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(77, 'Pinar DOST-NİYEGO', 'dost-niyego-pinar', 94, 1, '<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>PINAR  DOST-NİYEGO<br></b></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Née à  İstanbul le 3 septembre 1978 </span></span><br><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> <img alt="DSC04491" src="http://127.0.0.1:4001/restor/images/stories/DSC04491.jpg" mce_src="images/stories/DSC04491.jpg" height="184" width="166"><br></span></span></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><u><span mce_style="font-size: 10pt;" style="font-size: 10pt;">SITUATION ACTUELLE</span></u></b><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b><br>Depuis </b></span><span mce_style="font-size: 13px;" style="font-size: 13px;"><b>mars 2005</b> </span><span mce_style="font-size: 13px;" style="font-size: 13px;">Assistante du Directeur de l’Institut Français d’Etudes Anatoliennes d’Istanbul.<br>Docteur en histoire<b><br></b></span><b>Thèmes de recherches : </b>histoire de la politique extérieure turque; histoire des relations turco-américaines, turco-françaises; la Seconde Guerre Mondiale; la Shoah et la Turquie; <br>le conflit entre Vichystes et Gaullistes à İstanbul pendant la Seconde Guerre Mondiale', '<br></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><u><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></u></b></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 13px;" style="font-size: 13px;"><b><u>FORMATION<br></u></b></span><span mce_style="font-size: 13px;" style="font-size: 13px;"><b>Septembre </b></span><span mce_style="font-size: 13px;" style="font-size: 13px;"><b>201</b>0</span><span mce_style="font-size: 13px;" style="font-size: 13px;"> Doctorat d’Histoire à l’Institut d’Etudes Politiques de Paris. Sujet de thèse&nbsp;: «&nbsp;De la neutralité à l’alliance. </span><span mce_style="font-size: 13px;" style="font-size: 13px;">Aux origines de&nbsp;la prééminence américaine en Turquie&nbsp; (1939-1947)&nbsp;». Sous la direction du Prof. Maurice </span><span mce_style="font-size: 13px;" style="font-size: 13px;">VAISSE. <a href="images/stories/resumePINARDOST.pdf" mce_href="images/stories/resumePINARDOST.pdf">Cliquer ici pour lire le résumé de la thèse.</a><br></span><span mce_style="font-size: 13px;" style="font-size: 13px;"><b>2002-2003 </b> DEA «&nbsp;Histoire du XX<sup>e</sup> siècle&nbsp;» à l’Institut d’Etudes Politiques de Paris. Sujet de mémoire&nbsp;: </span><span mce_style="font-size: 13px;" style="font-size: 13px;">«&nbsp;L’image de Mustafa Kemal Atatürk en France (1919-1938)&nbsp;». Sous la direction du Prof. Maurice </span><span mce_style="font-size: 13px;" style="font-size: 13px;">VAISSE.&nbsp;<br></span><span mce_style="font-size: 13px;" style="font-size: 13px;"><b>1999-2002 </b> Maîtrise, Université Galatasaray, Istanbul. Département de Sciences Politiques et d’Administration&nbsp; Publique. Sujet du mémoire&nbsp;: «&nbsp;<st1:personname w:st="on" productid="La France">La France</st1:personname> dans le <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">règlement de la question </span></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">ottomane et l’Accord franco-turc du 20 octobre 1921 (1919-1921)&nbsp;» sous la direction de Ahmet Kuyaş.&nbsp;<br><b>1997-1999 </b> DEUG AES (Administration Economique et Sociale), Université d’Aix-Marseille III (Aix-en-Provence).<br><b>1997- 1989</b> Diplôme équivalent au Baccalauréat, Lycée Saint-Benoit, Istanbul.<br><b><u><br>PUBLICATIONS<br></u></b></span></span></span></h1>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">" Avrupa Birliği''nin Temelleri ve 1942''de Türk  Basınında Geniş Yer Bulan Bir Konuşma Üzerine", <i>Toplumsal Tarih</i>, n. 208, avril 2011, p. 86-90.<br></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">" İkinci Dünya Savaşı''nda İngiltere ve Amerika''nın Türkiye Rekabeti. Yeni Belgeler Işığında Kahire Konferansı (4-8 Aralık 1943)", <i>Toplumsal Tarih</i>,<img src="file:///C:/pinar/p%C4%B1nar%20yedek%2017.12.2009/PINAR/atransferer/%C3%B6zel/USA/usafotolar/DSC04491.JPG" mce_src="file:///C:/pinar/p%C4%B1nar%20yedek%2017.12.2009/PINAR/atransferer/%C3%B6zel/USA/usafotolar/DSC04491.JPG"> n. 205, janvier 2011, p. 80-87.<br></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;Perception d’une menace soviétique et intérêts nationaux croisés&nbsp;: les relations turco-américaines de 1945 à la fin des années 50&nbsp;», <i>Revue d’Histoire diplomatique</i>, n°1, 2007.<br></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;İlk Batılı dost Fransızlarla Ankara Anlaşması (20 Ekim 1921)&nbsp;», <i>Popüler Tarih</i>, Ekim 2006.<br><br>«&nbsp; Eski ve Yeni Türkiye’nin dostu&nbsp;: Claude Farrère&nbsp;», <i>Popüler Tarih</i>, Ekim 2006.</span></span></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="line-height: 16px;" style="line-height: 16px;">«&nbsp;İkinci Dünya Savaşı’nda Türk Hava Kuvvetleri’ndeki yapısal sorunlar üzerine : Hava Harp Akademisi’nde iki İngiliz mütehassıs öğretmen&nbsp;» (Un révélateur des problèmes structurels de l’armée turque dans <st1:personname w:st="on" productid="la Seconde Guerre">la Seconde  Guerre</st1:personname> Mondiale&nbsp;: deux professeurs anglais à l’Ecole de guerre aérienne), <i>Toplumsal Tarih</i>, &nbsp;nº 148, avril 2006.</span></span></span></span></h1>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;L’histoire des écoles françaises en Turquie&nbsp;», publication spéciale de l’Ambassade de <st1:personname w:st="on" productid="la R￩publique">la République</st1:personname> française en Turquie à l’occasion du 14 juillet 2006.</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;Kurtarıcıyı beklerken. Fransa’da Atatürk imajı&nbsp;» (En attendant pour le sauveur&nbsp;: l’image d’Atatürk en France),&nbsp; <i>Toplumsal Tarih </i>(L’Histoire sociale), nº 145, janvier 2006.</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;Mustafa Kemal Atatürk «&nbsp;Le bon dictateur&nbsp;»&nbsp;: une construction politique d’une figure désirée dans <st1:personname w:st="on" productid="La France">la France</st1:personname> des années 30&nbsp;», <br><i>Revue d’histoire diplomatique</i>, nº 4, 2005.</span></span></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="line-height: 16px;" style="line-height: 16px;"><b><u>CONFERENCES</u></b></span></span></span></span></h1>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>«</b></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> La politique culturelle de Mustafa Kemal: la dialectique entre occidentalisme et culture nationale&nbsp;», le 17 février 2010 au Centre des Archives diplomatiques, <st1:personname w:st="on" productid="La Courneuve. La">La  Courneuve. La</st1:personname> journée sur la «&nbsp;Politique culturelle et construction de l''Etat-nation :&nbsp;&nbsp; le sauvetage du patrimoine linguistique et musical traditionnel turc dans <st1:personname w:st="on" productid="la R￩publique">la République</st1:personname><st1:personname w:st="on" productid="la Saison">la Saison</st1:personname> de <st1:personname w:st="on" productid="la Turquie">la Turquie</st1:personname> en France. <br><br>«&nbsp;Aux lendemains de <st1:personname w:st="on" productid="la Premi￨re Guerre">la  Première Guerre</st1:personname> Mondiale&nbsp;», le 25 mars 2010 au Collège de France. La journée d’histoire des relations franco-ottomanes&nbsp;: «&nbsp;Au-delà des Allusions&nbsp;», organisée dans le cadre de <st1:personname w:st="on" productid="la Saison">la Saison</st1:personname> de <st1:personname w:st="on" productid="la Turquie">la Turquie</st1:personname> en France par le Professeur Gilles Vinstein (Collège de </span></span> de Mustafa Kemal&nbsp;» organisée dans le cadre de  France). Disponible sur:<br><a href="http://www.cerimes.fr/le-catalogue/au-dela-des-allusions-intervention-de-pinar-dost-niyego-11.html" mce_href="http://www.cerimes.fr/le-catalogue/au-dela-des-allusions-intervention-de-pinar-dost-niyego-11.html">http://www.cerimes.fr/le-catalogue/au-dela-des-allusions-intervention-de-pinar-dost-niyego-11.html</a> et<br> <a href="http://www.college-de-france.fr/default/EN/all/his_tur/Colloque_du_25_mars_2010_J__10.jsp" mce_href="http://www.college-de-france.fr/default/EN/all/his_tur/Colloque_du_25_mars_2010_J__10.jsp">http://www.college-de-france.fr/default/EN/all/his_tur/Colloque_du_25_mars_2010_J__10.jsp</a> </span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><u><span mce_style="font-size: 10pt;" style="font-size: 10pt;">BOURSES</span></u></b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><u><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></u></b></span></p>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2005 </span></b><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Bourse d’Aide à la recherche de ARIT (American Research Institute in Turkey) sur mérite. (Prix accordé pour une fois)<b> </b></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-size: 10pt;" style="font-size: 10pt;">12-16 juin 2006: </span></b><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Participation à la «&nbsp;Summer Institute on Conducting Archival Research&nbsp;» à <b>l''Université de George Washington.</b> (Bourse de l’Université George Washington et de l’Institut d’Etudes Politiques de Paris)<b> </b></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Bourse Aires culturelles 2006</span></b><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> du Ministère de <st1:personname w:st="on" productid="la Recherche">la Recherche</st1:personname> de <st1:personname w:st="on" productid="La France">la France</st1:personname> pour un séjour de 3 semaines aux<b> </b></span><span mce_style="font-size: 13px;" style="font-size: 13px;">archives nationales américaines (NARA) à Washington. Séjour effectué en juin 2007.</span></span></li>\r\n</ul>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:16:10', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:09:47', 600, '2010-03-06 16:16:10', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 1111, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', '');
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(85, 'Nora SENI', 'seni-nora', 94, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: Helvetica,sans-serif;" style="font-family: Helvetica,sans-serif;"> </span><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">NORA ŞENİ</span></span></span></p>\r\n<p class="texte" dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Directeur de l''IFEA</b> <br> </span></span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></span>\r\n<p class="texte" dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Habilitée à diriger des recherches en « Histoire » et en « Aménagement et urbanisme »,  Ecole doctorale <i>Ville et Environnement</i> de l’Ecole Nationale des Ponts et Chaussées, l’Université Paris 8,</span></span></span></p>\r\n<p class="texte" dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Membre du Laboratoire <i>Théories des mutations urbaines</i> (UMR 7136 Architecture, urbanisme, société)<br> </span></span></span></p>\r\n<p class="texte" dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Membre du conseil scientifique de la revue <i>Les Cahiers du Judaïsme</i></span></span></span></p>', '<b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></b>\r\n<h2 class="texte" dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> <b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Thèmes de recherche</span></span></b></span></h2>\r\n<ul>\r\n<li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Istanbul culturel ; la culture comme instrument de l''action urbaine, politiques et acteurs : musées, festivals, galeries privées, </span><span mce_style="font-size: 10pt;" style="font-size: 10pt;">universités<br></span></span></span></li>\r\n<span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span>\r\n</span><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Philanthropie, mécénat, équipements et politiques culturelles. Histoire et dispositifs</span></span>&nbsp;<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Femmes et minorités religieuses dans la ville ottomane.</span></span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Relations  Europe et Empire Ottoman/Turquie républicaine&nbsp;</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Juifs de Turquie et de l’Empire ottoman</span></span></span></li>\r\n</ul><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Publications récentes</span></b></span></span></h2>\r\n\r\n\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.bilgiyay.com/bookdetails.asp?ID=333" mce_href="http://www.bilgiyay.com/bookdetails.asp?ID=333"><i>İstanbul''da özel kültür politikaları ve kentsel alan</i></a><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=1008%3Aprojet-inventaire&amp;catid=25%3Aifea-annonces&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=1008%3Aprojet-inventaire&amp;catid=25%3Aifea-annonces&amp;lang=fr"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i> <span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></i></span></a><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i> </i>coéd. Université Bilgi et du Ministère turc de la Culture, Istanbul 2011</span></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://www.urbanisme.fr/issue/report.php?code=374&amp;code_menu=151#article721" mce_href="http://www.urbanisme.fr/issue/report.php?code=374&amp;code_menu=151#article721"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></a><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«</span></span><a href="images/stories/pagespersos/noraseni/urbanisme_374.pdf" mce_href="images/stories/pagespersos/noraseni/urbanisme_374.pdf">La tentative néo-ottomane et la rénovation du quartier de la Süleymaniye</a><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">» in. <i>Urbanisme</i>, 374(2010), Paris </span></span></span>\r\n</li>\r\n\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> <a href="images/stories/pagespersos/noraseni/urbanisme371.pdf" mce_href="images/stories/pagespersos/noraseni/urbanisme371.pdf">«Istanbul Capitale du pluriculturalisme»</a> in <i>Urbanisme</i>, 371(2010), Paris</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><a href="http://transcontinentales.revues.org/374" mce_href="http://transcontinentales.revues.org/374">«Le mécène, un acteur méconnu de la ville. Istanbul à l’heure des musées privés»</a>. in <a href="http://www.revues.msh-paris.fr/Modele2/articlesite/resume.asp?id_pub=2030&amp;id_perio=71" mce_href="http://www.revues.msh-paris.fr/Modele2/articlesite/resume.asp?id_pub=2030&amp;id_perio=71"><i>Transcontinentales</i></a>, 7(2009), pp.105-128 et in </span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><a target="_blank" href="http://mediterranee.revues.org/" mce_href="http://mediterranee.revues.org/"><i>Méditerranée&nbsp;; revue géographique des pays méditerranéens</i></a>, 114(2010)</span></span></span>\r\n</li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><a href="images/stories/pagespersos/noraseni/urbanisme369.pdf" mce_href="images/stories/pagespersos/noraseni/urbanisme369.pdf">«Une métropole promue par sa politique culturelle... privée»</a>, in <i>Urbanisme</i>, 369(2009), Paris</span></span></span>&nbsp;<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«Kentsel diplomasi, Istanbul imajinin yeni elçileri» in. Déjanirah Couto ed. <i>Harp ve Sulh&nbsp;; Avrupa ve Osmanlilar</i>, Kitapyayınevi/IFEA/Fondation Gulbenkian, Istanbul 2010</span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span><i>Camondolar bir hanedanin çöküsü</i> (traduit par Y.Aksu), rééd. chez Kitapyayınevi, Istanbul, 2010</span></span>&nbsp;<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«Özel Müzeler Döneminde İstanbul : Mesen, Kentin Az Tanınan Aktörü» in. <i>Toplumsal Tarih</i>, 190(2009), Istanbul</span></span></span></li><li>\r\n\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«Les Camondo bâtisseurs de Ville, initiateurs à la Citoyenneté» in. A.H. Hoog, </span><i><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">La Splendeur des Camondo </span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">de Constantinople à Paris, 1806-1945</span></i><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> (exposition au MAHJ du 6 novembre 2009 au 7 mars 2010), MAHJ ; Skira Flammarion, Paris 2009 pp.31-45<br></span></span></span></li>\r\n<li>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span>Oryantalizm ve Hayirseverligin Ittifaki</i> <span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span>, traduction en turc par Elif Ertan des<i> Inventeurs de la Philanthropie</i><span mce_style="font-family: Helvetica,sans-serif;" style="font-family: Helvetica,sans-serif;">… , ed. Yapı Kredi, 2009, Istanbul</span></span></span></li>\r\n</ul>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-family: arial,helvetica,sans-serif; font-size: 10pt;" style="font-family: arial,helvetica,sans-serif; font-size: 10pt;">À paraître</span></b></span></h2>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span>Naissance du «&nbsp;devoir d’ingérence&nbsp;». Le voyage à Damas d’Adolphe Crémieux</i><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span>,<b> </b>sous presse aux éditions ISIS, Paris, Istanbul</span></span>&nbsp;<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=1052%3Acolloque-les-antidotes-a-lorientalisme-&amp;catid=71%3Aculture-colloques&amp;Itemid=74&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=1052%3Acolloque-les-antidotes-a-lorientalisme-&amp;catid=71%3Aculture-colloques&amp;Itemid=74&amp;lang=fr"><i>Les antidotes à l''orientalisme</i></a> Actes du colloque du 23-25 février 2011 au Lycée Notre-Dame de Sion à Istanbul</span></span>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i>Philanthropes et  Mécènes dans la Ville. Pour une Politique Culturelle contemporaine<b>.</b></i> <span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span> <b> </b>Actes du colloque du<b> </b>24-25 janvier 2008, au Musée de Péra à Istanbul, (avec le concours de l’IFEA, l’UMR 8032 Etudes Turques et Ottomanes (CNRS/EHESS), l’Université Bilgi, <i>Santral Istanbul</i>,  l’Université Paris 8, éd.Kitapyayınevi Istanbul</span></span>&nbsp;<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«Mécènes, philanthropes ou évergètes&nbsp;; les grandes familles turques et la mutation culturelle d’Istanbul.» in. <i>Turcica</i></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«Philanthropie» et «Femmes» in. <i>Dictionnaire de l’Empire Ottoman, </i>ed. F.Georgeon, N.Vatin, G.Veinstein, à paraître chez Fayard</span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Compte rendu pour Turcica&nbsp;: Mina Rozen (ed.) <i>The Last Ottoman Century and beyond</i>, Tel Aviv University, 2002</span></span></span></li>\r\n\r\n</ul>\r\n<ul>\r\n</ul><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Publications antérieures</b></span></span></h2><ul><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">«Osmanlı Mahallesi» dans <i>İstanbullaşmak : Olgular, sorunsallar, metaforlar</i>, Pelin Derviş, Bülent Tanju, Uğur Tanyeli, Garanti Gallery, Istanbul 2009 pp.213-215</span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><i>Si je t’oublie Istanbul…</i> (recueil de mes articles sur Istanbul traduits en turc par Sirin Tekeli) ed. Kitapyayınevi. Istanbul, 2008</span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">«Origines et Famille de Moïse de Camondo », dans <i>Le Musée Nissim de Camondo. La demeure d''un collectionneur,</i> Marie Noël de Gary (eds), Les Arts Décoratifs, Paris 2007, pp.20-55 (avec S.le Tarnec)</span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">«La collectività italiana di Istanbul. Esiste un’elite filantropica nel XIX secolo ?» dans Attilio de Gasperis, Roberta Ferrazza eds, <i>Gli Italiani di Istanbul. Figure , Comunità et Istituzioni dalle Riforme alla Republica 1839-1923,</i> Fondation Giovanni Agnelli, Turin, 2007, pp. 144-152</span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">«La jeunesse : une non-génération. Rhétorique éducative turque dans les années trente», dans François Georgeon et Klaus Kreiser eds., <i>Enfance et Jeunesse dans l''Islam</i>, Maisonneuve et Larose, Paris, 2007, pp.233-257</span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">«Istanbul mahalle and Venitian ghetto ; is the comparison relevant?» dans E.Özveren et al. <i>The Mediterranean world</i>, Iletişim, Istanbul, 2006, pp.161-173</span></span></li><li><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><i>Les inventeurs de la philanthropie juive</i>. La Martinière, Paris, 2005 </span></span></li></ul>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> <b>Articles disponibles en ligne</b></span></span></span>&nbsp;<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span></h2><ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">présentation critique du livre de N. Şeni </span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i>Les inventeurs de la philanthropie juive</i> </span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">par<a href="http://www.ifea-istanbul.net/index.php?option=com_content&amp;task=view&amp;id=843&amp;Itemid=526" mce_href="http://www.ifea-istanbul.net/index.php?option=com_content&amp;task=view&amp;id=843&amp;Itemid=526" target="_self"> </a><a href="images/stories/pagespersos/noraseni/critique_des_inventeurs_par_norman_stillman_IJMES.doc" mce_href="images/stories/pagespersos/noraseni/critique_des_inventeurs_par_norman_stillman_IJMES.doc"><b>NORMAN A. STILLMAN</b></a></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« </span></span><a href="images/stories/pagespersos/noraseni/Arsivin_Fisiltisi_Ya_da_Arsivleri_Konusturmak.pdf" mce_href="images/stories/pagespersos/noraseni/Arsivin_Fisiltisi_Ya_da_Arsivleri_Konusturmak.pdf"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Arşivin fısıltısı ya da arşivleri konuşturmak</span></span></a><a href="images/stories/pagespersos/noraseni/Arsivin_Fisiltisi_Ya_da_Arsivleri_Konusturmak.pdf" mce_href="images/stories/pagespersos/noraseni/Arsivin_Fisiltisi_Ya_da_Arsivleri_Konusturmak.pdf"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></a><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> »</span></span> in <i>Kuşaklar denemiyler tanıklıklar, Türkiye''de sözlü tarih çalışmaları konferansı</i>, 26-27 eylül 2003, Istanbul, ed. Tarih vakfı, 2003, pp. 49-53<span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« <a href="http://www.ifea-istanbul.net/images/stories/osmanli_mahallesi.pdf" mce_href="http://www.ifea-istanbul.net/images/stories/osmanli_mahallesi.pdf" target="_self">Osmanlı mahallesi</a> » </span></span>dans<i> İstanbullaşmak : Olgular, sorunsallar, metaforlar</i>, Pelin Derviş, Bülent Tanju, Uğur Tanyeli, Garanti Gallery, Istanbul 2009 pp.213-215<span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« <a href="http://halshs.archives-ouvertes.fr/halshs-00147581/en/" mce_href="http://halshs.archives-ouvertes.fr/halshs-00147581/en/">Istanbul dans la presse satirique ottomane  (1870 1876)</a> » in: <i>Presse Turque et Presse de Turquie</i>. 	Actes du colloque "Istanbul dans la Presse, la  Presse à Istanbul." 	23-24 Mai 1985, Istanbul, ed. ISIS, Istanbul-Paris, 1992, pp. 51-58 	(avec François Georgeon).</span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« </span></span><a href="images/stories/pagespersos/noraseni/Levantins_d_Istanbul.pdf" mce_href="images/stories/pagespersos/noraseni/Levantins_d_Istanbul.pdf"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Les Levantins d''Istanbul à travers les récits de voyageurs du XIXè siècle</span></a><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> »</span></span> in <i>Actes du colloque Premières Rencontre Internationale sur l''Empire Ottoman et la Turquie Moderne, </i>18-22 janvier 1985 INALCO - MSH Paris, éd. par Edhem Eldem, Istanbul, ed. ISIS, Istanbul-Paris, 1991</span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« <a href="http://halshs.archives-ouvertes.fr/halshs-00147453/en/" mce_href="http://halshs.archives-ouvertes.fr/halshs-00147453/en/">La Mode et le vêtement féminin dans la presse  satirique d''Istanbul à la fin du XIXè siècle</a> », in <i><a href="images/stories/pagespersos/noraseni/Mode_presse_satirique.pdf" mce_href="images/stories/pagespersos/noraseni/Mode_presse_satirique.pdf">Presse Turque et Presse de Turquie</a> Actes du colloque "La Turquie, les Turcs et la  presse"</i> 13‑14 Mai 1986, Ecole Supérieure de  Journalisme de l''Université de Marmara, Ed. ISIS, Istanbul‑Paris, 1992, pp.189‑210.</span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« <a href="http://halshs.archives-ouvertes.fr/docs/00/14/41/48/PDF/ville_ottomane_corps_feminin.pdf" mce_href="http://halshs.archives-ouvertes.fr/docs/00/14/41/48/PDF/ville_ottomane_corps_feminin.pdf">Ville Ottomane et Représentation du Corps  Féminin </a>», in <i>LES TEMPS MODERNES,</i> Juillet-Août 1984, pp.66- 95.</span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« The <a href="http://halshs.archives-ouvertes.fr/docs/00/14/56/21/PDF/ijmes_total.pdf" mce_href="http://halshs.archives-ouvertes.fr/docs/00/14/56/21/PDF/ijmes_total.pdf">Camondos and their imprint on 19th century Istanbul</a>”, in <i>International Journal of Middle East Studies, </i>26(1994), pp.663-675.</span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">« <a href="http://halshs.archives-ouvertes.fr/docs/00/11/41/08/PDF/The_Mediterranean_world.pdf" mce_href="http://halshs.archives-ouvertes.fr/docs/00/11/41/08/PDF/The_Mediterranean_world.pdf">Istanbul Mahalle and Venetian Ghetto. </a><a href="http://halshs.archives-ouvertes.fr/docs/00/11/41/08/PDF/The_Mediterranean_world.pdf" mce_href="http://halshs.archives-ouvertes.fr/docs/00/11/41/08/PDF/The_Mediterranean_world.pdf">Is the Comparison Relevant ?</a>”, in. OZVEREN E., OZEL O., UNSAL S., EMIROGLU K. (eds) <i>The Mediterrranean World : the idea, the Past and Present</i>, Istanbul, 2006, éd. Iletisim, pp.161-173.</span></span><br></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">« <a href="http://halshs.archives-ouvertes.fr/docs/00/13/43/54/PDF/cahierLTMU.pdf" mce_href="http://halshs.archives-ouvertes.fr/docs/00/13/43/54/PDF/cahierLTMU.pdf">Philanthropie et mécénat créateurs de patrimoine</a>: les étapes d''une <span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">stratégies d''accès à la modernité » in  "Patrimoine urbain  et Modernité",  <i>Cahiers µ</i>, no.9-10, juin 1996</span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><br></span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">« <a href="http://halshs.archives-ouvertes.fr/docs/00/14/56/22/PDF/raisin_frida.pdf" mce_href="http://halshs.archives-ouvertes.fr/docs/00/14/56/22/PDF/raisin_frida.pdf">Combien de raisins dans votre thé ? </a>», in <i>AUTREMENT. Istanbul 1914 1923</i>, Autrement, coll. Mémoires, Mars 1992, Paris, pp.171-183</span></span></span></li></ul>\r\n<ul></ul>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Multimedia</span></b></span></h2>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.dailymotion.com/video/xd4qzf_interview-nora-seni_news" mce_href="http://www.dailymotion.com/video/xd4qzf_interview-nora-seni_news"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">L''impact des stratégies </span>culturelles sur le rayonnement touristique de la ville</a> : entretien réalisé par l''ESJ Lille</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.akadem.org/sommaire/themes/histoire/3/16/module_8281.php" mce_href="http://www.akadem.org/sommaire/themes/histoire/3/16/module_8281.php">Juifs turcs ou juifs de Turquie</a>,<i> </i><i>Rifat Bali, Laurent-Olivier Mallet, Nora Seni</i> : conférence au MAHJ, décembre 2009</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=964%3A23112010-nora-seni&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=964%3A23112010-nora-seni&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr">Pera polyphonique, les langues d''Istanbul</a>, conférence du 23/11/2010 dans le cadre de PeraFest</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=971%3Adiscours-nora-seni&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=971%3Adiscours-nora-seni&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr">Allocution inaugurale des premières Rencontres d''archéologie de l''IFEA</a>, 11/11/2010</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=578%3Acolloque-la-culture-au-service-d-istanbul-metropole-mondiale-acteurs-et-enjeux&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=578%3Acolloque-la-culture-au-service-d-istanbul-metropole-mondiale-acteurs-et-enjeux&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr">La culture au service d''Istanbul, métropole mondiale. Acteurs et enjeux</a>, colloque ARTE France du 24/03/2010</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=580%3A15032010-nora-seni-qmecenes-philantropes-sponsors-evergetes-essai-lexical-pour-penser-les-acteurs-des-politiques-culturellesq&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=580%3A15032010-nora-seni-qmecenes-philantropes-sponsors-evergetes-essai-lexical-pour-penser-les-acteurs-des-politiques-culturellesq&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr">Mécènes, philanthropes, sponsors, évergètes. Essai lexical pour penser les acteurs des politiques culturelles</a>, conférence du 24/03/2010 dans le cadre d''Istanbul 2010<br></span></li>\r\n</ul>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span></p><ul>\r\n</ul>\r\n<div class="mceItemVisualAid" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;" id="_mcePaste">\r\n<h1 class="western" style="margin-top: 0cm; margin-bottom: 0cm;" mce_style="margin-top: 0cm; margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: Times New Roman,serif;" style="font-family: Times New Roman,serif;"><span mce_style="font-size: medium;" style="font-size: medium;"><span lang="en-US"><i><span mce_style="font-weight: normal;" style="font-weight: normal;">İstanbul''da özel kültür politikalari ve kentsel alan</span></i></span></span></span></span></h1>\r\n</div>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-09-21 11:31:49', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 8, 0, 0, '', '', '', '', 1805, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Nora Şeni, directrice de l''IFEA', 'robots=\nauthor=IFEA', 'chercheurs, recherche, IFEA, İstanbul, thèmes de recherche, urbanisme, histoire, Nora Şeni, culture, mecenat, philanthropie', '');
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(88, 'Umit Sevgi TOPUZ', 'topuz-umit-sevgi', 94, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Umit Sevgi Topuz<br></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Librarian, French Institute for Anatolian  Studies – Georges Dumézil (IFEA), Istanbul<br> Palais de France, Nur-i Ziya Sokak 10 P.K. 54 34433 Beyoğlu – Istanbul <br> Tel : 0090(0)212-2441717 (poste&nbsp; 131) <br> Fax : 0090(0)212-2528091</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Email :   <a href="mailto:bibliotheque@ifea-istanbul.net" mce_href="mailto:bibliotheque@ifea-istanbul.net">bibliotheque@ifea-istanbul.net', '</a></span></span></span><!--  \\n  // --></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> </b></span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Education :</b></span></span></span></h2>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1987-1991 : French Philology at University  of Istanbul</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1977-1985 : Galatasaray Lisesi</span></span></span></div>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> </b></span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Work  Experience :</b></span></span></span></h2>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> 1995- &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; : Librarian, IFEA- French Institute for Anatolian Studies<br> 1996-1998 : Assistant in the project “ Civil Society in the Grip of  Nationalism : Studies on Political Culture in Contemporary Turkey” held by IFEA and  Orient Institute <br> 1994-1995 : Assistant, Swiss Consulate</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1991-1994 : Turkish teacher, London Turkish  Community Center<br> 1989-1991 : Librarian, IFEA- French Institute for Anatolian Studies<br> 1985-1987 : Tour operator, guide,&nbsp; Marmara Gürkay Tourism, Kuşadası</span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Courses  : </b><br></span></span></span></h2>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> 2007-2009 : Italian, Casa d’Italia, Istanbul</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2007 : Healing with stones</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2006 : Energy of Shy and Tachyon</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2003-2005 : Oriental dance, University of  Bilgi. <br> 2002 : Training on bibliothéconomie at ENSSIB, Lyon-Paris</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2000-2002 : Reiki and quartz healing</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1995-1998: music (playing organ) ,  Bakırköy Cultural Center</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1994 : Religious Studies, Southfields  Community Center, London</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1994 : Literary Theories, City Lit, London</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1993 : Film Studies, City Lit, London<br> 1992-1994 : English at South Thames College, London</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1987 : Translation at French Cultural  Institute, Istanbul</span></span></span></div>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Languages : </b></span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Turkish (mother tongue), French, English and  Italian.</span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> Other  Activities </b>:</span></span></span></h2>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2005-2009 : Translation from French to  Turkish and vice versa for Garanti Bank, YKY and Pera Museum.</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2000-2005, program on french classical  music “Alafranga” at Açık Radyo with Isabelle Verdier.</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2002, translation from English to Turkish  “Discipline Without Shouting or Spankling : Practical Solutions to the most Common Preschool Behavior Problems”by Jerry L: Wyckoff and Barbara C. Unell .</span></span></span></div>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Areas  of Interests :</b> </span></span></span></h2>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Religious studies, mysticism</span></span></span></div>\r\n\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Bioenergy and healing</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Yoga</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Handcrafts</span></span></span></div>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:04:16', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 7, 0, 0, '', '', '', '', 629, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle d''Umit Sevgi Topuz, responsable de la bibliothèque de l''IFEA', 'robots=\nauthor=IFEA', 'IFEA, recherche, chercheurs, bibliotheque', ''),
(91, 'Aksel TIBET', 'tibet-aksel', 94, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Aksel TIBET</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Responsable  des publications</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Archéologue</span></span></span></p>\r\n\r\n<address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Adresse&nbsp;:</span></span></span></address>\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">IFEA – Institut Français d’Études Anatoliennes</span></span></span></address>\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Palais de France, Nuru Ziya Sokak 10 P.K. 54</span></span></span></address>\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">34433 Beyoğlu – İstanbul</span></span></span></address>\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Tel.&nbsp;: &nbsp;+90 (0)212&nbsp;244 17 17 poste 121</span></span></span></address>\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Fax.&nbsp;: +90 (0)212&nbsp;252 80 91</span></span></span></address>\r\n<address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Mel.&nbsp;:   <a href="mailto:aksel.tibet@ifea-istanbul.net" mce_href="mailto:aksel.tibet@ifea-istanbul.net">aksel.tibet@ifea-istanbul.net', '</a> </span></span></span></address><p style="text-align: left;" mce_style="text-align: left;"><!--  \\n  // --></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Formation :</span></span></b></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1984 DEA d''archéologie, Université Lyon II</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1982 Maîtrise d''archéologie et histoire de  l''art, Université Lyon II</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1981 Licence d''archéologie et d''histoire de  l''art, Université Lyon II</span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Expérience  professionnelle :</b></span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1986- Fouilles de Zeyve Höyük (Porsuk)  [responsable du Chantier Ouest depuis 2003]</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1996-1999 Fouilles de Horum Höyük  (Gaziantep) [co-direction avec C. Marro]</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1995-1998 Prospection archéologique de  Kastamonu [co-direction avec C. Marro et A. Erim Özdoğan]</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1994-1995 Fouilles de Dorylée/Şarhöyük  (Eskişehir)</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1986 Fouilles de Kuruçay (Burdur)</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1985 Fouilles de Şemsiyetepe  (Elazığ)</span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Responsabilités  diverses :</b></span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2008-&nbsp; Membre de la Commission consultative  du département des Projets urbains de l''<a href="http://www.istanbul2010.org/en/" mce_href="http://www.istanbul2010.org/en/" target="_blank">Agence Istanbul  2010</a></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1997- Éditeur d''émission de radio à <a href="http://www.acikradyo.com.tr/" mce_href="http://www.acikradyo.com.tr/" target="_blank">Açık Radyo</a></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1998-2007 Secrétaire général de l''<a href="http://www.arkeologlardernegist.org/" mce_href="http://www.arkeologlardernegist.org/" target="_blank">Association  des archéologues turcs, section Istanbul</a></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1987-1990 Membre du Comité de rédaction de l''édition turque du Grand Dictionnaire Larousse encyclopédique, responsable du domaine <i>Archéologie et Histoire de l''art</i></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:01:49', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 6, 0, 0, '', '', '', '', 748, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle d''Aksel Tibet, chercheur et responsable des publications à l''IFEA', 'robots=\nauthor=IFEA', 'IFEA, chercheurs, recherche, archéologie, publications, fouilles, Porsuk, Gaziantep, Eskisehir, Istanbul 2010', ''),
(826, 'Benoît FLICHE', 'fliche-benoît', 94, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Benoît FLICHE</span></p>\r\n<address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">CR1 CNRS</span></address><address>\r\n</address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Contact&nbsp;: fliche@gmail.com</span></address><address>\r\n</address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Affecté au <a href="http://cetobac.ehess.fr/" mce_href="http://cetobac.ehess.fr/">CETOBAC </a>(EHESS-CNRS-Collège de France) entre 2005 et 2010.</span></address><address>\r\n</address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Depuis le 1er septembre 2010, affecté par le CNRS à l''IFEA.</span></address>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Membre-fondateur du comité de rédaction de la revue <a href="http://www.ejts.org/" mce_href="http://www.ejts.org/">European Journal of Turkish Studies</a><br mce_bogus="1"></span></p><hr size="2" width="100%">\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Thèmes de recherches</b></span></p>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Rapports à l’Autre</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Migrations / mobilités</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Parenté/ réseaux sociaux </span>', '</li>\r\n</ul>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Ouvrage scientifique</b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Fliche, Benoît, 2007, <i>Odyssées Turques. Les migrations d’un village anatolien</i>, Paris, CNRS Editions, 236 p.</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Direction d''ouvrage</b></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Fliche, Benoît, (direction), <a href="http://www.ejts.org/sommaire515.html" mce_href="http://www.ejts.org/sommaire515.html"><i>The social practices of kinship. </i></a><i><a href="http://www.ejts.org/sommaire515.html" mce_href="http://www.ejts.org/sommaire515.html">A comparative study</a>,</i> <i>European Journal of Turkish Studies</i>, thematic issue n°4, 2006 .</span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Articles dans des revues avec comité de lecture ou chapitres d’ouvrage scientifiques</b></span></p>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">A paraître, "trichologies turques", dans Auzépy Marie−France (Ed.), <i>Histoire du poil</i>, Belin.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">à paraître, [Avec Elise Massicard] ‚Die Ulusoy-Familie in der republikanischen Türkei: Abstammungsgebundene religiöse Autorität und Versuche ihrer Transformation’, in Langer, Robert (dir.), /<i>Ocak und Dede: Geistlichenfamilien und religiöse Spezialisten als Institutionen und Träger alevitischen Ritualwissens</i>/, Münster, LIT Verlag.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">sous presse, "Retour sur la question de l’émigration en Turquie : une analyse des propensions au départ dans un village d’Anatolie centrale", <i>in</i> Chachoua K. (dir.), <i>Emigration−Immigration: Anthropologie de l''absence</i>, CNRPAH, Alger.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">sous presse, «&nbsp;Les frontières de l'' « orthodoxie » et de l’ « hétérodoxie » : türbe et églises à Istanbul&nbsp;», in Valtchinova G. (dir.), 2008, Religion, Boundaries, and the Politics of Divine Intervention, ISIS, Istanbul. </span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">sous presse, « Clivage des habitus et production des champs sociaux : l’exemple de l’esthétique anatolienne en Turquie » <i>in</i> Chachoua K. (dir.), <i>De l''expérience algérienne de P. Bourdieu à la diffusion internationale de son modèle</i>, CNRPAH, Alger.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2010,“Türkiye’de Köyden Kente Göçle Birlikte Temizlik Alışkanlıklarının Değişimi” <i>in </i>Gürsoy Naskali E. ve Salih Mehmet Arçın (dir.), <i>Temizlik Kitabı</i>, İstanbul, Kitabevi Yayıncılık.<br></span>  </li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2009, [avec Dionigi Albera], «&nbsp;Les pratiques dévotionnelles des musulmans dans les sanctuaires chrétiens&nbsp;: le cas d’Istanbul&nbsp;», in Albera D. et Couroucli M. (dir.), Lieux saints en partage en Méditerranée, Arles, Actes Sud.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2008, «&nbsp;Comment utiliser ses parents&nbsp;», <i>Anthropology of the Middle East</i>, vol 3, 1, p 92−105.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2008, «&nbsp;Maladan orağa&nbsp;: Narbonne’daki Alevilerin toplumsal yeniden biçimlenme ve yerleşme bağlamı&nbsp;», <i>in</i> Irtiş V et Danış D. (dir.), <i>Fransa’da Türkiye’nin göçmenleri</i>, Istanbul Bilgi Universitesi Yayinlari, Istanbul, p209−223.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2007, «&nbsp;Contextes d’implantations et reconfigurations sociales à Narbonne et Ankara&nbsp;», in Tapia, S. de, Guillou A. et Wadbled P. M., dir., Migrations turques dans un monde globalisé. Le poids du local, Presses Universitaires de Rennes, Rennes, 141-155.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2007, en collaboration avec Marc Aymes, Elodie Cassan, Déborah Cohen, Héloïse Hermant, Bérengère Hurand, Laurence Marie, Charles Ruelle, «&nbsp;<a href="http://www.revuelabyrinthe.org/sommaire1498.html" mce_href="http://www.revuelabyrinthe.org/sommaire1498.html">Penser par extraordinaire&nbsp;» </a>, Labyrinthe n°26, 17-97.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2006, «&nbsp;<a href="http://etudesrurales.revues.org/document3356.html" mce_href="http://etudesrurales.revues.org/document3356.html">Le nomade, le saisonnier et l’</a><a href="http://etudesrurales.revues.org/document3356.html" mce_href="http://etudesrurales.revues.org/document3356.html">almancı</a><a href="http://etudesrurales.revues.org/document3356.html" mce_href="http://etudesrurales.revues.org/document3356.html"> : une culture de la mobilité en Anatolie centrale&nbsp;?</a> », Etudes Rurales, n° 177, 109-119.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2006, “<a href="http://www.ejts.org/document629.html" mce_href="http://www.ejts.org/document629.html">Social practices and mobilisations of kinship: an introduction</a><u>”</u>, Thematic Issue N°4,&nbsp;<i>The social practices of kinship. A comparative study from Iran to the Balkans.</i></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2006, [ avec Elise Massicard], «&nbsp;<a href="http://www.ejts.org/document627.html" mce_href="http://www.ejts.org/document627.html">L’oncle et le député&nbsp;: circuits de ressources et usages de la parenté dans un lignage sacré en Turquie</a> », Thematic Issue N°4,&nbsp;The social practices of kinship. A comparative study from Iran to the Balkans.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2006, «&nbsp;<a href="http://www.berghahnbooksonline.com/journals/ame/abs/2006/1-1/AM010105.html" mce_href="http://www.berghahnbooksonline.com/journals/ame/abs/2006/1-1/AM010105.html">L’Evènement et le quotidien&nbsp;: une ethnologie du salon dans un quartier de ‘gecekondu’ d’Ankara (Turquie)</a> », Anthropology of the Middle East, vol 1, n°1, 25-36.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2005, “Blood, gelin and love: changes in patterns of alliance among Alevi Groups”, <i>in</i> Markussen H.I. (dir.), <i>Alevism and social change</i>. ISIS, Istanbul, 31-44.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2005, «&nbsp;De l’action réticulaire à la recherche du semblable, ou comment faire lien avec l’administration en Turquie&nbsp;», in Dorronsoro G. (dir.), La Turquie conteste. CNRS Editions, Paris, 147-165.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2005, “<a href="http://www.ejts.org/document385.html" mce_href="http://www.ejts.org/document385.html">The hemşehrilik and the village: the stakes of an association of former villagers in Ankara</a>”, <i>European Journal of Turkish Studies</i>, Thematic Issue N°2, Hometown Organisations in Turkey.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2004 «&nbsp;<a href="http://www.ejts.org/document67.html" mce_href="http://www.ejts.org/document67.html">«&nbsp;La modernité, elle est en bas&nbsp;»&nbsp;:&nbsp;ruralité,&nbsp;urbanité chez les habitants d’un </a><a href="http://www.ejts.org/document67.html" mce_href="http://www.ejts.org/document67.html">gecekondu</a><a href="http://www.ejts.org/document67.html" mce_href="http://www.ejts.org/document67.html"> d’Ankara</a> », in European Journal of Turkish Studies, Thematic Issue n°1, Gecekondu.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2004 «&nbsp;ghurba/gurbet&nbsp;: variations autour de l’exil&nbsp;», EHESS-IISMM, Labyrinthe n°17,127-129.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2000, «&nbsp;<a href="http://terrain.revues.org/document1133.html" mce_href="http://terrain.revues.org/document1133.html">Quand cela tient à un cheveu. Pilosité et identité chez les Turcs de Strasbourg </a>», Terrain, n°35.</span></li>\r\n</ul>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Autres publications</b></span></p>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2007, &nbsp;«&nbsp; Les candidatures à la section 38&nbsp;: une première approche&nbsp;», <i>AssisesEthno.org</i>, <a href="http://assisesethno.org/spip.php?article94" mce_href="http://assisesethno.org/spip.php?article94">http://assisesethno.org/spip.php?article94</a>, 2007.</span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">2008, «&nbsp;Pourrons nous encore le lire demain&nbsp;?» (à propos de Claude Lévi-Strauss), <i>Le Nouvel Observateur</i> 1<sup>er</sup> mai 2008, <a href="http://bibliobs.nouvelobs.com/2008/05/02/le-plus-grand-anthropologue" mce_href="http://bibliobs.nouvelobs.com/2008/05/02/le-plus-grand-anthropologue">http://bibliobs.nouvelobs.com/2008/05/02/le-plus-grand-anthropologue</a></span><br mce_bogus="1"></li>\r\n</ul>', NULL, NULL, '[]', '', '2010-09-15 06:54:20', 276, '', 0, '0000-00-00 00:00:00', '2011-09-21 12:36:57', 600, '2010-09-15 06:54:20', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 568, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Benoît Fliche, chercheur à l''IFEA', 'robots=\nauthor=Benoit Fliche', 'OUI, chercheur, recherche, IFEA', '');
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(824, 'Elise MASSICARD', 'massicard-elise', 94, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Pensionnaire scientifique</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Directrice de l''<a href="index.php?option=com_content&amp;view=article&amp;id=27:ovipot-presentation&amp;catid=49&amp;Itemid=12" mce_href="index.php?option=com_content&amp;view=article&amp;id=27:ovipot-presentation&amp;catid=49&amp;Itemid=12">Observatoire de la Vie Politique Turque (OVIPOT)</a></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="mailto:elise.massicard@ehess.fr" mce_href="mailto:elise.massicard@ehess.fr">elise.massicard@ehess.fr</a></span></span></span></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;" dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Elise Massicard (1976) a fait des études de science politique à l’<a href="http://www.sciences-po.fr/portail/" mce_href="http://www.sciences-po.fr/portail/">Institut d’Etudes Politiques de Paris</a>, de turcologie à l’<a href="http://www.inalco.fr/" mce_href="http://www.inalco.fr/">Institut National des Langues et Civilisations Orientales</a>, et de sciences sociales à la <a href="http://www.polsoz.fu-berlin.de/polwiss/index.html" mce_href="http://www.polsoz.fu-berlin.de/polwiss/index.html">Freie Universität Berlin</a>. Après un <a href="http://www.sciences-po.fr/formation/master_recherche/pc.htm" mce_href="http://www.sciences-po.fr/formation/master_recherche/pc.htm">doctorat à l’Institut d’Etudes Politiques de Paris</a>, elle a enseigné à l’Université de Marmara (Istanbul, Turquie). Après son recrutement comme chargée de recherches au <a href="http://www.cnrs.fr/" mce_href="http://www.cnrs.fr/">CNRS</a> (section 36) en 2003, elle a été rattachée au <a href="http://ceraps.univ-lille2.fr/" mce_href="http://ceraps.univ-lille2.fr/">Centre d’Etudes Administratives, Politiques et Sociales (CERAPS)</a> à Lille, avant d’être affectée à l’équipe Etudes Turques et Ottomanes à l’EHESS Paris, en 2008. Elle est chercheuse associée au Centre d’Etudes et de Recherches Internationales (<a href="http://www.ceri-sciencespo.com/" mce_href="http://www.ceri-sciencespo.com/">CERI</a>, Paris). Ses travaux portent sur la sociologie politique de la Turquie, les mobilisations, et la territorialité politique.</span></span></span></p>', '<p></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;" dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Elise Massicard est membre de l’ANR «&nbsp;De la friction culturelle à l’affrontement armé. Seuils, échelles et modalités de conflictualité (Turquie, Iran, Pakistan)&nbsp;», 2007-2009 (UMR Etudes Turques et Ottomanes, EHESS/CNRS/Collège de France). Elle coordonne l’ANR «&nbsp;Ordonner et Transiger: Modalités de gouvernement et d''administration en Turquie et dans l''Empire Ottoman, du XIXème siècle à nos jours&nbsp;», (TRANSTUR), 2008-2011 (UMR Etudes Turques et Ottomanes, EHESS/CNRS/Collège de France). Elle est également membre du projet de recherche coordonné par Claire Visier, «&nbsp;La candidature Turquie à l’Union européenne&nbsp;: La Turquie en réforme&nbsp;?», Maison des Sciences de l’Homme en Bretagne (2009-2010).</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Elle est membre fondatrice et membre du comité de rédaction de l’<a href="http://www.ejts.org/" mce_href="http://www.ejts.org/">European Journal of Turkish Studies</a> et membre du conseil scientifique de la revue <i>Kırkbudak</i> (Turquie).</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Elle fait partie du comité de pilotage de l’<a href="http://iismm.ehess.fr/" mce_href="http://iismm.ehess.fr/">Institut d’Etude de l’Islam et des Sociétés du Monde Musulman (IISMM)</a>.</span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Thèmes de recherches</span></span></span></h2>\r\n<ul>\r\n<li>\r\n<div dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Sociologie politique de la Turquie (mobilisations, personnel politique)</span></span></span></div>\r\n</li>\r\n<li>\r\n<div dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Sociologie localisée des partis politiques en Turquie</span></span></span></div>\r\n</li>\r\n<li>\r\n<div dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Territorialité politique, pouvoirs locaux, décentralisation</span></span></span></div>\r\n</li>\r\n<li>\r\n<div dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Mobilisations transnationales et migratoires</span></span></span></div>\r\n</li>\r\n<li>\r\n<div dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Sociologie des mouvements sociaux</span></span></span></div>\r\n</li>\r\n<li>\r\n<div dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Mobilisations identitaires (alévisme)</span></span></span></div>\r\n</li>\r\n<li>\r\n<div dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Sociologie des institutions</span></span></span></div>\r\n</li>\r\n</ul>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Sélection bibliographique</span></span></span></h2>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Ouvrage</span></span></span></h3>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><img style="margin-right: 2px; float: right;" mce_style="margin-right: 2px; float: right;" alt="autre_turquie" src="http://127.0.0.1:4001/restor/images/stories/pagespersos/elisemassicard/autre_turquie.jpg" mce_src="images/stories/pagespersos/elisemassicard/autre_turquie.jpg" height="191" width="130"></span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br><br><br><br><br><br><br><br><br></span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">L’autre Turquie. Le mouvement aléviste et ses territoires, <br>Paris, Presses Universitaires de France, 2005.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Traduction en turc&nbsp;: <a href="http://www.iletisim.com.tr/iletisim/book.aspx?bid=1346" mce_href="http://www.iletisim.com.tr/iletisim/book.aspx?bid=1346">Türkiye’den Avrupa’ya Alevi hareketinin siyasallaşması</a>, İletişim, Istanbul, 2007.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Comptes-rendus&nbsp;:</span></span></span></p>\r\n<ul>\r\n<li>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://remi.revues.org/index4117.html" mce_href="http://remi.revues.org/index4117.html">Par Stéphane de Tapia, </a><a href="http://remi.revues.org/index4117.html" mce_href="http://remi.revues.org/index4117.html">Revue Européenne des Migrations Internationales</a><a href="http://remi.revues.org/index4117.html" mce_href="http://remi.revues.org/index4117.html">, vol. 22 n°3, 2006, p. 261-262</a>.</span></span></span></p>\r\n</li>\r\n<li>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://iismm.ehess.fr/document.php?id=320" mce_href="http://iismm.ehess.fr/document.php?id=320">Par Nathalie Clayer, site de l’IISMM, 2008</a>.</span></span></span></p>\r\n</li>\r\n</ul>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Articles dans des revues scientifiques</span></span></span></h3>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://www.cairn.info/revue-critique-internationale-2009-1-p-21.htm?WhatU=massicard&amp;Auteur=&amp;doc=&amp;ID_ARTICLE=CRII_042_0021" mce_href="http://www.cairn.info/revue-critique-internationale-2009-1-p-21.htm?WhatU=massicard&amp;Auteur=&amp;doc=&amp;ID_ARTICLE=CRII_042_0021">‘L’islamisme turc à l’épreuve du pouvoir municipal. Production d’espaces, pratiques de gouvernement et gestion des sociétés locales’</a>, <i>Critique Internationale</i> n°42, janvier-mars 2009, p. 21-38.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Régionalisme impossible, régionalisation improbable&nbsp;: La gestion du territoire en Turquie à l’heure du rapprochement avec l’Union Européenne’, <i>Revue d’Etudes Comparatives Est-Ouest</i>, vol. 39/3, 2008, p. 171-203.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Avec Benoit <span mce_style="font-variant: small-caps;" style="font-variant: small-caps;">Fliche</span>, ‘<a href="http://www.ejts.org/document627.html" mce_href="http://www.ejts.org/document627.html">L’oncle et le député</a>: circuits de ressources et usages de la parenté dans un lignage sacré de Turquie’, <i>European Journal of Turkish Studies</i>, Thematic Issue N°4, "The social practices of kinship. A comparative perspective", 2006.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Avec Gilles <span mce_style="font-variant: small-caps;" style="font-variant: small-caps;">Dorronsoro ‘</span><a href="http://www.ejts.org/document502.html" mce_href="http://www.ejts.org/document502.html">Being a Member of Parliament in Contemporary Turkey</a>’, <i>European Journal of Turkish Studies</i>, Thematic issue N°3, 2005, Being a MP in contemporary Turkey.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘<a href="http://www.ejts.org/document499.html" mce_href="http://www.ejts.org/document499.html">Differences in role-orientation among Turkish MPs’</a>, <i>European Journal of Turkish Studies</i>, Thematic Issue N°3, Being a MP in contemporary Turkey, 2005.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘L’organisation des rapports entre Etats et religion en Turquie’, <i>Cahiers de la Recherche sur les Droits Fondamentaux</i> n° 4, 2005, p. 119-128.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘<a href="http://www.ejts.org/document362.html" mce_href="http://www.ejts.org/document362.html">Politiser la provenance</a>. Les organisations d’originaires de Sivas à Istanbul et Ankara’, <i>European Journal of Turkish Studies</i>, Thematic Issue N°2, Hometown Organisations in Turkey, 2005.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://www.persee.fr/articleAsPDF/polix_0295-2319_2004_num_17_67_1626/article_polix_0295-2319_2004_num_17_67_1626.pdf" mce_href="http://www.persee.fr/articleAsPDF/polix_0295-2319_2004_num_17_67_1626/article_polix_0295-2319_2004_num_17_67_1626.pdf">''Entre l''intermédiaire et ''l''homme d''honneur</a>'' : savoirs-faire et dilemmes notabiliaires en Turquie'', <i>Politix</i>, n°67, 2004, p. 101-127.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">''Alevist movements at home and abroad: mobilization spaces and disjunction'', <i>New Perspectives on Turkey</i> 28-29, Spring-Fall 2003, p.163-187.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://www.conflits.org/index838.html" mce_href="http://www.conflits.org/index838.html">''Être pris dans le mouvement : savoir et engagement sur le terrain''</a>, <i>Cultures et Conflits</i> n°47, "Engagements problématiques en sciences sociales", décembre 2002, p. 117-143.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://www.cairn.info/article.php?ID_REVUE=CRII&amp;ID_NUMPUBLIE=CRII_016&amp;ID_ARTICLE=CRII_016_0169" mce_href="http://www.cairn.info/article.php?ID_REVUE=CRII&amp;ID_NUMPUBLIE=CRII_016&amp;ID_ARTICLE=CRII_016_0169">''La réforme pénitentiaire en Turquie</a> : du bon usage de la norme européenne'', <i>Critique Internationale</i> n°16, juillet 2002, p. 169-181.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">avec Tommaso <span mce_style="font-variant: small-caps;" style="font-variant: small-caps;">Trevisani,</span> ''Die uzbekische Mahalla zwischen Staat und Gesellschaft'' [La mahalla ouzbèke entre Etat et société], <i>Anthropos</i>, n° 95 / 2000, p. 206-218. Réédité en anglais : ''The Uzbek Mahalla between state and society'', in : Tom Everett-Heath (dir.), <i>Central Asia. </i><i>Aspects of Transition</i>, London : Routledge Curzon, 2003, p. 205-218.</span></span></span></p>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Contributions à des ouvrages de recherche</span></span></span></h3>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘A regionalization process in Turkey?’ in François Bafoil, Ayhan Kaya (dirs.), <i>Regional Development and the European Union</i>, Istanbul, Istanbul Bilgi University Press, 2009, p. 17-35.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Gérer les fragmentations identitaires dans les mobilisations de Turquie’ in Valérie Sala Pala, Lionel Arnaud, Sylvie Ollitrault, Sophie Rétif (dirs.), <i>L’action collective face à l’imbrication des rapports sociaux&nbsp;: classe, ethnicité, genre</i>, Paris, L’Harmattan, coll. Logiques sociales, 2009, p. 119-137.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Recompositions identitaires en migration. L’autonomisation des associations alévies d’Allemagne par rapport à la Turquie’ in Jean-Paul Cahn, Bernard Poloni (eds.), <i>Migrations et identités. L’exemple de l’Allemagne aux XIXe et XXe siècles</i>, Lille, Presses universitaires du Septentrion, 2009, p. 201-210.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Le politique à l’articulation entre institutions de sécurité et univers criminel : les "bandes en uniforme" en Turquie’ in Jean-Louis Briquet, Gilles Favarel-Garrigues (dir.), <i>Milieux criminels et pouvoir politique. Les ressorts illicites de l’Etat</i>, Paris, Karthala, coll. recherches internationales, 2008, p. 57-94.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Le poids du local dans les configurations associatives des alévis en Europe’ in Guillou, Anne&nbsp;; Wadbled, Martine&nbsp;; De Tapia, Stéphane (dirs.), <i>Migrations turques dans un monde globalisé: le poids du local</i>, Rennes, Presses Universitaires de Rennes, 2007.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Claiming Difference in an unitarist frame: the case of Alevism’ in Hans-Lukas Kieser (ed.), <i>Turkey Beyond Nationalism</i><i>: Towards Post-Nationalist Identities?</i>, London, IB Tauris, 2006, p. 71-79.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Alevism in the 1960s: Social Change and Mobilisation’ in Hege Irene Markussen (ed.), <i>Alevis and Alevism, Transformed Identities</i>, Istanbul, Isis, 2005, p. 109-135.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">''Les mobilisations ''identitaires'' en Turquie après 1980 : une libéralisation ambiguë'' in Gilles Dorronsoro (dir.), <i>La Turquie conteste. Action collective et régime sécuritaire</i>, Paris, CNRS Editions, 2005, p. 89-108.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">(avec Olivier Grojean) ‘Mobilisations transnationales et environnement politique. La dynamique des organisations kurdes et alévistes, entre Turquie et Europe’ in&nbsp;: Marie-Claude Blanc-Chaléard, Stéphane Dufoix, Patrick Weil (dirs.), <i>L’Etranger en questions, du Moyen Âge à l’an 2000</i>, Paris, Le Manuscrit, 2005, p. 401-430.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">‘Alevism as a productive misunderstanding: the Hacibektas festival’, in : Joost Jongerden, Paul J. White (dirs.) <i>Turkey’s Alevi Enigma, a Comprehensive Overview</i>, Leiden : Brill, 2003, p. 126-140.</span></span></span></p>\r\n<p dir="ltr" lang="fr-FR"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a href="http://cetobac.ehess.fr/document.php?id=224" mce_href="http://cetobac.ehess.fr/document.php?id=224"><br></a><a href="images/stories/pagespersos/elisemassicard/listepublicationsgenre.doc" mce_href="images/stories/pagespersos/elisemassicard/listepublicationsgenre.doc">Bibliographie complète: cliquez ici</a><br></span></span></span></p>', NULL, NULL, '[]', '', '2010-09-15 06:54:25', 278, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:53:47', 600, '2010-09-15 06:54:25', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 732, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle d''Elise Massicard', 'robots=\nauthor=Elise Massicard', 'OVIPOT, chercheur, recherche, IFEA', ''),
(825, 'Olivier HENRY', 'henry-olivier', 94, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Olivier Henry est pensionnaire scientifique à l''IFEA, responsable du pôle ''Archéologie''.<br>Docteur en archéologie et histoire des mondes anciens. Archéologue de terrain spécialisé dans le monde funéraire antique. <br>Il participe depuis 1998 à de nombreuses opérations en Carie (Turquie) au sein d''équipes internationales qui lui ont confié la responsabilité de l''étude de leurs nécropoles :</span></span></span></p>', '<br>- à Bargasa, Orthosia, Harpasa, Hyllarima (1998-2004) : équipe codirigée par E. Varinlioglu et P. Debord<br>- à Iasos (2001- ), sous la direction de R. Pierobon-Benoit (Université de Naples)<br>- à Latmos-Herakleia (2002- ) sous la direction de A.L. Peschlow (DAI Istanbul)<br>- à <a target="_blank" href="http://www.labraunda.org/Labraunda.org/Welcome_to_Labraunda.html" mce_href="http://www.labraunda.org/Labraunda.org/Welcome_to_Labraunda.html">Labraunda</a> (2007- )sous la direction de L. Karlsson (Université d''Uppsala)<br>- dans le Golfe céramique (2006-2009) sous la direction de K. Konuk et R. Descat (UMR 5607)<br>O.H. a également récemment intégré l''équipe de H. Pamir pour une étude du site d''Antioche sur l''Oronte.<br>O. Henry développe deux axes de recherche au sein de l''IFEA, le premier porte sur ''La Mort Publique'', le second sur ''Antioche Antique''.<br><p></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Education</span></span></span></h2>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">1999  -2005: Doctoral thesis, under the supervision of Pr. Dr. Pierre Debord:  “Tombes de Carie – tombes cariennes. Contribution de l’architecture  funéraire à l’histoire des populations aux époques classique et  hellénistique”, Université Bordeaux 3. (First-Class Hons)<br>1999: MA  (DEA) in Greek and Roman Archaeology, “Tombes de Carie”, under the  supervision of Pr. Pierre Debord, Université Bordeaux 3 (with  distinction).<br>1996: MA (Master) in Ancient History, “Les troubles  politiques à Athènes de 323/322 à 318/317 a.C.” under the supervision of  Pr. Raymond Descat, Université Bordeaux 3 (with distinction).<br>1995: Bachelor''s degree of History, Université Bordeaux 3.<br>1992 -1994: Deug (Diplôme d’études universitaires générales) of History, Université Bordeaux 3.<br>1990 -1992: Deug (Diplôme d’études universitaires générales) of Mathematics (incomplete), Université Lille I.</span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Selected Bibliography</span></span></span></h2>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><img style="margin: 2px; float: right;" mce_style="margin: 2px; float: right;" alt="couverture" src="images/stories/pagespersos/olivierhenry/couverture.jpg" mce_src="images/stories/pagespersos/olivierhenry/couverture.jpg" height="257" width="196"></span></span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">“Harpasa, les nécropoles”, in P. Debord et E. Varinlioglu (eds.) <i>Cités de Carie : Harpasa, Bargasa, Orthosia dans l''Antiquité</i>, Rennes, 2011, 77-96.<br>“Bargasa, les nécropoles”, in P. Debord et E. Varinlioglu (éds.) <i>Cités de Carie : Harpasa, Bargasa, Orthosia dans l''Antiquité</i>, Rennes, 2011, 197-202.<br>with P. Debord, “L’agora d’Orthosia : Modélisation et questions afférentes”, in P. Debord et E. Varinlioglu (eds.) <i>Cités de Carie : Harpasa, Bargasa, Orthosia dans l''Antiquité</i>, Rennes, 2011, 289-293.<br>“Orthosia, les nécropoles”, in P. Debord et E. Varinlioglu (eds.) <i>Cités de Carie : Harpasa, Bargasa, Orthosia dans l''Antiquité</i>, Rennes, 2011, 309-334.<br>with Karlsson, L., “Labraunda 2009. A Preliminary Report on the Swedish excavations with contributions by O. Henry and J. Blid”, <i>Opuscula</i> 3, 2010, 61-104.<br>“Hekatomnos, Persian satrap or Greek dynast? A study on funerary architecture”, in <i>Hellenistic Karia, Proceedings of the First International Conference on Hellenistic Karia in Oxford</i> <i>2006</i>, eds. R. Van Bremen &amp; M. Carbon, Bordeaux, 2010, 103-122.<br>“Karia, Karians and Labraunda”, in F. Kuzucu &amp; M. Ural, <i>Mylasa Labraunda - Milas Çomakdağ</i>, Istanbul, 2010, 69-80.<br>“Necropolis of Labraunda” in F. Kuzucu &amp; M. Ural, <i>Mylasa Labraunda - Milas Çomakdağ</i>, Istanbul, 2010, 93-105.<i><br>Tombes de Carie ; architecture funéraire et culture carienne VIe-IIe s. a.C.</i>, PUR, Rennes, 2009. Pp. 289.<br>Blid J., Henry, O., Karlsson, L., “Labraunda 2004-2007. A Preliminary Report on the Swedish excavations”, <i>Istanbuler Mitteilungen</i>, 58, 2008, 109-133.<br>Henry, O., Karlsson, L., “A Karian graffito from Labraunda”, <i>Kadmos</i>, 47, 2009, 171-176.<br>“La Carie des VIe-IIe s. a.C. – Cinq siècles d’architecture funéraire”, in <i>Les Dossiers d’Archéologie</i>, July 2008, 52-61.<br>“Tombes hellénistiques à Iasos (suite) ”, <i>Bollettino del Associazione de Iasos di Caria</i>, 14, 2008, 10-13.<br>“Quelques remarques sur des inscriptions funéraires cariennes”, in <i>Hommage à P. Debord</i>, Bordeaux, Ausonius, 2007, 93-101.<br>“Remarques sur le propriétaire de la tombe monumentale de Labraunda”, in <i>Revue des Etudes Anciennes</i>, 2006, 3-4, 5-22.<br>“Tombes hellénistiques à Iasos (suite)”, <i>Bollettino del Associazione de Iasos di Caria</i>, 11, 2005, 17-19.<br>“Une tombe monumentale hellénistique à Iasos”, <i>Bollettino del Associazione de Iasos di Caria</i>, 10, 2004, 17-19.<span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><br>“Les <i>tumuli</i> de la confluence Méandre/Harpasos. Ou les structures funéraires comme vecteurs de contrôle du territoire”, in <i>Cahiers </i><i>Kubaba</i>, no V, 2003, 39-168.</span></span></span>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Website creation</span></span></span></h2>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><a target="_blank" href="http://www.labraunda.org" mce_href="http://www.labraunda.org">Labraunda</a><br><a target="_blank" href="http://www.tumulistanbul2009.org" mce_href="http://www.tumulistanbul2009.org">Tumulistanbul</a><br><a target="_blank" href="http://www-ausonius.u-bordeaux3.fr/axes/Kelainai/Home.html" mce_href="http://www-ausonius.u-bordeaux3.fr/axes/Kelainai/Home.html">Kelainai/Apamea Kibotos</a><br></span></span></span></p>', NULL, NULL, '[]', '', '2010-09-15 06:54:19', 197, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:53:33', 600, '2010-09-15 06:54:19', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 1033, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle d''Olivier Henry, chercheur à l''IFEA', 'robots=\nauthor=Olivier Henry', 'archéologie, IFEA, recherche, chercheur, Carie, architecture funéraire, missions archéologiques, fouilles archéologique', '');
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(869, 'Işık TAMDOĞAN', 'tamdoğan-işık', 94, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Işık TAMDOĞAN</b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">coordinatrice des études en histoire de l’IFEA</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">chargée de recherche 1 (CNRS), </span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">affectée par le CNRS à l’IFEA depuis le 1er septembre 2010</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">affectée au <a href="http://cetobac.ehess.fr/" mce_href="http://cetobac.ehess.fr/">CETOBAC </a>de 2002 à 2010</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="mailto:tamdogan@ifea-istanbul.net" mce_href="mailto:tamdogan@ifea-istanbul.net"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">tamdogan@ifea-istanbul.net</span></span></a></span></p>', '<br mce_bogus="1"><p></p>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Işık Tamdoğan</b>, (historienne de l’empire ottoman) Après des études d’histoire à l’Université de Boğaziçi (Istanbul), elle a obtenu le doctorat de l’EHESS (Les modalités de l''urbanité dans une ville ottomane, les habitants d''Adana au XVIIIème siècle d''après les registres des cadi, thèse dirigée par G. Veinstein). Elle fut pensionnaire scientifique à l’Institut Français d’études Anatoliennes à Istanbul et enseigna au département d’histoire à l’Université de Boğaziçi (1999-2002). Entrée au CNRS comme chargée de recherche en 2002, elle a régulièrement enseigné à l’INALCO et à l’EHESS, elle est membre du comité de rédaction de Tarih ve Toplum Yeni Yaklaşımlar.</span></span></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Thèmes de recherches :</span></span></span></h1>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">fonctionnement des instances judiciaires dans la société ottomane du XVIIIème siècle (à travers l’étude des registres des cadis).</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">la violence et résolution des conflits à travers le compromis (sulh).</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">l’appartenance locale et ses droits. L’obtention de ceux-ci à travers certains institutions urbaines (le quartier, les han, le kefalet, le mariage etc.) dans les villes ottomanes du XVIIIème siècle</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">l’analyse de la société ottomane à travers les réseaux relationnels</span></span></span></li>\r\n</ul>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Bibliographie :</span></span></span></h1>\r\n<ul>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Sociétés rurales ottomanes, M. Affifi, R. Chich, B. Marino, N. Michel, I. Tamdogan ed., Le Caire, IFAO, 2005.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Un Tatar au Japon (traduction annotée du journal de voyage d’Abdurrechid Ibrahim) en collaboration avec François Georgeon, Sinbad-Actes Sud, 2004.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;De L’Empire ottoman à la Turquie actuelle&nbsp;: le quartier (mahalle). Approche des normes et usages&nbsp;», (textes réunis par I. Tamdogan), dans Anatolia Moderna X, Paris, 2004.</span></span></span></div>\r\n</li>\r\n</ul>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Articles :</span></span></span></h1>\r\n<ul>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Quelques considérations sur les structures agricoles dans la Çukurova de la seconde moitié du XVIIIe siècle au début du XIXe siècle</i> », dans Agriculture et Industrialisation en Turquie et au Moyen-Orient, sous la direction de J. Thobie, R. Perez &amp; S. Kançal, Paris, l''Harmattan, 1992, (pp. 93-107).</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<a href="http://www.persee.fr/web/revues/home/prescript/article/remmm_0997-1327_1995_num_75_1_2619" mce_href="http://www.persee.fr/web/revues/home/prescript/article/remmm_0997-1327_1995_num_75_1_2619"><i>L''écrit comme échec de l''oral ? L''oralité des engagements et des règlements à travers les registres de qadi d''Adana du XVIIIe siècle</i> </a>», dans REMMM, 75-76, 1995, (pp. 155-165).</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Voyage en Islam</i> », dans Le réveil des Anges, Autrement, 1996, (pp. 105-115).</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Les han, ou l''étranger dans la ville ottomane</i> », dans Vivre dans l''Empire Ottoman, sous la direction de F. Georgeon &amp; P. Dumont, Paris, l''Harmattan, 1997, (pp. 319-334).</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Le Futur dans le Rumuz-i Kunuz de Mejdeddîn Ibn Isa: une utopie, une prophétie, un livre à mystères</i> », dans Melâmis-Bayrâmis, vol.II, sous la direction de N. Clayer, A. Popoviç &amp; T. Zarcone, Istanbul, éd. Isis, 1998, (pp. 145-152).</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Osmanlı’dan günümüz Türkiye’sine mahalle</i> », dans Istanbul Dergisi, janvier 2002.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>La réputation comme richesse dans la ville ottomane d’Adana au XVIIIe siècle</i> » dans Pauvreté et richesse dans le monde musulman méditerranéen, Jean-Paul Pascual éd., Maisonneuve &amp; Larose, 2003, p. 39-49.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Le quartier (mahalle) de l’époque ottomane à la Turquie contemporaine</i> », dans Anatolia Moderna n°X, 2004, p. 123-125.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Les relations de voisinage d’après les livres de morale ottomans (XVe-XVIIIe siècles)</i></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> »</span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">, dans Anatolia Moderna n°X, 2004, p. 167-177.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Büyükleri saymak, küçükleri sevmek, 18. yy Adana’sında ayanların ilişki ağları ve iki farklı ilişki yürütme uslubu</i> », dans Tarih ve Toplum, Iletişim yay., Istanbul, 2005, p.77-96.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>O bairro (Mahalle) no espaço otomano e na Turquia actual. A cidade de Adana no século XVIII</i> » dans Ler Historia, Lisbonne, 2005.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Le nezir ou les relations entre les bandits, les nomades et l’État dans la Çukurova du XVIIIe siècle</i> », dans Sociétés rurales ottomanes, par l’IFAO, Le Caire, 2005.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Nezir ya da XVIII. Yüzyıl Çukurova''sında Eşkiya, Göçebe ve Devlet Arasındaki İlişkiler</i> », Kebikeç, sayı 21, 2006, p. 135-146.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Atı alan Üsküdar’ı geçti</i> », Osmanlı İmparatorluğu’nda Asayiş, suç ve ceza, N. Lévy et A. Toumarkine ed., Istanbul, Tarih Vakfı Yurt Yayınları, 2007, p. 80-95.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«<a href="images/stories/histoire/ILS_Tamdogan.pdf" mce_href="images/stories/histoire/ILS_Tamdogan.pdf"> <i>Sulh : Dispute Resolutions and the Eighteenth century Ottoman Cadi Courts of Üsküdar and Adana</i></a></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> »</span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">, Islamic Law and Society, Brill, volume 15, n°1, 2008, p. 55-83.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«<i> 18.yüzyılın ikinci yarısında Üsküdar’da sulh anlaşmaları ve bunların ardındaki sosyal ilişkiler</i></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> »</span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">, dans V. Üsküdar Sempozyumu, Üsküdar Belediyesi yay., İstanbul, 2008.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>Osman hodja ou Osman efendi&nbsp;? Un comptable d’un régiment anatolien au tournant du siècle (fin XIXe début XXe siècle)</i> », dans Entre deux mondes&nbsp;: parcours individuels et profils de groupes entre l’empire ottoman et l’Occident latin (XVIe – XXe siècle), sld. Bernard Heyberger &amp; Chantal Verdeil, Paris Les Indes Savantes, 2009.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«<i> La mobilité comme compétence dans la société ottomane. Nomades de la Çukurova et Travailleurs migrants à Üsküdar au XVIIIe siècle</i> », Le monde de l’Itinérance. Le contrôle de la mobilité des personnes en Méditerranée de l’Antiquité à l’époque moderne III, Claudia Moatti, W. Kaiser et Chr. Pébarthe, Ausonius, Bordeaux, 2009, p. 181-199.</span></span></span></div>\r\n</li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<a href="http://www.radikal.com.tr/Radikal.aspx?aType=RadikalEklerDetay&amp;ArticleID=962193&amp;Date=01.11.2009&amp;CategoryID=42" mce_href="http://www.radikal.com.tr/Radikal.aspx?aType=RadikalEklerDetay&amp;ArticleID=962193&amp;Date=01.11.2009&amp;CategoryID=42"><i>Kürt açılımı vesilesiyle Osmanlı’da sulhu hatırlamak</i> </a>», Radikal 2, 1/11/2009.</span></span></span></li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>De l’Empire ottoman à la République turque</i> », Nouveaux regards, n°47, décembre 2009.</span></span></span></div>\r\n</li>\r\n<li>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">«&nbsp;<i>La fille du meunier et l’épouse du gouverneur d’Adana. L’histoire d’un cas d’imposture du début du XVIIIème siècle</i> », REMMM, n° 127, 2010, p. 143-155.</span></span></span></div>\r\n</li>\r\n</ul>', NULL, NULL, '[]', '', '2010-09-22 07:37:12', 277, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:52:30', 600, '2010-09-22 07:37:12', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 567, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle d''Işık Tamdoğan, chercheur à l''IFEA', 'robots=\nauthor=Isik Tamdogan', 'histoire, chercheur, recherche, IFEA', ''),
(1140, 'Raymond DESCAT', 'descat-raymond', 196, 1, '<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Raymond Descat </span></span></b></span></h1>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Professeur d''Histoire grecque à l''Université Michel de Montaigne - Bordeaux 3<br> Ancien directeur d''Ausonius</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">descat@u-bordeaux3.fr</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Programmes : "<i>La Carie du Golfe céramique</i>" codirigé avec Koray Konuk.<br>Publication prévue : À l''est d''Halicarnasse. La Carie du Golfe Céramique à la plaine de Mylasa<br> et responsable du programme GDRI CNRS "<i>Les marchés dans le monde antique : espace, pratique, institutions</i>" (2007-2010)</span></span></span></p>', '<p></p>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Co-responsable du programme <span lang="fr-FR"><i>La </i></span><span lang="fr-FR"><i>Carie</i></span><span lang="fr-FR"><i> antique, à la croisée des chemins entre hautes terres et mer</i> avec Koray Konuk</span></span></span></span></p>\r\n<h1 style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span lang="fr-FR">Publications récentes</span></span></span></span></h1>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;Thucydide et l’économie, aux origines du <i>logos oikonomikos</i> »<i> </i>dans V.Fromentin, S.Gotteland et P.Payen eds. <i>Ombres de Thucydide, La réception de l’historien </i>Bordeaux, 403-9.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;<i>Argyrion Symmachikon </i>et l’Histoire de la Carie à la fin du IV<sup>e</sup> s. a.C. » dans R.van Bremen et J.M.Carbon eds. <i>Hellenistic Karia </i>Bordeaux, 133-44.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Ont été envoyés pour publication</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;Mylasa, les dieux et le village carien&nbsp;au IV<sup>e </sup>s. av.J.C. : retour sur <i>I.Mylasa </i>11 » dans O.Henry et P.Pedersen <i>Karian Identity,</i> Odense.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;Autour de la Tombe d’Hékatomnos.<b> </b>Nouvelle lecture d’une inscription de Mylasa » à paraître dans <i>ZPE</i>.</span></span></span></li>\r\n</ul>\r\n<p style="margin-bottom: 0cm;" mce_style="margin-bottom: 0cm;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span lang="fr-FR"><a href="http://www-ausonius.u-bordeaux3.fr/prof/descat.pdf" mce_href="http://www-ausonius.u-bordeaux3.fr/prof/descat.pdf">Liste de publications</a><br></span></span></span></span></p>', NULL, NULL, '[]', '', '2011-04-07 11:39:01', 600, '', 0, '0000-00-00 00:00:00', '2011-08-10 10:51:34', 600, '2011-04-07 11:39:01', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 140, 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(66, 'Lisa MONTMAYEUR', 'montmayeur-lisa', 95, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Lisa MONTMAYEUR  DEHEURLES</b></span></span></span></p><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Contact : </span></span></span><span style="color: #000000;" mce_style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"> <a href="mailto:lisamontmayeur@hotmail.com" mce_href="mailto:lisamontmayeur@hotmail.com">lisamontmayeur@hotmail.com</a></span></span></span></p>\r\n\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Statut : Boursière Agence Universitaire pour la Francophonie </span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Thèse de doctorat :<b><br></b></span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">"Le rôle joué par les acteurs non-gouvernementaux locaux dans le processus de rapprochement gréco-turc depuis le début des années 80" </span></span></b></span><span style="color: #000000;" mce_style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;">thèse en sociologie au sein du laboratoire de recherche <b>PACTE (Politiques publiques, Action politique, Territoires)</b>,  Université Pierre Mendès France, sous la direction de Mr Jacques Barou  (Institut d''Etudes Politiques de Grenoble) et de Mme Yeseren Eliçin  Arikan (Université Galatasaray).', '</span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Problématique :</span></span></span></h2>\r\n<ul>\r\n<li>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Migrations, 	culture, mémoire</span></span></b></span></p>\r\n</li>\r\n<li>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Échange 	de populations, minorités et nationalisme, rapprochement 	gréco-turc</span></span></b></span></p>\r\n</li>\r\n<li>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Coopération 	décentralisée, politique de la ville, développement 	local</span></span></b></span></p>\r\n</li>\r\n</ul>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Programmes de recherche :</span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>- Séminaire de formation doctorale "Le rôle des sociétés civiles dans les processus de rapprochement et de réconciliation : France/Allemagne - Grèce/Turquie" </b>(première session à Athènes du 30 septembre au 10 octobre et deuxième session à Istanbul du 5 au 17 septembre).<b><br></b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> </b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">- <b>Programme Medyre «&nbsp;Euromed young researcher network&nbsp;»</b>, rencontre de chercheurs travaillants sur les pays de la Méditerranée. Deuxième rencontre à Oran (du 1<sup>er</sup> au 5 juin 2009).</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">-&nbsp; <b>Formation doctorale Interact&nbsp;: "EU, France and Turkey University Dialogue"</b>, avec l’Université de Bilgi (Istanbul), l’IFEA et Sciences Po Paris.</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>- &nbsp; 10th Biennial Conference of the European Association of Social Anthropologists (EASA) “Experiencing diversity and mutuality”</b> (Ljubljana du 25 au 28 aout 2008)<b><br> </b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> </b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> </b>- <b>Réseau d’excellence RAMSES 2 (programme de recherche interuniversitaire), «&nbsp;Les initiatives de réconciliations gréco-turques mises en place par la société civile depuis le début des années 80&nbsp;»</b>. Recherche effectuées sur «&nbsp;<i>The role of the refugees and their descendants in the greek-turkish reconciliation process"</i></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> </b></span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Publications et communications :<b><br></b></span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b> </b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>- 28 et 29 Janvier 2010&nbsp;: Participation au colloque «&nbsp;L’orientalisme désorienté&nbsp;» organisé à l’Institut d’Études Politiques de Rennes </b>par Buket Türkmen et Laurent Mallet entre l’Institut d’Études Politiques de Rennes, l’Université de Galatasaray et l’Institut Français d''Études Anatoliennes. Communication présentée&nbsp;: <i>«&nbsp;Le prisme orientaliste/occidentaliste dans la construction de l’image de l’Autre et de Soi en Grèce et en Turquie&nbsp;».</i> Publication prévue aux Éditions PUR (Presses Universitaires de Rennes)</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>- 4 et 5 janvier 2010&nbsp;: Participation au colloque de l’IFRE «Politique et Migrations»</b> <b>(Instituts Français de Recherche à l’Étranger) organisé à Paris, au Musée du Quai Branly,</b> par le Ministère des Affaires Étrangères et le CNRS. Communication présentée : <i>«&nbsp;Impact sur les populations et territoires contemporains de l’échange de population de 1923 entre la Grèce et la Turquie&nbsp;».</i> Publication prévue sous forme de papier électronique</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>- 17 décembre 2009&nbsp;: Séminaire «&nbsp;Après l’échange…l’intégration des réfugiés en Grèce et en Turquie</b> <b>»</b>.Communication présentée : <i>«&nbsp;De Gelveri à Nea Karvali&nbsp;: un exemple de l’arrivée et de l’installation des réfugiés grecs-orthodoxes turcophones en Grèce&nbsp;»</i>. Publication prévue dans la revue <i>Toplumsal Tarih </i>(Histoire sociale)</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i> </i></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>- Du 3 au 5 décembre 2008&nbsp;:</b> <b>Participation au colloque Mémoires et exils de l''Europe vers la Turquie et de la Turquie vers l''Europe</b>, organisé par Françoise Rolland, Maison des Sciences de l''Homme de l''Université de Bordeaux, du 3 au 5 décembre 2008 (en cours de publication)<b> : </b>"<i>Migrations, mémoires et identités croisées : l''échange de population à Guzelyurt", </i>En cours de publication aux Éditions Isis</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i> </i></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i> </i></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i> </i></span></span></span></p>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Organisation de séminaire</span></span></span></h3>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">- <b>Organisation d’un séminaire bimensuel</b> <b>à l’IFEA</b> <b><i>«&nbsp;Après l’échange…l’intégration des réfugiés de l’échange de population de 10923 en Grèce et en Turquie&nbsp;: dimensions culturelle, socio-économique et politique&nbsp;» </i></b>avec des chercheurs grecs et turcs (Nikos Sigalas, Tutku Vardagli et Gokçe Bayindir Goularas). Publication d’un dossier consacré aux premières interventions du séminaire dans la revue turque <i>Toplumsal Tarih</i> (Histoire sociale) (Dossier «&nbsp;Mübadeleden sonra…&nbsp;», <i>Toplumsal Tarih</i> n°octobre 2008, 190 pages).</span></span></span></p><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Cursus : <br></span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"> </span></span></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:17:05', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:10:15', 600, '2010-03-06 16:17:05', '0000-00-00 00:00:00', 0, 0, 8, 0, 0, '', '', '', '', 624, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Lisa Montmayeur Deheurles, doctorante à l''IFEA', 'robots=\nauthor=IFEA', 'Lisa Montmayeur, Lisa Deheurles Montmayeur, Lisa Deheurles, échange de population, diplomatie des villes, turquie, IFEA, rapprochement gréco-turc', '');
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(867, 'Cilia MARTIN', 'martin-cilia', 95, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cilia MARTIN</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Contact : martin_cilia@yahoo.fr</span></address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span></address><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">+90 0212.244.17.17 (poste : 134)</span></address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Statut : Boursière BAM</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Observatoire Urbain d''Istanbul</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Thèse de doctorat :</span></h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Histoire urbaine d’un quartier d’Istanbul : le semt de Kurtuluş depuis le début de la république turque jusqu''à nos jours</b>. Thèse en sociologie effectuée à l''EHESS sous la direction de Nathalie Clayer', '</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Problématique :</span></h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Depuis les années 1920 et grâce aux sociologues de l’École dite de Chicago, les villes représentent un terrain d’observation privilégié pour les scientifiques. Toutefois, le quartier a souvent été utilisé comme un ‘espace prétexte’ pour étudier le tissu social d’où l’expression d’Annie Fourcaut ‘quartier-bastion’. Le quartier peut prendre alors une coloration particulière, synonyme de chaleur, et devenir un ‘état d’esprit’ (Louis Wirth). Toutefois, bien que les études de quartier se multiplient à partir des années 1970, la notion de quartier semble susciter toujours les mêmes interrogations et faire preuve d’un même manque historiographique et de conceptualisation. Le quartier est-il alors un objet scientifique valable ? Est-il ‘bon à penser’ pour l’historien ? Les partisans des études de quartier affirment que le quartier est un cadre à dimension humaine approprié pour l’étude du phénomène urbain. Ses adversaires prônent que revenir sur des petites unités revient à reculer devant le monde moderne et à nier les grands problèmes de la cité. Dans le cadre d’études urbaines, le quartier est-il alors étudié comme une fin ou comme un moyen ?</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Le quartier que je me propose d’étudier est un quartier d’Istanbul, le quartier de Kurtuluş, désigné également sous le nom de la ‘petite Grèce d’Istanbul’ car connu pour être un quartier majoritairement minoritaire. Cette surreprésentation des rums serait peut-être due au firman ottoman de 1793 qui ordonnait que toute personne non Rum n’avait pas le droit de s’installer dans le quartier. Cette loi, (d’après plusieurs sources) s’appliquait encore jusqu’au début du 20ème siècle. Cependant, dans mon projet de thèse, je ne cautionne pas cette image de ‘ghetto’ véhiculée par l’historiographie actuelle, écrite avec le prisme déformant minoritaire, et souhaite centrer l’étude sur les transformations du quartier et sur son devenir à partir du début de la période républicaine jusqu’à nos jours.</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">En commençant par remettre l’espace au cœur des problématiques, le quartier est tout d’abord considéré comme l’épiphénomène de mouvements économiques et sociaux plus large et de dynamiques urbaines globales. Il s’insère également dans un ensemble géographique plus vaste. Le quartier est alors territorialisé et considéré de la ville et non dans la ville. Ensuite, le quartier est étudié par le biais des acteurs sociaux et de leurs pratiques, autrement dit leur manière de consommer l’espace. Et, non plus à travers ses structures sociales mais à travers l’étude des mobilités, des flux et des interactions dans le but d’une approche dynamique et non statique. Par ailleurs, le quartier recoupe plusieurs logiques territoriales, plusieurs réalités spatiales  mais aussi plusieurs temporalités. Enfin plusieurs constructions mentales qui font également du quartier un lieu de mémoire urbaine.</span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Programmes de recherche :</span></h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Publications et communications :</span></h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">\r\n</span><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cursus :</span></h1>', NULL, NULL, '[]', '', '2010-09-22 07:29:16', 298, '', 0, '0000-00-00 00:00:00', '2011-09-20 07:53:45', 600, '2010-09-22 07:29:16', '0000-00-00 00:00:00', 0, 0, 6, 0, 0, '', '', '', '', 615, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Cilia Martin', 'robots=\nauthor=Cilia Martin', 'OUI,IFEA, Cilia Martin, urbanisme, observatoire urbain d''Istanbul, Kurtulus, études urbaines', ''),
(86, 'Dilek SARMIS', 'sarmis-dilek', 95, 1, '<p style="text-align: justify;" mce_style="text-align: justify;" class="MsoNormal"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: large;" style="font-size: large;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: small;" style="font-size: small;">Dilek SARMIS</span><br></span></span></span></p>\r\n<address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">Contact : </span></span></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">dilek.sarmis@wanadoo.fr</span></address><div style="text-align: left;" mce_style="text-align: left;"><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Statut</span> : <span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">Boursière BAR 2009-2010</span></span></span></address></div><br>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"><o:p></o:p></span></span> <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"><o:p></o:p></span></span> <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"></span></span></span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"><o:p></o:p></span></span> <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"></span></span></span>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Thèse de doctorat :</span></span></h2><div style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">« Bergson et le bergsonisme à la fin de l’empire ottoman  et dans la Turquie républicaine</span></span> <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">Projets en cours&nbsp;:  Philosophie et psychanalyse dans la Turquie moderne</span></span></span><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"> » Thèse effectuée au département d''</span></span></span><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">Etudes turques  et ottomanes (UMR 8032) de l''EHESS </span></span></span><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">sous la  direction de François GEORGEON.</span></span></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"></span></span></span>', '<br><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"> </span></span></span></div>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Problématique :<br></span></span></h2>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: #000000;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">Résumé du projet de  recherche</span></span> : <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">Identifié  à la fin de l''empire ottoman comme une  composante du mouvement  spiritualiste,considéré comme alternative à  l’influence du matérialisme  allemand et du positivisme, comtien  notamment, le bergsonisme turc des  débuts permet, du fait de sa  souplesse lexicale et conceptuelle, des  croisements avec l’héritage du  spiritualisme soufi, une lecture engagée  et historique de la guerre  d’indépendance, et plus largement apporte  une contribution alternative  au processus de modernisation de la </span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Turquie</span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">.  L’&nbsp;«&nbsp;exportabilité&nbsp;» du philosophe français en Turquie tient à  sa  lisibilité en temps de crise, à ses caractéristiques lexicales,  ainsi  qu’à sa traductabilité en termes de républicanisme conservateur  chez  certains penseurs à partir des années 30. Son étude permettra de   dégager des particularités du phénomène de migration des idées   philosophiques et d’envisager la figure de l’intellectuel ottoman   éclairé du début du 19<sup>ème</sup> siècle par contraste avec celle,   plus tardive et légitime du point de vue des institutions, du   spécialiste universitaire. D’autres orientations à exploiter pour   enrichir notre recherche&nbsp;concernent la piste comparatiste, les   retraductions de Bergson à partir des années 60 (que dévoilent-elles sur   les distinctions entre l’ottoman et le turc purifié), l’évolution de  la  figure de l’intellectuel bergsonien – notamment son rapport à   l’activité politique</span></span></span></p><h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span></span></h3><h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Philosophie et  psychanalyse dans la Turquie moderne</b><o:p></o:p></span></span></span></span></h3>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">La <b>disciplinarisation des  sciences humaines</b> en Turquie suit le mouvement des réformes engagées  durant la période impériale ottomane, à partir de 1839. Elle progresse à  travers les tentatives de modernisation que sont les créations d’écoles  nouvelles qui répondent à un souci de modernisation et concurrencent  les <i>medrese</i>, ces écoles traditionnelles, fortement orientées  vers la théologie. La volonté de proposer aux futures  élites du pays une formation équivalente à celle des Européens dont la  réussite technique devient un modèle, fonde cet essor et modifie les  structures éducatives. Le point d’orgue de ce mouvement est la naissance  de la <i>Darülfünun</i>, future université qui, après le passage à la  République kémaliste en 1923 et avec la réforme de l’Université en 1933,  s’impose comme principal cadre de l’enseignement  et de la recherche en sciences humaines notamment. Une étape  essentielle de la disciplinarisation des sciences humaines est ainsi  franchie avec leur institutionnalisation universitaire. De tels  changements ne vont pas sans induire des réformes dans la langue turque.  Officialisées en 1933, ces réformes sont précédées de diverses  tentatives pour renouveler la langue, la moderniser. Des lexiques  spécifiques sont établis notamment en philosophie. Enfin,  l’<b>intériorisation de références</b> d’origine étrangère devient  indispensable à la «&nbsp;naturalisation&nbsp;» de ces nouvelles  disciplines qui se constituent à des rythmes différents. L’ensemble  de cette mutation émerge comme un enjeu de la nationalisation,  essentielle pour un pays attaché à se définir comme culturellement  autonome.<o:p></o:p></span></span> <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;">Nous nous proposons donc d’étudier en Turquie la  constitution en disciplines de deux branches des sciences humaines, la  philosophie et la psychanalyse. L’histoire du développement de la  philosophie est fortement imbriquée dans celle de la psychologie et de  la psychiatrie. Leur étude conjointe est rendue nécessaire par  la présence de thématiques communes autant durant l’ère ottomane  que turque. Vers la fin de l’Empire ottoman, la  psychologie et la philosophie universitaires sont d’abord  quasiment indistinctes. Elles entament ensuite un  mouvement de différenciation &nbsp;: tandis que la philosophie commence à  s’enseigner à l’université et dans un cadre que définissent des limites  imposées, la psychanalyse, une des formes nouvelles prises alors par la  psychologie et qui se développe en Europe, est l’objet d’un refus qui la  rejette hors du cadre universitaire légitime, rendant difficile sa constitution comme discipline. À des titres divers,  ces deux branches sont donc prises dans des enjeux  comparables, ce qui explique également une certaine proximité entre  elles. Les conditions, les causes, les conséquences sur la société de  tels mouvements méritent d’être étudiées, susceptibles qu’elles sont, de  par l’origine occidentale desdites sciences, d’éclairer les conditions  de la mutation et de la <b>circulation des savoirs</b> dans l’Empire ottoman  et la Turquie. <br></span></span></span></p><h2 style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Programmes de recherche :</span></h2><h2 style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Publications et communications : <br></span></h2><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cursus :</span></h2><p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-size: 10pt; font-family: Arial;" style="font-size: 10pt; font-family: Arial;"></span></span></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 11:05:37', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 9, 0, 0, '', '', '', '', 752, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Dilek Sarmış, doctorante à l''IFEA', 'robots=\nauthor=IFEA', 'IFEA, recherche, chercheurs, histoire et philosophie des sciences', ''),
(90, 'Juliette DUMAS', 'dumas-juliette', 95, 1, '<p class="MsoNormal" style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: small;" style="font-size: small;"></span>Juliette Dumas</span></p><address><span style="color: #000000;" mce_style="color: #000000;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;">contact : <b><a href="mailto:dumas.ju@gmail.com" mce_href="mailto:dumas.ju@gmail.com">dumas.ju@gmail.com</a></b></span></span></span></address><p class="MsoNormal" style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: small;" style="font-size: small;"></span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b></b></span></span></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Statut : Boursière BAM à l''IFEA</b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Doctorante en <b>histoire ottomane</b></span></span></span></p><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Thèse de doctorat :</span></span></span>\r\n</h1><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Les princesses ottomanes, mi 15e - mi 18e siècle. </b>Statuts, stratégies matrimoniales, rôles politique et philanthropique.Thèse en histoire ottomane effectuée à l''EHESS sous la direction de Gilles Veinstein', '</span></span></span></p><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span></h1><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span>\r\n\r\n</h1><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Problématique :</span></span></span></h1>\r\n<ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">histoire des femmes et du genre</span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">histoire des individus et de la famille</span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">le pouvoir monarchique et ses expressions </span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">formation de l''Empire ottoman et beylicats turcs en Anatolie</span></span></li></ul>\r\n\r\n\r\n\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span>Programmes de recherche :<br></span></h1><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Publications et communications :</span></h1><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cursus : <br></span></h1>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span><ul>\r\n</ul>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-09-20 08:07:44', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 964, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Juliette Dumas, doctorante à l''IFEA', 'robots=\nauthor=IFEA', 'Juliette Dumas, IFEA, recherche, chercheurs, histoire, femmes, genre, princesses ottomanes', ''),
(95, 'Anais LAMESA', 'lamesa-anais', 95, 1, '<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Anaïs LAMESA</b></span></span></span></p>\r\n<address style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Contact :    <a href="mailto:anaislamesa@yahoo.fr" mce_href="mailto:anaislamesa@yahoo.fr">anaislamesa[at]yahoo.fr</a></span></span></span><br><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Statut : Boursière TÜBITAK 2010-2011, rattachée à l''Institut Français d''</span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">É</span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">tudes Anatoliennes<br></span></span></span></address>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Pôle archéologie<br></span></span></span></p><h1 style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Thèse de doctorat :</span></span></span></h1><p style="text-align: justify;" mce_style="text-align: justify;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>« Chantiers rupestres en Turquie médiévale (VIIe-XIIIe) : études  techniques, enjeux socio-économiques et réalités anthropologiques.  L''exemple cappadocien »</b> thèse <span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">en </span></span>histoire de l''art et d''archéologie byzantine à l’École Pratique des Hautes Études de Paris (école doctorale 472, mention sciences des religions et systèmes de pensée) en co-tutelle avec l''université de Mimar Sinan à Istanbul (département d''archéologie) sous la direction de Catherine Jolivet-Lévy et Haluk Çetinkaya</span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span></span></span></span></p>', '<br><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="rtl"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<h1 style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Problématique :<br></span></span></span></h1>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Économie de la  construction</span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Techniques rupestres</span></span></span></li><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Histoire, histoire de l''art et archéologie  byzantine</span></span></span></li></ul>\r\n\r\n<h1 style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Programmes de recherche :<br></span></span></span></h1>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<h1 style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Publications et communications :<br></span></span></span></h1>\r\n<p style="text-align: left;" mce_style="text-align: left;" dir="ltr"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">« Processus techniques et realia&nbsp;: une histoire de creusement proposée par Néophyte le Reclus », in Actes du 9e colloque étudiants du département d’Histoire de l’université de Laval, 3-5 avril 2009 à Québec, Québec, 2010, p.149-161</span></span></span></p><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Séminaire 2010-2011: Constantinople, image de l''empire byzantin<a target="_blank" href="images/stories/pagespersos/anaislamesa/Programme_2010-2011.pdf" mce_href="images/stories/pagespersos/anaislamesa/Programme_2010-2011.pdf"><br><br></a>Lettre d''informations:<br><a target="_blank" href="images/stories/pagespersos/anaislamesa/Istanbul_Byzantine_Circular_No._17_April_2011.pdf" mce_href="images/stories/pagespersos/anaislamesa/Istanbul_Byzantine_Circular_No._17_April_2011.pdf"><u>Activités byzantines à Istanbul</u></a> avril 2011<br></span></span></span></p>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Les Rencontres Byzantines:</span></span></span></h2>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Troisième édition des Rencontres des doctorants en études byzantines (15-16 octobre 2010, INHA, Paris)<br>- <a target="_blank" href="images/stories/pagespersos/anaislamesa/La_IIIe_dition_des_Rencontres_byzantines_rsums.pdf" mce_href="images/stories/pagespersos/anaislamesa/La_IIIe_dition_des_Rencontres_byzantines_rsums.pdf"><u>résumés des communications</u></a><br><br>Quatrième édition des Rencontres des doctorants en études byzantines (21-22 octobre 2011, INHA, Paris)<br>- <a target="_blank" href="images/stories/pagespersos/anaislamesa/Appel__contribution_4e_dition_des_Rencontres_Byzantines.pdf" mce_href="images/stories/pagespersos/anaislamesa/Appel__contribution_4e_dition_des_Rencontres_Byzantines.pdf">appel à contributions</a></span></span></span></p><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Cursus :<br></span></span></span></h1>\r\n<div style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b> </b></span></span></span></div>\r\n<p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>', NULL, NULL, '[]', '', '2010-03-06 16:12:48', 62, '', 0, '0000-00-00 00:00:00', '2011-09-20 07:59:52', 600, '2010-03-06 16:12:48', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 722, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=IFEA', 'Anais Lamesa, byzantinologie, études byzantines, archéologie, églises rupestres, Cappadoce, fouilles, prospection', ''),
(868, 'Loubna LAMRHARI', 'lamrhari-loubna', 95, 1, '<p>Loubna LAMRHARI</p>\r\n<address>Contact : loubna.lam@voila.fr</address><address>\r\n</address><address>+90 0212.244.17.17 (poste : 122)</address>\r\n\r\n<address>Doctorante - histoire contemporaine (XIXe-XXe).</address>\r\n<address>Statut : Allocataire de recherche de l’IRSEM (Institut de Recherche Stratégique de l''École Militaire / Ministère de la Défense).</address>\r\n\r\n<address>Boursière du TÜBITAK (CNRS turc) jusqu''au mois d''octobre 2010.</address>\r\n\r\n<address>Pôle contemporain</address>\r\n<h1>Thèse de doctorat :</h1>\r\n<p>"Les observateurs militaires français de la Turquie “nouvelle” (1903-1938)" Thèse effectuée au C.R.I.S.E.S. (Centre de Recherches Interdisciplinaire en Sciences Humaines et Sociales), Université Paul-Valéry, Montpellier III. sous la direction du Professeur Frédéric Rousseau (Montpellier III).</p>', '<p><br></p>\r\n<h1>Problématique :</h1>\r\n\r\n<p>Histoire sociale de l’armée ottomane et turque (fin de l’Empire ottoman et première période républicaine) et de l’armée française (IIIe République) : les rapports armée-politique, armée-société et armée-nation ; perceptions et auto-perceptions de l’institution militaire.</p>\r\n\r\n<p>Histoire et mémoire : muséologie militaire ; musées des armées, musées de l’histoire des conflits contemporains (Turquie- Grèce), mise en scène de l’histoire et élaboration du récit historique, représentations de l’ennemi, héritages mémoriels.</p><h1>Programmes de recherche :\r\n\r\n</h1>\r\n<p>Chercheuse associée au programme ANR "Les Présents des Passés" (CRISES, Université Paul-Valéry Montpellier III).</p>\r\n<h1>Publications et communications :</h1>\r\n\r\n<ul><li>"Les occupations militaires dans les Balkans" (EfA-IFEA) dans le cadre de l’ANR "Les occupations militaires". Ecole française d’Athènes, 21 et 22 mai 2010. "L’Armée française et son réseau de renseignement sous l’occupation militaire d’Istanbul (1919-1923)".</li><li>"16th Conference in Empirical Studies in Social Sciences", journées d''études doctorales, University of Economics of Izmir, Turquie, 14 et 15 avril 2010.</li><li>"Autour de Jean Deny. Les relations culturelles et scientifiques France-Turquie au XXe siècle" (ENS-EHESS) dans le cadre de la Saison de la Turquie en France. ENS, Paris, 28 et 29 mars 2010. "L’obsession allemande. Interférences dans le savoir militaire français sur l’armée ottomane et turque (1883-1939)".</li></ul>\r\n<p>Participation au programme de formation doctorale (UE) "EU, France and Turkey University Dialogue- Interact " ; Université de Bilgi (Istanbul), IFEA et Sciences Po Paris. 1ère journée à l''IEP de Paris, 2ème à Bilgi.</p>\r\n<h1>Publications :</h1>\r\n\r\n<p>Loubna Lamrhari, "La fabrique d’une "bonne" révolution. La révolution jeune-turque de 1908 sous le regard des officiers français", in Marie-France Badie, Michèle-Caroline Heck et Philippe Monbrun (dir.), La Fabrique du regard, Michel Houdiard, 2011, 408 p.</p>\r\n\r\n<p>Loubna Lamrhari, "İstanbul İşgali Sırasında (1918-1923) Fransız İstihbaratının Bilgi Toplama ve İletme Stratejileri", Toplumsal Tarih, p. 66-71, février 2011, n°206.</p>\r\n\r\n<h3>À paraître :</h3>\r\n\r\n<p>" L’obsession allemande dans la production du savoir militaire français sur l’armée ottomane et turque (1883-1939) ", in Les relations culturelles et scientifiques; France-turquie ; actes du colloque Autour de Jean Deny. Les relations culturelles et scientifiques France-turquie , tenu à l''ENS-Paris en mars 2010 , Paris, Presses Universitaires de Rennes.</p>\r\n<h1>Cursus :</h1>', NULL, NULL, '[]', '', '2010-09-22 07:42:33', 62, '', 0, '0000-00-00 00:00:00', '2011-09-21 11:20:50', 600, '2010-09-22 07:42:33', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 696, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=IFEA', 'Loubna Lamrhari, histoire militaire, histoire, ANR, armée ottomane, muséologie militaire', '');
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(1146, 'Julien PARIS', 'paris-julien', 95, 1, '<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Julien Paris<br></span></span></span><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Contact :</b></span></span></span></address>\r\n<address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></address>\r\n<address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b> </b><b>blog Hypothèses</b> : <a href="http://devam.hypoth%c3%a8ses.org/" mce_href="http://devam.hypoth%c3%a8ses.org/">http://devam.hypotheses.org</a><br><b>mail</b>  : paris.phd@gmail.com<br><b>tél</b>  : +90&nbsp;0212.244.17.17 (poste : 116)</span></span></span></address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Statut : boursier CNRS<br>Observatoire Urbain d''Istanbul</span><br>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Thèse de doctorat<br clear="all"></span></span></span></h1><b><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">« Développement culturel et urbain en Méditerranée. Évolutions, enjeux et dynamiques des formes privées de coopération internationale à l’œuvre à Istanbul. Recherche d’indicateurs culturels pour une méthode d’évaluation. »</span> </b><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Thèse de doctorat Histoire et civilisations effectuée à l''EHESS sous la direction de Nora Şeni</span>', '<br>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Problématique :<br></span></span></span></h1>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></h2>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b> </b>Ma\r\n recherche porte sur les liens entre le développement culturel et les \r\nlogiques urbaines de la production culturelle, ceci entre 1980 et \r\naujourd’hui. Le champ et les acteurs de la culture qui se dégagent peu à\r\n peu comme étant&nbsp; les sujets centraux de ce travail de recherche sont \r\nceux de la production de feuilletons télévisuels à Istanbul.</span></span></span></p><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">« Développement culturel et urbain en Méditerranée »</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«\r\n Évolutions, enjeux et dynamiques des formes privées de coopération \r\ninternationale à l''œuvre à Istanbul. Recherche d''indicateurs culturels \r\npour une méthode d''évaluation. »</span></span></span></p>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Mots clés :</span></span></span></h3>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></h3>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b> </b>Industries\r\n culturelles ; Feuilletons télévisés&nbsp;; Production TV ; Indicateurs \r\nculturels&nbsp;; Développement culturel et urbain&nbsp;; Privatisation des \r\npolitiques publiques&nbsp;; Bassin méditerranéen&nbsp;; Coopération culturelle&nbsp;; \r\nDiplomatie culturelle&nbsp;; Gentryfication&nbsp;; Tourisme culturel&nbsp;; Marketing \r\nurbain&nbsp;; Diversité culturelle&nbsp;; Mécénat culturel&nbsp;et philanthropie.</span></span></span></p>\r\n\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Programmes de recherche</span></h1><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span></h2><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>«&nbsp;Dynamiques et stratégies des productions culturelles contemporaines »</b><b> </b></span></span></span></p><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Publications et communications : </span></h1><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span></h2><h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Publications :</span></span></span></h3>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«&nbsp;Vers une approche relationnelle des clusters medias. Coup d’œil      sur la télévision à istanbul&nbsp;». <i>(NC)</i>, sous la direction d’Eda      Yûcesoy, ed. (NC), 2011. (en cours de publication)<b> </b></span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">voir aussi&nbsp;les publications sur le blog      Hypothèses&nbsp;: <a href="http://devam.hypoth%C3%A8ses.org" mce_href="http://devam.hypothèses.org">http://devam.hypotheses.org</a><br><b> </b></span></span></span> </li>\r\n</ul>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Conférences :</span></span></span></h3>\r\n<h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></h2>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">«      Istanbul, a creative city? From a global theory to an urban evaluation. »,      dans le cadre du «&nbsp;6th International Cultural Studies      Conference&nbsp;» ayant pour thème «&nbsp;Space and Culture&nbsp;». Le 8      septembre 2011, Université Kadir Has. (en préparation).<br><br></span></span></span> </li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Préparation      de deux journées d’études en mai 2011 portant pour titre (provisoire) «&nbsp;Quel      bilan d’Istanbul 2010&nbsp;?&nbsp;». Ces journées auront lieu les 17 et 18      mai 2011 à l’IFEA. Les participants français et turcs pressentis      sont&nbsp;Koran Gümüş (Istanbul 2010), Cengiz Aktar (Bahçeşehir      Üniversitesi), Maria      Gravari-Barbas (Paris), et Seza Sinanlar Uslu (Yıldız Üniversitesi).</span></span></span></li>\r\n</ul><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cursus : </span></h1><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Architecte DPLG (ENSAPLV) - 2007<br> Master 2 Projets Culturels dans l''Espace Public (Paris I) - 2008<br> EHESS – Thèse entamée en Octobre 2010</span></span></span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span>\r\n</span><div class="mceItemVisualAid" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;" id="_mcePaste"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><img src="file://127.0.0.1/C:/Users/Isabelle/AppData/Local/Temp/moz-screenshot.png" mce_src="file:///C:/Users/Isabelle/AppData/Local/Temp/moz-screenshot.png"></span></span></span></div>', NULL, NULL, '[]', '', '2011-04-18 09:20:37', 600, '', 0, '0000-00-00 00:00:00', '2011-09-20 08:02:39', 600, '2011-04-18 09:20:37', '0000-00-00 00:00:00', 0, 0, 7, 0, 0, '', '', '', '', 127, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Julien Paris, chercheur à l''IFEA', 'robots=\nauthor=Isabelle Gilles', 'IFEA, Istanbul, OUI, observatoire urbain d''Istanbul, Julien Paris, marketing urbain, diversité culturelle, développement culturel et urbain', ''),
(865, 'PARIS Julien', 'paris-julien', 95, 0, '<p><img width="90" height="90" src="images/stories/pagespersos/julienparis/julien paris - cv 2010.jpg" alt="julien paris - cv 2010" style="float: left; border: 1px solid #595454;" /><br style="clear: both;" /></p>\r\n<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;">« DEVELOPPEMENT CULTUREL ET URBAIN EN MEDITERRANNÉE »</div>\r\n<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;">-</div>\r\n<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;">« EVOLUTIONS, ENJEUX ET DYNAMIQUES DES FORMES PRIVEES DE COOPÉRATION INTERNATIONALE À L’OEUVRE À ISTANBUL. RECHERCHE D’INDICATEURS CULTURELS POUR UNE METHODE D’EVALUATION. »</div>\r\n<p><span style="font-family: Arial, Verdana, sans-serif; color: #333333; -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px;"> </span></p>\r\n<p style="margin-top: 10px; margin-bottom: 15px; text-align: justify;"><span style="color: #808080;">né le 11/01/1982</span></p>\r\n<p style="margin-top: 10px; margin-bottom: 15px; text-align: justify;"><span style="font-size: 10pt;"><span><span style="color: #888888;"><strong><span style="color: #808080;">EHESS / </span></strong></span><strong><span style="color: #808080;">CNRS </span></strong><span style="color: #888888;"><strong><span style="color: #808080;">- </span></strong></span><strong><span style="color: #808080;">Doctorant, </span></strong><strong><span style="color: #808080;">sous la direction de </span><span style="color: #888888;"><a href="index.php?option=com_content&view=article&id=85%3Aseni-nora&catid=56&Itemid=31〈=fr&d4dad6935f632ac35975e3001dc7bbe8=c2e70b7a82c464e39368ee9072dbc671&d4dad6935f632ac35975e3001dc7bbe8=c2e70b7a82c464e39368ee9072dbc671"><span style="color: #808080;">Nora ŞENI <br /></span></a></span></strong><strong><span style="color: #808080;">IFEA - co-responsable de l''</span><span style="color: #888888;"><a href="index.php?option=com_content&view=article&id=26&Itemid=7〈=fr&d4dad6935f632ac35975e3001dc7bbe8=c2e70b7a82c464e39368ee9072dbc671&d4dad6935f632ac35975e3001dc7bbe8=c2e70b7a82c464e39368ee9072dbc671"><span style="color: #808080;">OUI<br /></span></a><strong><span lang="FR"><span style="color: #808080;">IFEA – co-responsable de l’axe de recherche « Dynamiques et stratégies des  productions culturelles contemporaines »</span></span></strong><span style="font-size: 10pt;"><span style="color: #808080;"> </span></span></span></strong></span></span></p>\r\n<p style="margin-top: 10px; margin-bottom: 15px; text-align: justify;"><span style="font-size: 10pt;"><span><span style="color: #808080;">Architecte DPLG (ENSAPLV) - 2007<br /></span><span style="color: #888888;"><span style="color: #808080;">Master 2 Projets Culturels dans l''Espace Public (Paris I) - 2008<br /></span><span lang="FR"><span style="color: #808080;">EHESS – Thèse entamée en Octobre 2010</span></span><span style="font-size: 10pt;"><span style="color: #808080;"> </span></span></span></span></span></p>\r\n<h2 class="Default"><span style="font-family: arial, helvetica, sans-serif; font-size: 13px; color: #808080;"><strong><span style="color: #ff6600;">Sujet de thèse</span></strong><strong><span style="color: #ff6600;"> </span></strong><strong>(titre provisoire) :</strong> "Coopérations et partenariats du développement culturel et urbain à Istanbul. Vers une évaluation."</span></h2>\r\n<p><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #808080;"><br /></span></span></span></p>\r\n<p><span style="line-height: 16px; font-size: 12px;"><strong><span style="font-size: 13pt; color: #6d6d6d;" lang="FR"><span style="font-size: 10pt;"><span style="color: #ff6600;">Résumé du sujet de thèse :<br /></span></span></span></strong></span><span style="font-size: 13px; color: #757575;">Ma recherche porte sur les liens entre le développement culturel et les logiques urbaines de la production culturelle, ceci entre 1980 et aujourd’hui. Le champ et les acteurs de la culture qui se dégagent peu à peu comme étant  les sujets centraux de ce travail de recherche sont ceux de la production de feuilletons télévisuels à Istanbul. </span></p>\r\n<p><span style="font-size: 13px; color: #757575;"><br /></span></p>\r\n<p><strong><span style="color: #ff6600;">Mots clés :<br /></span></strong><span style="font-family: arial, helvetica, sans-serif; font-size: 13px; color: #808080;">Industries culturelles ; Feuilletons télévisés ; Production TV ; Indicateurs culturels ; Développement culturel et urbain ; Privatisation des politiques publiques ; Bassin méditerranéen ; Coopération culturelle ; Diplomatie culturelle ; Gentryfication ; Tourisme culturel ; Marketing urbain ; Diversité culturelle ; Mécénat culturel et philanthropie.</span></p>\r\n<div></div>\r\n<div><strong><span style="color: #6d6d6d;" lang="FR"><span style="font-size: 10pt;"><span style="color: #ff6600;">Publications :</span></span></span></strong></div>\r\n<p><strong><span lang="FR"><span style="color: #ff6600;"><span style="font-size: 10pt;"> </span></span></span></strong></p>\r\n<strong>\r\n<ul>\r\n<li><span style="color: #757575; font-weight: normal; line-height: 16px; font-size: 17px;"><span style="font-size: 10pt;"><span style="color: #808080;">« Vers une approche relationnelle des clusters medias. Coup d’œil sur la télévision à istanbul ». </span></span><em><span style="font-size: 10pt;"><span style="color: #808080;">(NC)</span></span></em><span style="font-size: 10pt;"><span style="color: #808080;">, sous la direction d’Eda Yûcesoy, ed. (NC), 2011. (en cours de publication)</span></span></span></li>\r\n<li><span style="color: #000000; font-weight: normal; line-height: 16px; font-size: 12px;"><span style="color: #757575;" lang="FR"><span style="font-size: 10pt;">voir aussi les publications sur le </span></span><span style="color: #6d6d6d;" lang="FR"><span style="font-size: 10pt;">blog Hypothèses : </span></span><span style="font-size: 13.0pt; font-family: Arial; color: #771516; mso-ansi-language: FR;" lang="FR"><span style="font-size: 10pt;">http://devam.hypothèses.org</span></span><span style="color: #6d6d6d;" lang="FR"><span style="font-size: 10pt;"> (en construction)</span></span></span><span style="color: #262626;"><span style="font-weight: normal; line-height: 21px;"><br /></span></span></li>\r\n</ul>\r\n<span style="color: #6d6d6d; font-size: small;"><span style="font-weight: normal;"><br /></span></span></strong> <strong><span style="color: #6d6d6d;" lang="FR"><span style="font-size: 10pt;"><span style="color: #ff6600;">Conférences :<br /></span>\r\n<ul>\r\n<li><span lang="FR"><span><span style="font-weight: normal;">«</span><span><span style="font-weight: normal;"> Istanbul, a creative city? From a global theory to an urban evaluation. », dans le cadre du « 6th International Cultural Studies Conference » ayant pour thème « Space and Culture ». Le 8 septembre 2011, Université Kadir Has. (en préparation).</span></span></span></span><span><span style="font-weight: normal;"><br /></span></span></li>\r\n<li><span><span style="font-weight: normal;">Préparation de deux journées d’études en mai 2011 portant pour titre (provisoire) « Quel bilan d’Istanbul 2010 ? ». Ces journées auront lieu les 17 et 18 mai 2011 à l’IFEA. Les participants français et turcs pressentis sont Koran Gümüş (Istanbul 2010), Cengiz Aktar (Bahçeşehir Üniversitesi), Boris Grésillon (Université de Provence), Maria Gravari-Barbas (Paris), et Seza Sinanlar Uslu (Yıldız Üniversitesi).</span></span></li>\r\n</ul>\r\n<span style="font-weight: normal;"><br /></span></span></span></strong>\r\n<p><span style="font-size: 10pt;"><span><span style="color: #808080;"><strong><span style="color: #ff6600;">Contact :<br /></span></strong></span></span></span><span style="color: #6d6d6d;" lang="FR"><span style="font-size: 10pt;"><strong>blog Hypothèses</strong> : </span></span><span style="font-size: 13.0pt; font-family: Arial; mso-fareast-font-family: " 明朝";="明朝";" lang="FR"><span style="font-size: 10pt;"> </span><span style="font-size: 10pt;">http://devam.hypothèses.org</span></span><span style="font-size: 13.0pt; font-family: Arial; mso-fareast-font-family: " 明朝";="明朝";" lang="FR"><span style="font-size: 10pt;"> (en construction)<br /></span></span><span style="font-family: arial, helvetica, sans-serif; font-size: 13px; color: #808080;"><strong>mail</strong> : paris.phd@gmail.com<br /></span><span style="font-family: arial, helvetica, sans-serif; font-size: 13px; color: #808080;"><strong>tél</strong> : +90 0212.244.17.17 (poste : 116)</span></p>\r\n<p><span style="font-family: arial, helvetica, sans-serif; line-height: 16px; font-size: 13px; color: #808080;">Institut Français d''Etudes Anatoliennes<br /></span><span style="font-family: arial, helvetica, sans-serif; line-height: 16px; font-size: 13px; color: #808080;">Palais de France<br /></span><span style="font-family: arial, helvetica, sans-serif; line-height: 16px; font-size: 13px; color: #808080;">Nuru Ziya Sokak, 10 P.K.54<br /></span><span style="font-family: arial, helvetica, sans-serif; line-height: 16px; font-size: 13px; color: #808080;">TR-34433<br /></span><span style="font-family: arial, helvetica, sans-serif; line-height: 16px; font-size: 13px; color: #808080;">Beyoğlu - Istanbul<br /></span><span style="font-family: arial, helvetica, sans-serif; line-height: 16px; font-size: 13px; color: #808080;">TURQUIE</span></p>\r\n<p><span style="color: #888888;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><a href="images/stories/pagespersos/julienparis/cv_2010_julien paris_fr.doc.pdf?d4dad6935f632ac35975e3001dc7bbe8=c2e70b7a82c464e39368ee9072dbc671&d4dad6935f632ac35975e3001dc7bbe8=c2e70b7a82c464e39368ee9072dbc671">CV en français (pdf)</a></span></span><br /></span></p>\r\n<p> </p>\r\n<p> </p>', '', NULL, NULL, NULL, '', '2010-09-20 13:26:10', 66, '', 0, '0000-00-00 00:00:00', '2011-04-07 12:02:13', 292, '2010-09-20 13:26:10', '0000-00-00 00:00:00', 1, 0, 0, 0, 0, '', '', '', '', 640, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Julien Paris, chercheur à l''IFEA', 'robots=\nauthor=IFEA', 'IFEA, Istanbul, OUI, observatoire urbain d''Istanbul, Julien Paris, marketing urbain, diversité culturelle, développement culturel et urbain', ''),
(902, 'Brian CHAUVEL', 'chauvel-brian', 95, 1, '<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Brian Chauvel</b></span></span></span></p><p style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>contact : </b></span></span></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">brian.chauvel@gmail.com</span></p>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Statut : Boursier Tübitak <br> Observatoire Urbain d''Istanbul</span></span></span></p>\r\n\r\n<h1 style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b> </b>Thèse de doctorat :<b> <br></b></span></span></span></h1><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Enjeux patrimoniaux et renouvellement urbain en centre historique d’Istanbul. </b></span></span></span><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Thèse en sociologie effectuée à l''EHESS-Paris, sous la direction de Nilüfer Göle (CADIS / EHESS).</span></span></span></p><h2 style="text-align: left;" mce_style="text-align: left;">', '<br><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span></span></h2><h1 style="text-align: left;" mce_style="text-align: left;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Problématique : </span><br> </span></span></span></h1>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">A partir d’une recherche qui a débuté dans les quartiers de Fener et de Balat, j’analyse les transformations urbaines (projets de réhabilitation, de renouvellement, de patrimonialisation&nbsp;; prix de l’immobilier), les mutations sociales (distribution des profils distinctifs par quartier, en fonction des niveaux d’éducation, professions, lieux de naissance) et l’évolution des offres commerciales hybrides (offres touristiques, «&nbsp;islamiques&nbsp;», de produits de consommation courantes) sur la péninsule historique d’Istanbul. En croisant différentes méthodes d’enquêtes (observations, entretiens, analyse de réseaux, traitement statistique), je cherche à comprendre comment des imaginaires et des intérêts variés se rencontrent, fusionnent ou s’opposent pour produire des espaces fortement symboliques. Ainsi, à partir de situations circonscrites où des acteurs identifiés participent à la (trans-)formation d’espaces délimités, j’analyse comment différents modes d’ancrages et de circulations dans ces espaces (privatisation, sacralisation, commercialisation, pèlerinage) participent d’une réinvention des formes de territorialisations et d’identifications au cours de laquelle s’élaborent de nouvelles hiérarchies sociales, de nouvelles frontières. Au regard des processus d’exclusion générés, si c’est en dépositaires d’un principe de conservation que de nouvelles classes sociales s’affirment dans l’espace stambouliote, celles-ci semblent néanmoins contraintes à l’innovation pour conserver leur position. A travers cette recherche, je tente donc de comprendre de quelle manière les registres religieux, économiques et politiques sont mobilisés en réponse à cet impératif paradoxal de conserver et d’innover&nbsp;; d’être à la fois local et global.</span></span></span></p>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n\r\n<h1 style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Programmes de recherche :<b><i><br></i></b></span></span></span></h1><p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b><i>Participation à l’axe «&nbsp;territoires et pratiques&nbsp;»</i></b></span></span></span></p>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Au cours du séminaire mensuel « Mémoires et mobilités urbaines » (co-organisé avec Cilia Martin (CETOBAC/EHESS Paris), nous développons une analyse croisée de terrains et thématiques qui permettent d’articuler les questions mémorielles (dont celle de la mise en patrimoine qui m’intéresse directement) et des logiques résidentielles porteuses de distinction&nbsp;sociales, confessionnelles, communautaire. Les chercheurs invités y interrogent les trajectoires résidentielles distinctives à l’échelle du XXème siècle (Murat Güvenç) et de l’aire métropolitaine (Bürge Elvan Erginli), des catégories de pensée ré-émergentes – «&nbsp;cosmopolitisme&nbsp;» (doctorants de l''IREMAM Aix en Provence et des Etudes Alexandrines IFAO – Le Caire), «&nbsp;Mahalle&nbsp;» (Işık Tamdoğan, Noémi Lévy), «&nbsp;patrimoine minoritaire&nbsp;» (Ayşegül Cankat) -, des usages circonstanciés du patrimoine (Muriel Girard) et des mémoires oblitérées par ces usages (Derya Fırat, Melike Işık Durmaz, Duygu Güner). Ce séminaire s’articule à d’autres espaces de réflexion, dont le séminaire du Groupe d’Ecriture et de Lecture en Anthropologie (initié par Benoît Fliche et Berna Ekal) qui réunit des doctorants et chercheurs de l’IFEA et d’autres universités turques&nbsp;; séminaire qui invitera notamment Leyla Neyzi ("Speaking to One Another: Personal Memories of the Past in Armenia and Turkey") en avril 2011.</span></span></span></p>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b><i>Participation à l’axe « Dynamiques et stratégies des productions culturelles contemporaines »</i></b></span></span></span></p>\r\n\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Miroir à double foyer, l’évènement «&nbsp;Capitale européenne de la culture&nbsp;» a, durant un an, placé Istanbul à la croisée des regards. Laboratoire éphémère dans le champ de la culture, cet évènement n’a pas tant mis en lumière des acteurs - déjà visibles sur la scène internationale de l’art contemporain (IKSV) - que donné plus de visibilité aux dynamiques et oppositions internes qui œuvrent à la transformation de ce champ. Au fils des recherches menées par l’OUI courant 2009-2010 sur cet évènement, je me suis intéressé aux traces plus durables qu’il laisse dans l’espace urbain, via des opérations visant à mettre en valeur les patrimoines bâtis de la péninsule historique et de la Corne d’Or. J’analyse actuellement dans quelle mesure les évolutions et la diffusion de deux formes <i>a priori</i> concurrentielles (portées par des acteurs distincts) de patrimonialisation, distinguées par des catégories - qui restent à déconstruire - de patrimoine qualifié de «&nbsp;minoritaire&nbsp;» ou d’«&nbsp;ottoman&nbsp;», traduirait une transformation des modes d’identification et des profils sociaux des populations habitant dans ces espaces. J’analyse aussi les offres commerciales (circulations) qui se déploient autour des lieux patrimonialisés (fixation).</span></span></span></p><h1 style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Publications et communications :</span></span></span></h1><h1 style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cursus : </span><br></span></span></span></h1>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"> </span>', NULL, NULL, '[]', '', '2010-10-11 09:13:07', 349, '', 0, '0000-00-00 00:00:00', '2011-09-20 07:49:42', 600, '2010-10-11 09:13:07', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 775, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Page personnelle de Brian Chauvel', 'robots=\nauthor=Brian Chauvel', 'OUI, chercheur, recherche, IFEA', '');
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(1120, 'Nicolas ELIAS', 'elias-nicolas', 95, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Nicolas Elias</b></span></span></span></p><address><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>contact : </b></span></span></span><span style="color: #000000;" mce_style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;">ruesaintlazare@hotmail.com</span></span></span></address><address><span style="color: #000000;" mce_style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;">+90&nbsp;0212.244.17.17 (poste : 122) </span></span></span></address>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Statut : Boursier TÜBITAK 2010-2011 rattaché à l’Institut Français d’Études Anatoliennes</span></span></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b><br></b></span></span></span></div>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Thèse de doctorat :<br></span></h1><h2><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"></span></span></span></h2><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>«&nbsp;Au pays des brumes. Musiques et danses des montagnes pontiques&nbsp;»</b> </span></span></span><span style="color: rgb(0, 0, 0);" mce_style="color: #000000;"><span style="font-family: arial,helvetica,sans-serif;" mce_style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;" mce_style="font-size: 10pt;">Thèse effectuée au Centre de recherche en Ethnomusicologie (LESC-CNRS) sous la direction de Jean During</span></span></span></p>', '<p><br></p><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Problématique :<br></span></h1>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Le projet de recherche consiste en une approche ethnomusicologique des musiques et des danses du littoral pontique oriental, plus particulièrement de l’arrière-pays montagneux de Trabzon. En suivant la piste du <i>kemençe </i>– la vièle locale à trois cordes, accompagnant les chants et les danses –, on interrogera à la fois la réalité d’une pratique rurale singulière, et son devenir dans le phénomène de déterritorialisation qui l’a conduit en Grèce après l’échange de population, il y a de cela près d’un siècle. Pour ce faire la recherche s’appuiera sur un «&nbsp;terrain éclaté&nbsp;», partant des petites villes de l’arrière-pays de Trabzon (Maçka, Tonya, Çaykara) pour inclure Istanbul et la province grecque de Macédoine – essayant par ce biais de comprendre le sens que revêtent des structures musicales et chorégraphiques similaires sur ces différents territoires.</span></span></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Programmes de recherche:</span></span></span></h1>\r\n<p style="text-align: justify;" mce_style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Ma participation aux activités de l’IFÉA s’effectue au sein de l’axe de recherche «&nbsp;Territoires et pratiques ». Elle consiste en un travail sur les formes de sociabilité et de divertissement en Turquie, plus particulièrement autour du <i>muhabbet</i>, une réunion basée sur l’alcool, la nourriture et la pratique musicale. En essayant d’ouvrir la réflexion, dans une perspective comparatiste, à différents territoires de Turquie (et de Grèce), l’idée serait&nbsp; d''en développer quelques éléments significatifs&nbsp;: lien musique/nourriture&nbsp;; usage de l’alcool&nbsp;; rôle des non-instrumentistes dans la production sonore&nbsp;; mais également de repenser quelques dichotomies communes aux différentes recherches de cet axe : opposition urbain/rural, orthodoxe/hétérodoxe…</span></span></span></p>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Publications et communications : <br></span></span></span></h1><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Ce travail a pris la forme de diverses activités au sein de l’IFÉA&nbsp;:</span></span></span></p>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">communication interne sur les formes du <i>muhabbet</i> dans les musiques «&nbsp;pontiques&nbsp;» en Turquie et en Grèce &nbsp;lors d’un atelier du Groupe de lecture et d’écriture en anthropologie («&nbsp;Autour du muhabbet&nbsp;»),</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">organisation d’une conférence/projection sur les musiques des hauts-plateaux du Taurus (film «&nbsp;Derrière la forêt&nbsp;», présenté et commenté par Jérôme Cler),</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">enquête sur la pratique du<i> muhabbet</i> au sein des cérémonies religieuses<i> </i>bektachi lors d’un terrain à Abdal Musa avec Jérôme Cler et Nikos Sigalas, suivi d’un compte-rendu à l’IFEA.</span></span></span></li>\r\n</ul>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Publications</span></span></span></h3>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">A paraître –&nbsp; « <i>Plateaux de Turquie</i> » (avec Dilek Sarmiş), Filigrane n°13, Paris.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">A paraître – «&nbsp;<b><i>Lavta</i></b>,<i> tribulation d’un luth autour de la mer Égée</i> », dans le cadre du programme européen RAMSES 2 “Les acteurs non étatiques du rapprochement gréco-turc”, Institut Français d’Études Anatoliennes, Alexandre Toumarkine éd.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2011 (Sous presse) – « <i>Marche sur la neige mais que ta trace ne soit pas visible&nbsp;: la démarche ethnomusicologique de Jérôme Cler à l’aune de la globalisation</i> », actes du colloque “Musique et globalisation”, Université Montpellier III, M. Solomos et J. Bouët éd.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2011 – « <i>Ege’nin iki yakasında geçmişten günümüze : lavta’nın hikâyesi</i> », Toplumsal Tarih 207, Mars 2011, Istanbul.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2010 – «<i> À propos de violence&nbsp;; étude d’une danse communautaire du Nord-est de la Turquie</i> », Cahiers d’ethnomusicologie n°23/2010, Genève.</span></span></span></li>\r\n</ul>\r\n<h3><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Communications</span></span></span></h3>\r\n<ul>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2010 - « <i>Inventorier un répertoire, produire un territoire : notes sur l’utilisation d’une archive sonore liée à l’échange de population</i> », communication dans le cadre de l’atelier du programme RAMSES “Constitution des archives, constitution de la mémoire”, Institut Français d’Études Anatoliennes, Istanbul.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2010 - «&nbsp;<i>Ghosts of the exchanged populations: the remaining sounds of “Pontic Greek” in Turkey</i> », communication dans le cadre du séminaire “After the exchange...”, Institut Français d’Études Anatoliennes, Istanbul.</span></span></span></li>\r\n<li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">2009 - «<i> Le <b>lavta</b> à Istanbul, un instrument mineur&nbsp;?</i> », communication à la Journée d’Études Turques, EHESS, Paris.</span></span></span></li>\r\n</ul><h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);">Cursus :</span></h1>', NULL, NULL, '[]', '', '2011-03-28 16:34:44', 600, '', 0, '0000-00-00 00:00:00', '2011-09-20 08:00:55', 600, '2011-03-28 16:34:44', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 169, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Isabelle Gilles', 'IFEA, Nicolas Elias, TUBITAK, ethnomusicologie, recherche, muhabbet, divertissement, danse, Turquie', ''),
(72, 'Nora Seni : Une métropole promue par sa politique culturelle... privée - 2009', 'nora-seni-une-métropole-promue-par-sa-politique-culturelle-privée-2009', 199, 1, '<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Revue <b>Urbanisme</b> N. 369 (novembre/ décembre 2009).</span></span> <span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"><b>Nora Seni </b>: <i>Une métropole promue par sa politique culturelle... privée<br></i></span><span mce_style="font-size: 10pt; font-family: arial,helvetica,sans-serif;" style="font-size: 10pt; font-family: arial,helvetica,sans-serif;">Pour accéder au sommaire, visiter le site :</span> <a target="_blank" href="http://www.urbanisme.fr/issue/report.php?code=369&amp;code_menu=141#article664" mce_href="http://www.urbanisme.fr/issue/report.php?code=369&amp;code_menu=141#article664">www.urbanisme.fr</a></span>', '', NULL, NULL, '[]', '', '2010-03-10 00:42:18', 62, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:05:28', 600, '2010-03-10 00:42:18', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 4, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(749, 'Radikal2 Nora Seni', 'radikal2-nora-seni', 199, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><b>Reportages dans Radikal2 avec Nora Seni</b><br><a target="_blank" href="images/stories/ifea/actualites/radical2nora.jpg" mce_href="images/stories/ifea/actualites/radical2nora.jpg">İstanbul''daki Fransa</a></span></span></span></p>', '', NULL, NULL, '[]', '', '2010-05-31 07:56:30', 66, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:02:44', 600, '2010-05-31 07:56:30', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 0, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=IFEA', 'IFEA, publications, Nora Seni, Istanbul, Turquie, France', ''),
(1181, 'Toplumsal tarih mai 2011', 'toplumsal-tarih-mai-2010', 198, 1, '<p><span mce_style="color: #000000;" style="color: #000000;"><b><img style="margin: 2px; float: left;" mce_style="margin: 2px; float: left;" alt="TT209" src="images/stories/publications/toplumsal/TT209.png" mce_src="images/stories/publications/toplumsal/TT209.png" width="140" />Toplumsal Tarih "IFEA Çalışmaları" </b><br />Mayis 2011, n. 209.<br /><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b><a href="index.php/fr/juliette-dumas" mce_href="index.php/fr/juliette-dumas">Juliette Dumas</a>,</b><br />"Bir prenses bir kulla evlenirse..."</span></span></span></p>', '', NULL, NULL, '[]', '', '2011-05-04 07:55:33', 600, '', 0, '0000-00-00 00:00:00', '2011-09-28 13:07:11', 600, '2011-05-04 07:55:33', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 0, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(756, '2 collections isis et kitapyay', '2-collections-isis-et-kitapyay', 97, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>L''IFEA inaugure deux nouvelles collections de publications en partenariat avec les éditions İsis et Kitapyayınevi.</b><br></span></span></span></p><ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>IFEA/İsis Yayınları</b></span></span></span></li></ul><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Premier ouvrage à paraître à l''hiver 2010 : <b>Nora Seni</b>, <i>Le voyage de Adolphe Crémieux à Damas (1840) </i><br></span></span></span></p>\r\n<ul><li><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>IFEA/Kitapyayınevi</b></span></span></span></li></ul><p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Cinq ouvrages à paraître : <br><b>Derin Öncel</b>, <i>Konaktan Apartman Yaşamına, Galata''da Yeni Bir Konut Tipi</i><br><b>Annie Pralong</b> (ed.),<i> Bizans Uygarlığına Çapraz Bakışlar </i></span></span><br><b>Dejanirah Couto</b> (ed.)<span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><i>, </i></span></span><i>Avrupa ve Osmanlilar: Bes Yüzyillik Savas ve Diyalog</i><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">, Aralık 2009''da Paris''te yapılan kolokyumun bildirileri.</span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span><br><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Nora Seni </b><i>(ed.), Philanthropes et Mécènes dans la ville pour une politique contemporaine de la culture</i>, actes du colloque tenu </span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">à Istanbul les 28-29  janvier 2008<br></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Sophie Le Tarnec, </b></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Nora Seni, </b></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><i>Bir Hanedanın Çöküşü</i> (réédition)</span></span></span></p>', '', NULL, NULL, '[]', '', '2010-06-04 12:41:32', 66, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:17:39', 600, '2010-06-04 12:41:32', '0000-00-00 00:00:00', 0, 0, 9, 0, 0, '', '', '', '', 4, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=IFEA', 'IFEA, Istanbul, Turquie, publications, Kitapyayınevi, Isis', ''),
(887, 'Revue Urbanisme No.374', 'revue-urbanisme-no374', 199, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><img style="float: left;" mce_style="float: left;" alt="urbanisme374" src="images/stories/ifea/actualites/urbanisme374.jpg" mce_src="images/stories/ifea/actualites/urbanisme374.jpg" height="165" width="120"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Dossier spécial sur Istanbul <br><br><br><br></b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><br><br>préparé par </span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Nora Seni</b></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>, Jean-François Pérouse</b> et </span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b>Yoann Morvan </b></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">dans la Revue <i>Urbanisme </i>No.374, sept.-oct. 2010</span></span></span></p>', '', NULL, NULL, '[]', '', '2010-09-28 07:31:22', 66, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:02:26', 600, '2010-09-28 07:31:22', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 7, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=IFEA', 'IFEA, Istanbul, Nora Seni, Pérouse, Yoann Morvan, OUI, urbanisme, Istanbul 2010, revue urbanisme, publications', ''),
(1164, 'Toplumsal Tarih Avril 2011', 'toplumsal-tarih-avril-2011', 198, 1, '<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b>Toplum<img style="float: left;" mce_style="float: left;" alt="toplumsaltarih_avril2011" src="http://127.0.0.1:4001/restor/images/stories/newsletter/toplumsaltarih_avril2011.png" mce_src="images/stories/newsletter/toplumsaltarih_avril2011.png" height="193" width="140">sal Tarih "IFEA Çalışmaları" </b><br>Nisan 2011, n. 208.<br><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b><a href="index.php?option=com_content&amp;view=article&amp;id=77:lebouteiller-pascal&amp;catid=56&amp;Itemid=40" mce_href="index.php?option=com_content&amp;view=article&amp;id=77:lebouteiller-pascal&amp;catid=56&amp;Itemid=40">Pınar Dost-Niyego</a>,</b><br>"Avrupa Birliği''nin  Temelleri ve 1942''de Türk  Basınında <br>Geniş Yer Bulan Bir Konuşma  Üzerine"</span></span></span>', '', NULL, NULL, '[]', '', '2011-04-21 12:34:41', 64, '', 0, '0000-00-00 00:00:00', '2011-09-28 12:43:02', 600, '2011-04-21 12:34:41', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 0, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=', '', ''),
(848, 'Varia Anatolica - XX', 'varia-anatolica-xx', 97, 1, '<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span lang="TR"><img style="margin-right: 10px; float: left;" mce_style="margin-right: 10px; float: left;" alt="varia_anatolica_20" src="images/stories/publications/varia_anatolica_20.jpg" mce_src="images/stories/publications/varia_anatolica_20.jpg" height="249" width="200"><br></span></span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 12pt;" style="font-size: 12pt;" new="New" lang="TR"> </span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Les transferts technologiques sont aujourd’hui au cœur des préoccupations et des échanges du monde moderne. Mais la circulation des modèles technologiques remonte à la nuit des temps et a existé dès l’apparition des premiers instruments techniques.</span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p><div style="text-align: justify;">\r\n</div><hr style="text-align: justify;" id="system-readmore"><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">La  construction navale, par sa très haute technicité, se prête naturellement  à de tels transferts de technologie, alors que par son attachement aux  traditions, elle est aussi porteuse d’une forte identité culturelle. La  Méditerranée, par l’ancienneté de ses traditions de construction navale,  offre de nombreuses possibilités d’études comparatives, tant du point de  vue des processus techniques que des phénomènes d’identité culturelle,  depuis l’Antiquité jusqu’aux temps modernes.</span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Ainsi,  la construction navale méditerranéenne constitue le domaine d’étude  privilégié de cet ouvrage qui aborde la question des transferts  technologiques à travers trois thèmes&nbsp;: le passage de l’assemblage par  ligatures à l’assemblage par tenons et mortaises dans la construction  navale grecque de l’époque archaïque; le passage de la construction  “longitudinale sur bordé” à la construction “transversale sur membrure”  dans la Méditerranée de la fin de l’Antiquité et du début du haut Moyen  Age; la notion de transfert technologique et d’identité culturelle.</span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Faisant  appel aux recherches les plus récentes en ce domaine, l’ouvrage donne  lieu à une véritable mise au point sur ces questions, dont les  conséquences historiques furent importantes, et ouvre de nouveaux champs  de réflexion dans l’analyse d’un phénomène particulièrement sensible de  nos jours.</span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>', '', NULL, NULL, '[]', '', '2010-09-15 13:16:10', 197, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:16:43', 600, '2010-09-15 13:16:10', '0000-00-00 00:00:00', 0, 0, 8, 0, 0, '', '', '', '', 854, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Olivier Henry', 'archéologie, IFEA, publications, transferts technologiques, architecture navale, savoir-faire, pourtour méditerranéen', ''),
(849, 'Varia Anatolica - XXI', 'varia-anatolica-xxi', 97, 1, '<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><img style="margin-right: 10px; float: left;" mce_style="margin-right: 10px; float: left;" alt="varia_anatolica_21" src="images/stories/publications/varia_anatolica_21.jpg" mce_src="images/stories/publications/varia_anatolica_21.jpg" height="323" width="200"></span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Les études consacrées aux amphores produites en mer Noire, à leurs exportations et aux importations faites dans cette région, connaissent un essort rapide. La Table Ronde internationale PATABS I : PRODUCTION AND TRADE OF AMPHORAE IN THE BLACK SEA, a été organisée du 27 au 29 avril 2006 à Batoumi et à Trabzon dans le but de faire un état des avancées récentes dans ce domaine. </span></span></span></p><div style="text-align: justify;">\r\n</div><hr style="text-align: justify;" id="system-readmore"><div style="text-align: justify;">\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Des  chercheurs de plus de dix pays, dont tous ceux du littoral de la mer  Noire, ont échangé des informations et discuté des centres de  production, des typologies, des chronologies, ainsi que des routes  commerciales. Les Actes présentés ici réunissent les résultats de ces  travaux.</span></span></span>\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Cette  rencontre est désormais devenue un événement régulier : elle a été  suivie par&nbsp;&nbsp; PATABS II à Bourgas en Bulgarie en octobre 2007 et PATABS  III à Constanza en Roumanie en octobre 2009. La Table Ronde suivante est  programmée à Rostov-sur-le-Don en Russie pendant l''automne 2010.</span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>', '', NULL, NULL, '[]', '', '2010-09-15 13:22:57', 197, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:14:43', 600, '2010-09-15 13:22:57', '0000-00-00 00:00:00', 0, 0, 7, 0, 0, '', '', '', '', 819, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Olivier Henry', 'archéologie, IFEA, publications, amphores, Mer Noire, Karadeniz, PATABS', ''),
(850, 'Varia Anatolica - XXII', 'varia-anatolica-xxii', 97, 1, '<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><img style="margin-right: 10px; float: left;" mce_style="margin-right: 10px; float: left;" alt="varia_anatolica_22" src="images/stories/publications/varia_anatolica_22.jpg" mce_src="images/stories/publications/varia_anatolica_22.jpg" height="326" width="200"></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">L’atelier implanté dans la baie de Demirci, à 15 kilomètres au sud de Sinope, a été fouillé entre 1994 et 2000. Les monnaies et les fragments de sigillées présents dans le matériel mis au jour ont permis de dater l’activité des zones fouillées entre le IVe&nbsp;s. et le VIe&nbsp;ou le début du VIIe&nbsp;s. ap. J.-C. </span></span></span></p><div style="text-align: justify;">\r\n</div><hr style="text-align: justify;" id="system-readmore"><div style="text-align: justify;">\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Plus  d’une dizaine de fours ont été dégagés, dont plusieurs étaient dans un  bon état de conservation. Si leur structure, avec les deux chambres de  chauffe et de cuisson superposées et les deux piliers centraux  rectangulaires, est habituelle à l’époque romaine, en revanche la  coupole formée d’arcs de tubulures n’a pas encore de parallèles connus  dans d’autres sites et constitue une originalité aussi bien en mer Noire  que dans le monde romain.</span></span></span>\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Cet  atelier produisait essentiellement des amphores, mais aussi des tuiles,  de la céramique commune et de la céramique à feu, et en plus petite  quantité, des lampes. Les types amphoriques produits à Demirci étaient  connus dans tous les pays limitrophes de la mer Noire et parfois aussi  en Méditerranée, mais on en ignorait jusqu’alors le centre d’origine.</span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Nous  présentons dans ce volume le site de Demirci, les structures qui ont  été dégagées, en particulier les fours, la typologie détaillée des types  amphoriques, ainsi que le catalogue des fragments amphoriques qui ont  permis de l’établir, et celui des céramiques sigillées trouvées dans les  divers secteurs fouillés.</span></span></span></p><div style="text-align: justify;">\r\n</div><p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> </span></span></span></p>', '', NULL, NULL, '[]', '', '2010-09-15 13:25:21', 197, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:14:02', 600, '2010-09-15 13:25:21', '0000-00-00 00:00:00', 0, 0, 6, 0, 0, '', '', '', '', 803, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Olivier Henry', 'archéologie, IFEA, publications, missions archéologiques, fouilles archéologiques, Demirci', '');
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(851, 'Varia Anatolica - XXIII', 'varia-anatolica-xxiii', 97, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><img style="margin-right: 10px; float: left;" mce_style="margin-right: 10px; float: left;" alt="varia_anatolica_23" src="images/stories/publications/varia_anatolica_23.jpg" mce_src="images/stories/publications/varia_anatolica_23.jpg" height="320" width="200"></span></p>\r\n<p style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">En 1883, Osman Hamdi Bey et Osgan Efendi publiaient <i>Le tumulus de Nemroud-Dagh. Voyage, description, inscriptions avec plans et photographies</i>, qui rendait compte de leur expédition au tumulus d’Antiochus Ier de Commagène   \r\n</span></span></span></p>', '<div style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">À l’occasion du centenaire de la disparition d’Osman Hamdi Bey en 1910,  Edhem Eldem, professeur d’histoire à l’Université de Boğaziçi, reprend  le récit de cette première mission archéologique ottomane, en se fondant  sur le carnet de voyage tenu par Osgan Efendi et en y joignant quelque  quatre-vingts photographies, prises lors de ce périple, et dont la  moitié sont restées inédites jusqu’à ce jour. C’est ainsi l’occasion de  découvrir le contexte d’une rivalité surprenante entre le Musée  impérial, encore à ses débuts, et les archéologues européens, dans ce  cas particulier, allemands&nbsp;; mais ce texte et les images qui  l’accompagnent constituent aussi un exemple flagrant de la vision  orientaliste et quasi coloniale qu’avait de plus en plus l’élite  ottomane de ces contrées reculées de l’empire. Le voyage à Nemrud Dağ  est une occasion de saluer la mémoire de celui qui œuvra tant pour  l’archéologie et le patrimoine ottomans et de se pencher sur la  complexité et la richesse d’un personnage navigant constamment entre  Orient et Occident.</span></span></span></div><p></p>', NULL, NULL, '[]', '', '2010-09-15 13:28:04', 197, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:13:23', 600, '2010-09-15 13:28:04', '0000-00-00 00:00:00', 0, 0, 5, 0, 0, '', '', '', '', 883, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Olivier Henry', 'Osman Hamdi Bey, IFEA, archéologie, missions archéologiques, Istanbul, Turquie, recherche, publications', ''),
(894, 'Apartman, Galata''da Yeni Bir Konut Tipi', 'apartman-galatada-yeni-bir-konut-tipi', 97, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><br><b><img style="float: left;" mce_style="float: left;" alt="livred" src="http://www.ifea-istanbul.net/website_2/images/stories/publications/livred.jpg" mce_src="http://www.ifea-istanbul.net/website_2/images/stories/publications/livred.jpg" height="153" width="120"><br><br><br><br><br><br><br><br><br><br>Derin Öncel</b>, <i><br>Apartman, <br>Galata''da Yeni Bir Konut Tipi </i></span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">IFEA/Kitapyayınevi</span></span><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><br><b><a href="images/stories/publications/onsozseni.pdf" mce_href="images/stories/publications/onsozseni.pdf">Préface de Nora Şeni</a></b></span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b><a href="images/stories/publications/Apartman_-_Mimar.ist_38-Aralik2010.pdf" mce_href="images/stories/publications/Apartman_-_Mimar.ist_38-Aralik2010.pdf">Recension critique parue dans <i>Mimarist</i> (revue de la chambre des architectes d''Istanbul)</a></b></span></span></span></p>', '', NULL, NULL, '[]', '', '2010-10-07 10:40:02', 64, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:11:26', 600, '2010-10-07 10:40:02', '0000-00-00 00:00:00', 0, 0, 3, 0, 0, '', '', '', '', 0, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Pinar Dost', 'IFEA, Istanbul, Turquie, publications, Kitapyayınevi, Nora Şeni, Nora Seni', ''),
(944, 'Harp ve Sulh', 'harp-ve-sulh', 97, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><img alt="harpvesulh120" src="images/stories/ifea/actualites/harpvesulh120.jpg" mce_src="images/stories/ifea/actualites/harpvesulh120.jpg" height="157" width="120"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><b><br>Dejanirah Couto</b> (ed.),<i><br>Harp ve sulh, Avrupa ve Osmanlılar</i><br>Kitapyayınevi-IFEA-Calouste Gulbenkian Vakfı işbirliğiyle. <br> \r\n</span></span></span></p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><br></span></span></span><div style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">À l’heure où&nbsp; l’adhésion de la Turquie à l’Union Européenne&nbsp; demeure un enjeu&nbsp; important, il ne semble pas inutile de rappeler la place que son formidable ancêtre, l’Empire ottoman, a occupé dans l’histoire des nations européennes à l’époque moderne et contemporaine. De la conquête d’Istanbul jusqu’au traité de Lausanne de 1923, l’Empire, placé stratégiquement au carrefour de plusieurs civilisations, fut un enjeu capital pour l’Europe occidentale et&nbsp; pesa de son poids dans les relations entre celle-ci et le monde asiatique.', 'Si &nbsp;pendant quelques siècles l’Europe se voit au miroir de l’Empire ottoman - en rivalité&nbsp; avec lui, mais fascinée par sa puissance politique et militaire, l’excellence de son administration, le raffinement de sa&nbsp; culture matérielle - la fascination qui oscilla entre assimiler et exclure, se mua progressivement en ambition prédatrice. Ce cheminement&nbsp; fut-il&nbsp; à sens unique&nbsp;? Les contributions du présent volume, coédité par l’Institut français d''Études Anatoliennes d’Istanbul et la Fondation Calouste Gulbenkian (Lisbonne), fruit du colloque organisé&nbsp; à Paris en 2009 dans le cadre de la Saison de la Turquie en France, par le Centre culturel Calouste Gulbenkian de Paris avec le concours de l’École Pratique des Hautes Études (Paris-Sorbonne), réservent des surprises&nbsp;: pour ne citer qu’un exemple, l’Empire ottoman ne se revendiqua pas moins, à un certain moment de son histoire, en tant que « cœur&nbsp;» et centre de l’Europe,&nbsp; assumant son élan conquérant et sa convoitise de celle-ci. Il y développa sa diplomatie, inspira des renouveaux politiques, intellectuels, technologiques et artistiques qui s’inscrivent dans un mouvement d’interactions profondes, de confrontation et de dialogue avec la modernité européenne. Ce livre, qui présente les relations séculaires entre l’Empire ottoman et les puissances européennes d’occident&nbsp; dans la perspective de la connected history, offre des mises au point nuancées et de nouvelles recherches, accordant une place privilégiée aux&nbsp; images et représentations réciproques, à l’étude des formes de rapprochement, aux instruments et agents de contact. Il réunit quelques uns des meilleurs spécialistes internationaux du domaine ottoman et des chercheurs venus d’horizons disciplinaires divers. Dans une dynamique d’ouverture, il apporte pour la première fois également à la connaissance&nbsp; du public turc, les travaux de chercheurs espagnols et portugais en particulier, mettant ainsi en relation&nbsp; les historiographies des deux&nbsp; extrêmes de la Méditerranée</span></span></span></div><p></p>', NULL, NULL, '[]', '', '2010-11-10 08:48:00', 66, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:10:13', 600, '2010-11-10 08:48:00', '0000-00-00 00:00:00', 0, 0, 4, 0, 0, '', '', '', '', 358, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=IFEA', 'IFEA, Istanbul, recherche, publications, Turquie, union européenne, empire ottoman, histoire, relations internationales Kitapyayınevi', ''),
(1134, 'İstanbul’da Özel Kültür Politikası ve Kentsel Alan', 'istanbul’da-özel-kültür-politikası-ve-kentsel-alan', 97, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><img alt="Istanbulda_ozel_kultur" src="images/stories/ifea/publications/Istanbulda_ozel_kultur.jpg" mce_src="images/stories/ifea/publications/Istanbulda_ozel_kultur.jpg" height="201" width="140"></span></p>\r\n\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="index.php?option=com_content&amp;view=article&amp;id=85:seni-nora&amp;catid=56&amp;Itemid=31" mce_href="index.php?option=com_content&amp;view=article&amp;id=85:seni-nora&amp;catid=56&amp;Itemid=31"><b><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;">Nora Şeni</span></span></b></a>,</span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><i>İstanbul’da Özel Kültür Politikası ve Kentsel Alan</i> - Editions de l''Université Bilgi, mars 2011.</span></span></span></div>\r\n', '\r\n\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">L''espace urbain à Istanbul et les politiques culturelles.</span></span></b></span></h1>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Nora Şeni étudie dans le cadre conceptuel de la philanthropie et du mécénat l’engagement des “élites bienfaitrices“ dans le culturel, l’éducation et les arts. Avec cette grille de lecture elle analyse les initiatives du secteur privé turc à Istanbul (créations de musées, festivals), en constante augmentation ces dix dernières années .</span></span></span></p>\r\n<span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"> En complément à cette analyse, les entretiens avec les collectionneurs et galeristes que contient cet ouvrage viennent donner une voix aux élites qui façonnent la nouvelle image d’Istanbul&nbsp; métropole.</span></span><br></span>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;"><i>Ce livre est publié dans le prolongement du projet “<a href="http://www.istanbulkulturenvanteri.gov.tr/index/site-haritasi" mce_href="http://www.istanbulkulturenvanteri.gov.tr/index/site-haritasi">Inventaire du patrimoine et de l’économie culturels d’Istanbul</a>” &nbsp;(Agence Istanbul 2010 – Direction du patrimoine culturel et des musées) dans lequel l’IFEA a joué un <a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=1008%3Aprojet-inventaire&amp;catid=25%3Aifea-a-la-une&amp;lang=fr" mce_href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=1008%3Aprojet-inventaire&amp;catid=25%3Aifea-a-la-une&amp;lang=fr">rôle actif</a>.</i></span></span></span></p>\r\n\r\n<div class="mceItemVisualAid" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow: hidden;" id="_mcePaste"><!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG /> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> 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</xml><![endif]--><!--[if gte mso 10]> <![endif]-->\r\n<p class="MsoNormal" style="text-align: justify;"><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><i style="" mce_style="mso-bidi-font-style: normal"><span mce_style="font-size: 10pt; line-height: 115%;" style="font-size: 10pt; line-height: 115%;">Ce livre est publié dans le prolongement du projet “Inventaire du patrimoine et de l’économie culturels d’Istanbul”  (Agence Istanbul 2010 – Direction du patrimoine culturel et des musées) dans lequel l’IFEA a joué un rôle actif.</span></i></span></p>\r\n</div>', NULL, NULL, '[]', '', '2011-03-29 10:00:33', 600, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:06:12', 600, '2011-03-29 10:00:33', '0000-00-00 00:00:00', 0, 0, 1, 0, 0, '', '', '', '', 21, 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(1119, 'İstanbul’la Yüzleşme Denemeleri', 'istanbul’la-yüzleşme-denemeleri', 97, 1, '<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><br><img alt="perouse-2011-iletisim" src="http://127.0.0.1:4001/restor/images/stories/ifea/publications/perouse-2011-iletisim.jpg" mce_src="images/stories/ifea/publications/perouse-2011-iletisim.jpg" height="210" width="140"></span></p>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><a href="index.php?option=com_content&amp;view=article&amp;id=92:perouse-jean-francois&amp;catid=57&amp;Itemid=57" mce_href="index.php?option=com_content&amp;view=article&amp;id=92:perouse-jean-francois&amp;catid=57&amp;Itemid=57"><b>Jean-François Pérouse</b></a><br mce_bogus="1"></span></div>\r\n<div><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><i>İstanbul''la Yüzleşme Denemeleri : Çeperler, Hareketlilik ve Kentsel Bellek</i> - İletişim mars 2011</span></div>\r\n', '\r\n<div>\r\n<h1><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><b><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Essais de confrontation avec Istanbul</span></span></b></span></h1>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-size: 10pt;" style="font-size: 10pt;"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Résumé des travaux menés par Jean-François Pérouse depuis le milieu des années 90, ce livre, s''écartant volontairement des districts élégants et touristiques habituellement couverts par les publications sur Istanbul, s''intéresse aux "murs" qui contiennent 95% de sa surface et 90% de sa population.</span></span></span></p>\r\n<p><span mce_style="color: #000000;" style="color: rgb(0, 0, 0);"><span mce_style="font-family: arial,helvetica,sans-serif;" style="font-family: arial,helvetica,sans-serif;">Pérouse examine des parties distinctes de la ville, appropriées par différents groupes. Il s''intéresse aux habitants de ces quartiers, aux politiques et pratiques urbaines ainsi qu''aux relations développées avec d''autres villes du monde. Ce qui ressort de cette investigation approfondie n''est ni un conte d''Orient chatoyant ni un cauchemar obscur mais un "gris" qu''une observation attentive révèle plein de nuances.</span></span></p>\r\n</div>', NULL, NULL, '[]', '', '2011-03-24 14:34:47', 600, '', 0, '0000-00-00 00:00:00', '2011-08-10 13:06:23', 600, '2011-03-24 14:34:47', '0000-00-00 00:00:00', 0, 0, 2, 0, 0, '', '', '', '', 26, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Isabelle Gilles', 'Perouse, publications, IFEA, urbanisme', ''),
(73, '22022010 - Cengiz Aktar - Istanbul, l''Europe et la Turquie à propos d''Istanbul 2010, Capitale européenne de la culture ', '22022010-cengiz-aktar-istanbul-leurope-et-la-turquie-à-propos-distanbul-2010-capitale-européenne-de-la-culture', 99, 1, '<p><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #ff6600; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><strong><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><span style="color: #888888;"></span></span></strong><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><strong>Cengiz Aktar</strong><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span style="color: #ff6600;"> </span><span style="color: #888888;"><span style="color: #ff6600;">(Université de Bahçeşehir)</span><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><br /></span><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><span style="color: #888888;"></span><span style="color: #999999;">Istanbul, l''Europe et la Turquie</span></span><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #999999; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"></span></span><em> \r\n', '\r\n<br /><img alt="22022010_cengiz_aktar" src="images/stories/multimedia/conferenceenligne/images-gd/22022010_cengiz_aktar.jpg" height="310" width="400" /><br /></em></span></span></span><span style="border-width: 0px; padding: 0px; font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px;"><strong><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><span style="color: #888888;">Séminaires </span>"<em>Autour </em></span></strong><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><em>d''Istanbul 2010 </em><strong><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><em>: concurrence entre acteurs locaux émergents et compétitivité urbaine renouvelée</em>"</span></strong><br /><strong><span style="color: #888888;">Lundi 22 février  à 19h à l''IFEA</span><br />Cengiz Aktar</strong> <span style="color: #888888;">(Université de Bahçeşehir) </span><span style="border-width: 0px; padding: 0px; font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><span style="color: #888888;">nous parlera</span> d''<strong>Istanbul, l''Europe et la Turquie</strong></span><span style="border-width: 0px; padding: 0px; font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px;"><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px;"><span style="border-width: 0px; padding: 0px; font-size: 13px; margin: 0px; vertical-align: baseline; color: #999999; outline-width: 0px;"> </span><span style="border-width: 0px; padding: 0px; font-size: 10pt; margin: 0px; vertical-align: baseline; line-height: 14px; font-family: Arial,sans-serif; outline-width: 0px;" lang="FR"><span style="border-width: 0px; padding: 0px; font-size: 13px; margin: 0px; vertical-align: baseline; color: #000000; outline-width: 0px;"><span style="border-width: 0px; padding: 0px; font-size: 13px; margin: 0px; vertical-align: baseline; color: #999999; outline-width: 0px;">à propos</span></span></span></span>d''<em>Istanbul 2010, Capitale européenne de la culture </em></span></span></span></p>\r\n<p><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; COLOR: #ff6600; PADDING-TOP: 0px; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 10pt; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><span style="BORDER-TOP-WIDTH: 0px; PADDING-RIGHT: 0px; PADDING-LEFT: 0px; BORDER-LEFT-WIDTH: 0px; FONT-SIZE: 13px; BORDER-BOTTOM-WIDTH: 0px; PADDING-BOTTOM: 0px; MARGIN: 0px; VERTICAL-ALIGN: baseline; PADDING-TOP: 0px; FONT-FAMILY: arial, helvetica, sans-serif; BORDER-RIGHT-WIDTH: 0px; outline-width: 0px; outline-style: initial; outline-color: initial"><em>{flv}22022010_Cengiz_Aktar{/flv}<br /></em></span></span></span></p>', NULL, NULL, NULL, '', '2010-02-22 00:00:00', 65, '', 0, '0000-00-00 00:00:00', '2010-12-20 10:16:28', 600, '2010-03-10 00:50:49', '0000-00-00 00:00:00', 0, 0, 59, 0, 0, '', '', '', '', 571, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Pascal Lebouteiller', 'IFEA, Istanbul 2010, Turquie, union européenne, conférences, vidéo', '');
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(74, '15022010 - Jean During - Définir l’espace ottoman à travers le soufisme et les confréries"', '15022010-jean-during-définir-l’espace-ottoman-à-travers-le-soufisme-et-les-confréries', 99, 1, '<p style="font-size: 11px; margin: 0px 0px 0.21cm; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 11px; margin: 0px; vertical-align: baseline; font-family: Arial, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"></span></span></span></span><span style="font-size: 11px; margin: 0px; vertical-align: baseline; font-family: Arial, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"></span></span></span></span><span style="color: #ff6600;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;"><strong>Jean During</strong></span><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space> <span style="margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;">du CENTRE DE RECHERCHE EN ETHNOMUSICOLOGIE</span></span></span></span><span style="font-size: 11px; margin: 0px; vertical-align: baseline; font-family: Arial, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><strong><br /></strong><span style="font-size: 10pt;"><span style="color: #808080;">Séminaire "Définir l’espace ottoman à travers le soufisme et les confréries"<br />et Séminaire d''ethnomusicologie</span></span></span></span></span></span><span style="font-size: 11px; margin: 0px; vertical-align: baseline; font-family: Arial, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><br /></span></span></span></span></p>\r\n', '\r\n<br />\r\n<p style="font-size: 11px; margin: 0px 0px 0.21cm; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><img alt="15022010_jean_during" src="images/stories/multimedia/conferenceenligne/images-gd/15022010_jean_during.jpg" height="310" width="400" /><br /><br /></p>\r\n<p style="font-size: 11px; margin: 0px 0px 0.21cm; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 11px; margin: 0px; vertical-align: baseline; font-family: Arial,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; border-width: 0px; padding: 0px;"><strong>Séminaire "Définir l’espace ottoman à travers le soufisme et les confréries"<br />et Séminaire d''ethnomusicologie</strong></span></span></span></span><span style="font-size: 11px; margin: 0px; vertical-align: baseline; font-family: Arial,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; border-width: 0px; padding: 0px;"><br />Lundi 15 février 2010 à 18h à l’IFEA<br /></span></span></span></span><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><strong>Jean During</strong></span> <span style="font-size: 11px; margin: 0px; vertical-align: baseline; color: #999999; outline-width: 0px; border-width: 0px; padding: 0px;">du CENTRE DE RECHERCHE EN ETHNOMUSICOLOGIE</span></p>\r\n<p style="font-size: 11px; margin: 0px 0px 0.21cm; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;">(CREM-LESC, UMR 7186, Paris X Nanterre).</span></span></p>\r\n<span style="font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;">Intervention en français :<span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space> </span></span><span style="font-size: 11px; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;">“Les musiques dites "soufie" en<span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space> </span></span><a name="lw_1263299621_3" style="margin: 0px; font: 11px Verdana, Arial, Helvetica, sans-serif; vertical-align: baseline; cursor: pointer; outline-width: initial; outline-style: none; outline-color: initial; border-width: 0px; padding: 0px;" title="lw_1263299621_3"></a><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;">Iran et en Asie centrale,<span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space> </span><br /><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">comme cadre rituel et comme champ esthétique”.</span></span></span>\r\n<p style="font-size: 11px; margin: 0px 0px 0.21cm; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><br />{flv}15022010_Jean_During{/flv}</p>', NULL, NULL, NULL, '', '2010-02-15 00:00:00', 65, '', 0, '0000-00-00 00:00:00', '2010-12-20 10:15:11', 600, '2010-03-10 00:52:47', '0000-00-00 00:00:00', 0, 0, 58, 0, 0, '', '', '', '', 493, 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(75, '10022010 - Nicole van Os  - Le mouvement féministe international et les Turques ', '10022010-nicole-van-os-le-mouvement-féministe-international-et-les-turques', 99, 1, '<p><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><strong></strong></span><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"></span><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial, helvetica, sans-serif; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><strong>Nicole van Os</strong></span><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span-converted-space></span-converted-space><span style="color: #ff6600;"> </span></span><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"><span style="color: #ff6600;">(</span><span style="color: #ff6600;">Leiden University)</span><br /></span><span style="color: #888888;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;">"Doing research on Ottoman women and the International Women''s movement or, how to turn into an armchair scholar."</span></span><br /><span style="font-size: 8pt; margin: 0px; vertical-align: baseline; outline-width: 0px; outline-style: initial; outline-color: initial; border-width: 0px; padding: 0px;"></span><strong> \r\n', '\r\n</strong></p>\r\n<p><strong><img alt="10022010_nicole_os" src="images/stories/multimedia/conferenceenligne/images-gd/10022010_nicole_os.jpg" height="310" width="400" /><br /></strong><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; border-width: 0px; padding: 0px;"><strong>Le mouvement féministe international et les Turques</strong></span> <br /><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #ff6600; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><strong>Mercredi 10 février 2010, 18h. IFEA<br /></strong></span><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px; border-width: 0px; padding: 0px;">Organis</span></span><span style="font-size: 11px; margin: 0px; vertical-align: baseline; font-family: Arial; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 11px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;">é par </span><strong>Juliette Dumas</strong>.</span> </span> <span style="font-size: 10pt; margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px; border-width: 0px; padding: 0px;"> <br /></span></span><span style="font-size: 11px; margin: 0px; vertical-align: baseline; color: #808080; font-family: Arial; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;">En collaboration avec l''Institut Français d''Etudes Anatoliennes et l''Instıtut Hollandais.</span> </span><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"> <br /></span><span style="font-size: 10pt; margin: 0px; vertical-align: baseline; color: #808080; font-family: arial,helvetica,sans-serif; outline-width: 0px; border-width: 0px; padding: 0px;"><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; border-width: 0px; padding: 0px;"><strong>Nicole van Os</strong></span> </span><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #808080; outline-width: 0px; border-width: 0px; padding: 0px;">(Leiden University) :</span><span style="font-size: 13px; margin: 0px; vertical-align: baseline; color: #ff6600; outline-width: 0px; border-width: 0px; padding: 0px;">"Doing research on Ottoman women and the International Women''s movement or, how to turn into an armchair scholar."</span><br /><span style="font-size: 8pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><span style="margin: 0px; vertical-align: baseline; outline-width: 0px; border-width: 0px; padding: 0px;">La conférence se fera en </span></span></span></span><strong><span style="font-size: 8pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">anglais</span></span></span><br /></strong><br /><strong>{flv}10022010_Nicole_Van_Os{/flv}<br /></strong></p>', NULL, NULL, NULL, '', '2010-02-10 00:00:00', 65, '', 0, '0000-00-00 00:00:00', '2010-12-20 10:11:13', 600, '2010-03-10 01:01:08', '0000-00-00 00:00:00', 0, 0, 57, 0, 0, '', '', '', '', 405, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', '', 'robots=\nauthor=Pascal Lebouteiller', 'IFEA, féminisme, women studies, Turquie, conférences, vidéo', ''),
(959, '22112010 - Nevzat Çevik', '22112010-nevzat-çevik', 99, 1, '<p><a href="http://www.ifea-istanbul.net/website_2/index.php?option=com_content&amp;view=article&amp;id=959%3A06032009-nevzat-cevik&amp;catid=61%3A2010&amp;Itemid=131&amp;lang=fr"><span style="color: #ff6600;"><span style="font-size: 10pt;"><strong>Nevzat Çevik</strong> (Akdeniz Üniv., Antalya)</span></span><span style="color: #888888;"><span style="font-size: 10pt;"><span style="color: #ff6600;"><br /></span></span></span><span style="color: #888888;"><span style="font-size: 10pt;">Yerli kapitalistlerin                   Likya yerleşimlerinin şehirleşmesindeki rolü</span></span></a><span style="color: #888888;"><br /> \r\n', '\r\n</span></p>\r\n<p><img alt="photo-vignette_nevcat" src="images/stories/multimedia/conferenceenligne/vignettes/photo-vignette_nevcat.jpg" height="310" width="400" /></p>\r\n<p><span style="color: #888888;"><span style="color: #ff6600;"><strong><span style="font-size: 10pt;">Séminaire d''archéologie                       "Pouvoirs et espaces urbains"</span> </strong></span><br /> <span style="font-size: 10pt;"><strong>Lundi 22 novembre 2010 à 17h30 à l’IFEA</strong><br /><strong>Nevzat Çevik</strong> (Akdeniz Üniv., Antalya)                   <br /> " Yerli kapitalistlerin                   Likya yerleşimlerinin şehirleşmesindeki rolü"<br /><em>Intervention en turc<br /><br />{flv width="512"}22112010_nevcatcevik{/flv}</em></span> </span></p>\r\n<p> </p>', NULL, NULL, NULL, '', '2010-11-22 00:00:00', 65, '', 0, '0000-00-00 00:00:00', '2010-12-17 08:45:08', 600, '2010-11-22 00:00:00', '0000-00-00 00:00:00', 0, 0, 20, 0, 0, '', '', '', '', 960, 'catItemTitle=\ncatItemTitleLinked=\ncatItemFeaturedNotice=\ncatItemAuthor=\ncatItemDateCreated=\ncatItemRating=\ncatItemImage=\ncatItemIntroText=\ncatItemExtraFields=\ncatItemHits=\ncatItemCategory=\ncatItemTags=\ncatItemAttachments=\ncatItemAttachmentsCounter=\ncatItemVideo=\ncatItemVideoWidth=\ncatItemVideoHeight=\ncatItemVideoAutoPlay=\ncatItemImageGallery=\ncatItemDateModified=\ncatItemReadMore=\ncatItemCommentsAnchor=\n =Advanced\ncatItemK2Plugins=\nitemDateCreated=\nitemTitle=\nitemFeaturedNotice=\nitemAuthor=\nitemFontResizer=\nitemPrintButton=\nitemEmailButton=\nitemSocialButton=\nitemVideoAnchor=\nitemImageGalleryAnchor=\nitemCommentsAnchor=\nitemRating=\nitemImage=\nitemImgSize=\nitemImageMainCaption=\nitemImageMainCredits=\nitemIntroText=\nitemFullText=\nitemExtraFields=\nitemDateModified=\nitemHits=\nitemTwitterLink=\nitemCategory=\nitemTags=\nitemShareLinks=\nitemAttachments=\nitemAttachmentsCounter=\nitemRelated=\nitemRelatedLimit=\nitemVideo=\nitemVideoWidth=\nitemVideoHeight=\nitemVideoAutoPlay=\nitemVideoCaption=\nitemVideoCredits=\nitemImageGallery=\nitemNavigation=\nitemComments=\nitemAuthorBlock=\nitemAuthorImage=\nitemAuthorDescription=\nitemAuthorURL=\nitemAuthorEmail=\nitemAuthorLatest=\nitemAuthorLatestLimit=\nitemK2Plugins=\n\n', 'Yerli kapitalistlerin Likya yerleşimlerinin şehirleşmesindeki rolü', 'robots=\nauthor=Pascal Lebouteiller', 'Nevzat Çevik, turkey, archaeology, IFEA, conférences, archéologie, vidéo', '');
