuit ses études en étroite collaboration avec  ses collègues turcs. Il a publié de nombreux livres et articles, dont  le Catalogue des stèles votives phrygiennes du Musée des Civilisations  Anatoliennes d''Ankara et, l''an dernier, le Catalogue des inscriptions du  Musée de la Brigade de l''Armée de l''Air à Kütahya en Phrygie du Nord.</span></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:55:12', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 795, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(98, 'Thomas LORAIN', 'lorain-thomas', 92, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Thomas LORAIN<br></span></span></span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Doctorant à 			l’EPHE (IVe section) – Sorbonne</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">FRE 2454 - 			Iran,Caucase, Proche-Orient: Diversités et continuités</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\nE-mail:   <a href="mailto:thomas.lorain@free.fr" mce_href="mailto:thomas.lorain@free.fr">thomas.lorain@free.fr', '</a></span><h2 style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Thèmes de  recherches</span></h2>\r\n\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Fortifications et frontières dans l’Islam médiéval.</span>\r\n\r\n</p><p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Histoire, archéologie et architecture de la période saldjuqide.</span></p>\r\n\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Problématiques liées à la conservation et la restauration des sites archéologiques et monumentaux.</span></p>\r\n\r\n\r\n<h2 style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Publications  récentes</span></h2>\r\n\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">«&nbsp;A Contribution to Middle East Military Architecture: Medieval  Fortifications of Southeastern Turkey (11th-13th centuries)&nbsp;», in <i>Acts of the 13<sup>th</sup> International Congress of Turkish Art</i>, tenu à Budapest du 3 au 8 septembre 2007, sous presse.</span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:54:32', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 604, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(1047, 'Cédric BODET', 'bodet-cédric', 92, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">CEDRIC BODET</span></p><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Contact : </span><span mce_style="color: #000000;" style="color: #000000;">cedric.bodet@mailcity.com</span></p><h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span></h3><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Programme de recherche</span><br></h2><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>PENEO </b><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> Neolithic Economic Platform for  South West Asia  </span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> Plateforme Economique NEOlithique pour  l’Asie du Sud-Ouest</span></p>', '<p></p>\r\n\r\n<h2><span style="color: rgb(0, 0, 0);" mce_style="color: #000000;"><b><b>Publications et communications</b></b></span></h2><h4><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Thesis</b> - Cédric Bodet 2008 -L’apparition de l’élevage en Anatolie: un  reflet de la structure économique et sociale du  Néolithique d’Asie Antérieure . Université de Paris 1 Panthéon-Sorbonne.</span></h4>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> click here to download the thesis :<b> </b><b><a href="../website/images/stories/archeologie/peneo/these-vol1.pdf" mce_href="../website/images/stories/archeologie/peneo/these-vol1.pdf" target="_self">volume 1 (texte)</a></b><b> </b>et <b><a href="../website/images/stories/archeologie/peneo/these-vol2.pdf" mce_href="../website/images/stories/archeologie/peneo/these-vol2.pdf" target="_self">volume 2 (illustrations)</a></b></span></p>\r\n\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Bodet C. 2009 - <b><a href="images/stories/archeologie/peneo/herding-in-sw-asia.pdf" mce_href="images/stories/archeologie/peneo/herding-in-sw-asia.pdf"><u>Emergences of animal husbandry in South West Asia : an insight of Neolithic social structures</u></a></b>. <i>Peneo 09</i>: 1-30.</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Bodet C. 2010 - <a href="images/stories/archeologie/peneo/farming-in-neolithic-cyprus.pdf" mce_href="images/stories/archeologie/peneo/farming-in-neolithic-cyprus.pdf"><b><u>Advent of farming in Neolithic Cyprus: a reflection of the mainland, a reflection on society</u></b></a>. <i>Peneo 10</i>: 1-27.</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Bodet C. 2011 - <a href="images/stories/archeologie/peneo/the-ideological-gap.pdf" mce_href="images/stories/archeologie/peneo/the-ideological-gap.pdf"><b><u>The ideological gap, or the diffusion of Neolithic farming from the Middle Euphrates to Central Anatolia.</u></b></a> <i>Peneo 11: </i>1-24<i>.</i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Bodet C. 2002 -<span mce_style="font-size: 10pt;" style="font-size: 10pt;"> <u><b><a href="images/stories/archeologie/peneo/obsidian%20orient-express.pdf" mce_href="images/stories/archeologie/peneo/obsidian orient-express.pdf">Remarks on the end of the Çayönü Culture</a>.</b></u> <i>Orient-Express</i> 2002/2: 47-51.</span></span></p>\r\n<h4><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><b>Charts - </b></b></span></h4>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2008 - <b><a href="images/stories/archeologie/peneo/herding-in-sw-asia.pdf" mce_href="images/stories/archeologie/peneo/herding-in-sw-asia.pdf"><u>Emergence of herding in the Near East.</u></a></b> From Bodet 2008 (see below).<b><b><br></b></b></span></p>\r\n<h4><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><b> </b></b></span></h4>\r\n<h4><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Presentation</b><br></span></h4>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">A  bird’s eye view on human history informs us that the structure of early  human societies evolves along a rather uniform sequence. From the  ‘primitive communist’ stage (following Testart’s terminology), they  gradually advance towards the ''Agricultural Domestic Community'' form  (following Meillassoux’s). The Neolithisation process stands in between.  It is, in itself, not a stable social stage, but a transition from the  former to the latter and, as such, cannot be easily defined. Studying it  consists in identifying, for each sub-period, what is left of the  pre-existing structure and what has evolved towards the following one.  To pursue this aim, a specific methodology is to be followed. Before  getting started, it is important that cultural specificities (that do  not respond to any sociological determinism) are left aside, so as to  concentrate on the society’s invisible but underlying structure (Forest  2006). This can best be grasped from the perspective of the economic  infrastructure (relations of production, and ultimately, the mode of  production), which invariably shapes the superstructure (ideology,  kinship patterns, rules, etc.) of every human society. The fact that  Neolithisation is fundamentally an economic transition (with the advent  and the integration of agriculture and herding) thus hints at the  importance of this period in the evolution of human social structures.  Based on economic grounds, this research finally aims at uncovering the  relations of production, modified as they are by the advent of this new  mode of production.</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">The  extent of the task is immense and it can only reach its goal by  synthesizing the data from several fields, in particular ethnology (for  the insight on living social constructions), archaeology (for the  chronological perspective) and animal genetics (as hints of production  intensity). The estimation of an ancient society’s level of production  is a preliminary must for a researcher working on a vanished community.  He consequently relies on the results of archaeobotanists and  archaeozoologists. Identifying the genetic state of the resources,  between wild and domestic, these specialists give a unique hint as to  the type of production, between hunting/gathering, sporadic  cultivation/herding or intense farming. Once the economic intensity  roughly determined, the next step consists in finding a reliable analogy  in similar societies known from the ethnological repertoire. This is  clearly the only doorway to the structures of each type of past  societies, in particular those deprived of writing. The essence of this  research indeed lies in a multidisciplinary approach.</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">The  framework of the research is as such: the time frame roughly covers the 10 000 and 6000 BC time-span, but can occasionally extend in both directions. The chronology&nbsp;<a href="images/stories/archeologie/peneo/chronology%20peneo.pdf" mce_href="images/stories/archeologie/peneo/chronology peneo.pdf"><u> </u></a>used  is based on the Euphratean  archaeological sequence  <a href="images/stories/archeologie/peneo/chronology%20peneo.pdf" mce_href="images/stories/archeologie/peneo/chronology peneo.pdf"> <u>(chart)</u></a>, as it is the best known, the longest, and one  where the neolithisation process can be tracked down to its very roots;  provided that local cultural specificities do not interfere, it is used, when needed, as an economic supra-regional reference. As for the  geographical frame <a href="images/stories/archeologie/peneo/carte-cedric.jpg" mce_href="images/stories/archeologie/peneo/carte-cedric.jpg"><u>(map</u></a>), we are concerned with South-West Asia, which is divided into 7 main <a href="images/stories/archeologie/peneo/geography%20peneo.pdf" mce_href="images/stories/archeologie/peneo/geography peneo.pdf"><u>regions</u></a>: East  Taurus, Central Anatolia, North Levant, South Levant, Eastern Jezirah  and the Zagros. The animal economic reference is displayed in the thesis  (vol. 2, fig. 162) and the general <a href="images/stories/archeologie/peneo/tableau-discussions.jpg" mce_href="images/stories/archeologie/peneo/tableau-discussions.jpg"><u>chart </u></a>can be seen below. The chart for the plant economy is under construction.</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">By  analyzing specific regions and by comparing their different economic  data, the evolution of internal social relations within the area of the  production (who does what, who takes what) and its ideological  repercussions (gradual liberalization from primitive egalitarianism)  have begun to be unveiled and to form a coherent social system.  Consistent English summaries of the thesis can be found in the attached  articles. The picture of a human sphere sliding gradually towards a more  intensified form of production appears driven by very incipient forms  of human exploitation and, in the background, by a growing sense of  individualism.</span></p>\r\n<div style="text-align: right;" mce_style="text-align: right;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cédric Bodet, 2009<br> </span></div>\r\n\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Bibliography</u></span></p>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Forest J.-D.,</span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2006 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Le processus de neolithisation proche oriental: pour une archéologie sans frontières. <i>Syria</i> 83&nbsp;: 125-38</span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Meillassoux C.,</span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">1991&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <i>Femmes, Greniers et  Capitaux </i>(2<sup>e</sup> ed.). Paris&nbsp;: L’harmattan.</span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Testart A.,</span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">1985&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <i>Le Communisme Primitif.  Economie et Idéologie</i>. Paris: Maison des sciences de l’homme.</span></div>\r\n\r\n\r\n\r\n\r\n<div>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="images/stories/archeologie/peneo/tableau-discussions.jpg" mce_href="images/stories/archeologie/peneo/tableau-discussions.jpg"><u><b>Emergence of herding</b></u></a><b><a href="images/stories/archeologie/peneo/tableau-discussions.jpg" mce_href="images/stories/archeologie/peneo/tableau-discussions.jpg"><u> in the Near Eastern Neolithic: a chart (2008).</u></a><br></b></span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">The analyses undertook for my doctoral thesis,  allowed to set up a provisional chart of the invention and the  intensification of animal domestication during the Neolithic period of  the Near East. In this chart, the type of human/animal relationship is  determined for every subphase of the Neolithic period and for every  (sub)region of South-West Asia concerned with<i> </i>prime  neolithisation. This determination follows a set of consideration,  described in&nbsp; details in the thesis, divided between direct (genetic)  and indirect hints (sex/age ratio, changes in species geographical  distribution etc.).</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">The chart is  not meant to stay still, its advantage  lying in the possibility to integrate changes, as (re) analyses are  currently being undertaken. This page is primarily&nbsp; conceived as a place  for interaction and discussion, and everyone is welcome to modify these  interpretations. Each author''s intervention shall, of course, be duly  mentioned. Suggestions can be sent to cedric.bodet@mailcity.com</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">This space is not only concerned with the herding  process of production but is dedicated to the Neolithic socio-economy at  large. Providing a chart for the emergence of  plant domestication,  with a similar manipulation of the archaeobotanical data, is a definite  aim in the near future.</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Legend for the chart</b> : </span>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Chasse opportuniste,</i></b><b> or Opportunistic hunting</b> :&nbsp; starting line of the  evolution process, defined by the lack of human implication in the reproduction of wild animals.</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Phase Préliminaire</i></b>, <b>or Preliminary  phase</b>:  herds are still living in the wild but a special care or manipulation  is  evident on the faunal structure&nbsp; as seen on changes in species or  age/sex ratio. Selective hunting is an exemmple, nursing instinct (when  newly born animals are taken care of by humans) is another.</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Proto-domestication</i></b>: a faunal  assemblage for which the practice of herding (reproduction in   captivity) has been recognized from indirect evidence (demographic  trends, species proportions, parts of the animal retrieved,  archaeological evidence of  enclosures etc.), but has not yet entailed  visible repercussions on the animal’s  genome (visible on the  morphology).</span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">‘<b><i>Domestication achevée</i></b>’ <b>or ‘complete domestication</b>’: a faunal assemblage  displays full morphological/genetic change. ‘<i>Domestication quasi-achevée</i>’,  or ‘almost complete’, applies when physical  modification can be  attributed to domestication, though not quite to their full extent.</span></p>\r\n</div>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span>', NULL, NULL, '[]', '', '2010-04-23 14:18:32', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:52:03', 600, '2010-04-23 14:18:32', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 180, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=IFEA', 'neolithic economy, ethnoarchaeology, proto-domestication, social structure, incipient farming, mode of production, relations of production, historical determinism, marxism.', ''),
(99, 'VILLEMIN Abel', 'villemin-abel', 196, 0, '<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 12pt;" style="font-size: 12pt;">Abel VILLEMIN</span><br></span>', '', NULL, NULL, '[]', '', '2010-03-06 16:18:37', 62, '', 0, '0000-00-00 00:00:00', '2011-08-02 13:50:56', 600, '2010-03-06 16:18:37', '0000-00-00 00:00:00', 1, 0, 4, 0, 0, '', '', '', '', 359, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(100, 'Ziya Murat ULKER', 'ulker-ziya-murat', 196, 1, '<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 12pt;" style="font-size: 12pt;"><b>Ziya Murat Ülker</b></span></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Etudiant de nationalité  turque (17.07.1985) à Sciences Po, j´effectue en ce moment mon semestre de recherche en  terrain portant sur la question de la pauvreté urbaine et les transports a  Istanbul (cf. projet en cours).</span></p>', '<p></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Formation</i></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>«&nbsp;Graduate&nbsp;»&nbsp;:  Economie du développement international </u></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2008-2010&nbsp;: Master 1 et 2 d´Affaires Internationales,  spécialité Economie de développement international a Sciences Po, Paris</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>«&nbsp;Undergraduate&nbsp;»&nbsp;:  Sciences sociales et politiques &amp; Gestion</u></span></p>\r\n\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2007-2008&nbsp;: Année  ERASMUS à l’Université Karl-Ruprecht à la Faculté de sciences politiques,  Heidelberg (troisième année d’études)</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2006-2007&nbsp;: Premier  cycle franco-allemand de Sciences Po Paris à Nancy (deuxième année d´études)</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2004-2006&nbsp;: Licence 1  et 2 en Administration économique et sociale (AES) à la faculté de Droit  Université Robert Schuman</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Baccalauréat  section ES Lycée Charles de Gaulle d´Ankara (mention Bien)</u></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Stages</i></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Octobre –  Décembre 2009&nbsp;:</u> Recherche en terrain à l´IFEA (Institut français des études  anatoliennes) à Istanbul</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Février 2009 –  Septembre 2009&nbsp;; Janvier 2010 – Septembre 2010&nbsp;:</u> Assistant à l´Agence nationale de promotion et de soutien aux investissements en Turquie (Cabinet du  Premier Ministre&nbsp; - <a href="http://www.invest.gov.tr/Default.aspx" mce_href="http://www.invest.gov.tr/Default.aspx" target="_blank">www.invest.gov.tr</a> )</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Compétences  linguistiques</i></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Turc : <i>La langue  maternelle, </i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Allemand et Français&nbsp;: <i>Niveau «bilingue», </i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Anglais&nbsp;: <i>Obtention  de l’ IELTS avec 7.0 points («&nbsp;good user&nbsp;»)</i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b> </b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Expériences  professionnelles</i></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Septembre  –Décembre 2007&nbsp;:</u> <i>Assistant au Restaurant Jaeger´s à Heidelberg</i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Février et mars  2006&nbsp;:</u> <i>Guide aux «Journées Portes Ouvertes» à la Faculté de Droit </i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><i>Et «Guide JU» au Palais de Musique et des Congrès à Strasbourg</i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b> </b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Engagement  associatif</i></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>2008&nbsp;:</u> <i>Conception et préparation du premier projet Festival contre le racisme à Heidelberg</i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>2006&nbsp;:</u> <i>Fondation de l´association franco-turque ANKA à Strasbourg</i></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><i>Centres  d´intérêt</i></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Projets artistiques&nbsp;:</u></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><i>Danses</i> (Swing et danses de salon) et <i>danse contemporaine</i> : Participation à  plusieurs work-shops, Chorégraphies en classe et au festival de Fous de Swing 2009</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><i>Préparation des clips</i>, dont "Bécherel  Book Fair" fut publié sur Saison de la Turquie</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><u>Divers&nbsp;: </u></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cinéma, théâtre, lecture, ski, simulation des Nations Unies (Université de Galatasaray&nbsp;: Euroforum&nbsp;; de Sciences Po&nbsp;: World Bank Simulation et Model of United Nations)</span></p>', NULL, NULL, '[]', '', '2010-03-06 16:18:37', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:54:01', 600, '2010-03-06 16:18:37', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 635, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(59, 'Pascal LEBOUTEILLER', 'lebouteiller-pascal', 94, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Pascal LEBOUTEILLER</span></span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">contact :   <a href="mailto:pl@ifea-istanbul.net" mce_href="mailto:pl@ifea-istanbul.net">pl@ifea-istanbul.net</a><br> Atelier  de cartographie : 0212 2441717 poste 140', '<br><br></span><!--  \\n  // -->\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Formation :</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">1999-2002  C.N.E.D. , Université d''ARTOIS: D.U. Techniques de l''Archéologie en  Europe.<br> 1986-1988 INSTITUT D''ENSEIGNEMENT TECHNIQUE de la C.C.I. de Toulon:  Cours de topographie et de topométrie.<br> 1984-1986 PRELIMINAIRE DE GEOMETRE- EXPERT FONCIER: Lycée G. EIFFEL -  Bordeaux.<br> 1981-1984 ETUDES SECONDAIRES : Collège TIVOLI - Bordeaux - bac C.<br><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Expérience professionnelle :</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2003 -  2008 Topographe, cartographe, responsable de l ''atelier cartographique  de l''OUI et de l''IFEA à Istanbul.(services SIG sur Istanbul et la  turquie pour les chercheurs travaillant sur la turquie à toute périodes  confondues - projet d''atlas d''Istanbul sur cd et de publications d''atlas  de cartes et plans),&nbsp; webmaster du site de l''IFEA (2003-2006),  responsable réseaux et informatique de l''IFEA.<br> 2003 Topographe liberal, Travaux de terrain et de bureau pour des  missions archéologiques Françaises en Turquie, Iran (pasargade) et en  Syrie.<br> 1998-2002 topographe à C.G.G. (Compagnie Générale de Géophysique),  Travaux de Géodésie et de cartographie (G.I.S.), positionnement GPS et  IGS pour des compagnies pétrolières (SHELL, TOTAL, ELF, PREUSSAG) au  moyen Orient, Afrique et Asie.<br> Webmaster, Création de sites internet pour diverses sociétés (dont  l''IFEA).<br> 1997 Topographe liberal, Travaux de terrain et de bureau pour des  missions archéologiques Françaises en Turquie et en Syrie (Zeugma,  Xanthos, Limyra, Doura-Europos).<br> 1990-1996 Topographe à I.F.E.A. Institut Français d''Etudes Anatoliennes  (basé à Istanbul), (sous contrat du MINISTERE DES AFFAIRES ETRANGERES)  Travaux de terrain et de bureau pour les missions archéologiques&nbsp;  Françaises en Turquie et au Liban.<br> 1989-1990 C.N.R.S. (Paris I)Topographe (sous contrat du MINISTERE DES  AFFAIRES ETRANGERES) Affectation provisoire au Laboratoire, à la suite  des événements politiques en Iraq.<br> 1988-1989 D.A.F.I.Q. Délégation Archéologique Française en Iraq (basée à  Baghdad)Topographe (sous contrat du MINISTERE DES AFFAIRES ETRANGERES)  Travaux de terrain et de bureau pour les missions archéologiques  Françaises en Iraq; fonctions administratives et budgétaire.<br> 1987 ELF-AQUITAINE Pau- stage, Service Topographique: Traitement  informatisé des données topographiques et sismiques.<br> 1986 Stage professionnel au cabinet Espelcarica, GEOMETRE EXPERT FONCIER  Topographe (D.P.L.G.), Pau.<br> 1985 Stage professionnel au cabinet Petit, GEOMETRE EXPERT FONCIER  (D.P.L.G.), Topographe Pau.<br> 1984 Prospection géophysique et minière ELF-AQUITAINE et C.G.G.<br><br> Centres d’intérêts :</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">archéologie,  informatique, musique, ski, tennis, sports nautiques, voyages.<br> 1995 P.A.D.I. : open water diver (plongée sous-marine).<br> 1984 Permis de conduire de bateaux A/B/C.<br> 1982 permis de conduire de voiture.</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Autres :</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Formation  de personnel : Formation à la topographie d’étudiant archéologues et  architectes en stage de fin d’étude.<br> Participation aux publications (articles, illustrations et plans)  :Participation à une trentaine d''articles ou publications de projets  archéologiques (de 1989 à 2008).<br> Gestion de personnel et de projet : Gestion d’équipe topographique en  études géophysique (de cinq à trentes personnes) et suivit de projet  (contact avec le client, rapport final) 1997 - 2002.<br><br> Langues : <br><br> Français (langue maternelle), Anglais (parlé, lu, écrite), Turque (parlé,  lu, écrit), Espagnol (élémentaire), <br><br> Compétences informatiques : <br><br> * Très bonne compétence en hardware et software sur PC - windows, linux  et open source. <br> * Développement de programmes de topométrie adapté à l''archéologie sur  HP 48SX.<br> * Pratique de programmes : D.A.O. (dessin assisté par ordinateur) sur  système mac ou pc tels : Canvas, Adobe illustrator et photoshop, -  C.A.O. (conception assistée par ordinateur) : Autocad, Surfer,  Microstation. - S.I.G. (systèmes d''information géographique) tels :  Arcview, Autocadmap.<br> * Pratique de programmation HTML et JAVA sur : FrontPage, Dreamweaver,  flash, javastudio (sun), notions de PHP<br> * Pratique de base de données sur Mysql<br> * Conception et développement de plusieurs sites sur internet.</span><br></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:13:56', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 10, 0, 0, '', '', '', '', 881, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Pascal Lebouteiller, responsable de l''atelier de cartogtaphie de l''IFEA', 'robots=\nauthor=IFEA', 'IFEA, Pascal Lebouteiller, OUI, Istanbul, turquie, cartographie', ''),
(61, 'Laurence ASTRUC', 'astruc-laurence', 94, 1, '<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 12pt; font-family: arial,helvetica,sans-serif;" style="font-size: 12pt; font-family: arial,helvetica,sans-serif;"><b>Laurence Astruc</b></span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Archaeologist, sp.Prehistory</span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">CNRS Researcher</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: #000000;"><br /><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></p>\r\n<address><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Contact</span></span></address><address><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> IFEA- Institut Français d’Etudes Anatoliennes</span></span></address><address style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Palais de France, Nuru Ziya Sokak 10 P.K. 5434433 Beyoğlu – Istanbul</span></span></address><address style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Tel : 0090(0)212-2441717 (poste&nbsp; 131)</span></span></address><address style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Fax : 0090(0)212-2528091</span></span></address><address style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Email 1: <!--  var prefix = ''&#109;a'' + ''i&#108;'' + ''&#116;o'';  var path = ''hr'' + ''ef'' + ''='';  var addy3170 = ''l&#97;&#117;r&#101;nc&#101;.&#97;str&#117;c'' + ''&#64;'';  addy3170 = addy3170 + ''l&#97;p&#111;st&#101;'' + ''&#46;'' + ''n&#101;t'';  document.write( ''<a '' + path + ''\\'''' + prefix + '':'' + addy3170 + ''\\''>'' );  document.write( addy3170 );  document.write( ''<\\/a>'' );  //--><a href="mailto:laurence.astruc@laposte.net" mce_href="mailto:laurence.astruc@laposte.net">laurence.astruc@laposte.net</a><!--  document.write( ''<span style="\\" mce_style="\\"    ''display: none;\\''>'' ); // --><span mce_style="display: none;" style="display: none;">Cet e-mail est protégé contre les robots collecteurs de mails, votre navigateur doit accepter le Javascript pour le voir <!--  document.write( ''</'' );  document.write( ''span>'' ); // --></span></span></span></address><address style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Email 2: <!--  var prefix = ''&#109;a'' + ''i&#108;'' + ''&#116;o'';  var path = ''hr'' + ''ef'' + ''='';  var addy6970 = ''l&#97;&#117;r&#101;nc&#101;.&#97;str&#117;c'' + ''&#64;'';  addy6970 = addy6970 + ''&#105;f&#101;&#97;-&#105;st&#97;nb&#117;l'' + ''&#46;'' + ''n&#101;t'';  document.write( ''<a '' + path + ''\\'''' + prefix + '':'' + addy6970 + ''\\''>'' );  document.write( addy6970 );  document.write( ''<\\/a>'' );  //--><a href="mailto:laurence.astruc@ifea-istanbul.net" mce_href="mailto:laurence.astruc@ifea-istanbul.net">laurence.astruc@ifea-istanbul.net</a></span></span></address>', '<!--  document.write( ''<span style="\\" mce_style="\\"    ''display: none;\\''>'' ); // -->\r\n<p><span mce_style="display: none;" style="display: none;">Cet e-mail est protégé contre les robots collecteurs de mails, votre navigateur doit accepter le Javascript pour le voir <!--  document.write( ''</'' );  document.write( ''span>'' ); // --></span></p>\r\n<p><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><a href="index.php?option=com_content&amp;view=category&amp;layout=blog&amp;id=135&amp;Itemid=127&amp;lang=fr" mce_href="index.php?option=com_content&amp;view=category&amp;layout=blog&amp;id=135&amp;Itemid=127&amp;lang=fr" target="_self">Prehistory web page IFEA</a></span></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Academic degrees</span></span></h1>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">PhD in Prehistory,Paris X-Nanterre (2000)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">DEA in Egyptology, Lille III University(1990)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Master in Egyptology, Lille III University (1989)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Licence in History of Art and Archaeology, Lille III University (1988)</span></span></li>\r\n</ul>\r\n<h1><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Academic employment</span></span></h1>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">CNRS Researcher in IFEA since 1/02/2008</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">CNRS Researcher in ArScan-UMR 7041, Nanterre (2005-2007)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">CNRS Short-time Researcher in ArScan-UMR 7041 Nanterre (2003-2005)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> Fondation Fyssen Fellow, Leiden University, The Netherlands (2000-2002)</span><br /></span></li>\r\n</ul>\r\n<h1><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Archaeological excavations and Surveys</span></span></h1>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Göllü dağ survey, dir. Nur Balkan-Atlı, Department of Prehistory, Istanbul University (2007-2008) </span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Archaeological excavations -annual projects and rescue excavation INRAP-in France and Eastern part of the Mediterranean Sea (1984-2008)</span></span> <span mce_style="color: #000000;" style="color: #000000;"></span></li>\r\n</ul>\r\n<h1><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Research</span></span></h1>\r\n<p><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><em>Regional Focus</em>: Eastern Mediterranean Area, Central Anatolia, Upper Mesopotamia</span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><em>Thematic</em>: Technical practices and Social Transmission (manufacture, use&nbsp; and curation of tools), Obsidian Procurement and Diffusion, ‘Microlithism’ and Neolithization</span></span></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><em>Methodological Key-Words</em>: Techno-cultural Approach, Technology, Use-Wear Analysis, Archaeotribology, Archaeometry </span></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Study or expertise of lithic tool assemblages</span></span></h1>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>Turkey</strong>: Pınarbaşı, Aşıklı, Musular, Boncuklu (Epipaleolithic, Aceramic Neolithic, Central Anatolia), Boncuklu Tarla (Neolithic, Mardin region)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>Northern Syria</strong>: Sabi Abyad I-II-III, Damishliyya I, Sekher el Aheimar, Kashkashok II, Dja''de el Mughara (Aceramic and Ceramic Neolithic, Balikh, Khabur and Euphrate valleys)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>Irak</strong>: Maghzaliah (Aceramic Neolithic, Sinjar)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>Cyprus</strong>: Shillourokambos, Khirokitia (Aceramic Neolithic)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>Albania</strong>: Sovjan (Bronze Age) </span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>France</strong>: Montou, le Trets (Middle Neolithic), Le Mas de Vignolles (Bell-Beaker Culture)</span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><strong>Switzerland</strong> : Alle-Noir Bois (Bell-Beaker Culture)</span></span></li>\r\n</ul>\r\n<h1><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Project leader</span></span></h1>\r\n<h2><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">National Research Agency (ANR), Programme Blanc 2009-2011</span><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">(ANR-08-BLAN-0318-02)</span></span></h2>\r\n<div><em><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">''Obsidians, Technical and Social practices in Anatolia (8500-5000 BC cal.)'' </span></span></em></div>\r\n<div style="margin-left: 30px;"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">IFEA in collaboration with the Istanbul University, Turkey</span></span></div>\r\n<p style="margin-left: 30px;"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">LTDS, Ecole Centrale de Lyon, France</span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">CNRS Young Researcher Program (ATIP) 2006-2008 </span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: #000000;"><em><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">‘Anatolian Obsidians and Network Exchanges: Methodological Approachs and Archaeological issues’</span></em> <span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Istanbul University,Turkey</span><br /></span></p>\r\n<p style="margin-left: 30px;"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">University of Las Palmas de Gran Canaria, Spain, </span><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">IFEA,</span> <span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">LTDS-Ecole Centrale de Lyon, ArScan-UMR 7041-Paris X and I University, France</span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">European Project (France/The Netherlands) 2000-2002</span><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">, Programme d’Action Intégrée Van Gogh.<em> <br /></em></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><em>''Agriculture and Crafts related to Plant Processing'' </em></span></span></p>\r\n<p style="margin-left: 30px;" align="justify"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">CEPAM (CNRS, Nice University, France) and Leiden University (The Netherlands)</span></span></p>', NULL, NULL, NULL, '', '2010-03-06 16:13:46', 62, '', 600, '2011-09-29 17:39:36', '2011-09-29 17:41:46', 600, '2010-03-06 16:13:46', '0000-00-00 00:00:00', 0, 0, 9, 0, 0, '', '', '', '', 880, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Laurence Astruc, chercheur à l''IFEA', 'robots=\nauthor=IFEA', 'IFEA, Laurence Astruc, recherche, chercheurs, préhistoire, Techno-cultural Approach, Technology, Use-Wear Analysis, Archaeotribology, Archaeometry', '');
