<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="color: #ff6600;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><strong>Dominique </strong><strong>Kassab </strong><strong>Tezgör </strong></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" lang="en-US"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><span style="font-style: normal;"><strong>POSITION ACADÉMIQUE ACTUELLE :</strong></span></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<div style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Professeur</span></span></span></div>
<div><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Université de Bilkent<span lang="en-US"> </span></span></span></span></div>
<div><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><span lang="en-US">Fine Arts Department</span></span></span></span></div>
<p> </p>
<p><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><span lang="en-US">Faculty of Art, Design and Architecture<br /></span><span lang="en-US"><span style="font-style: normal;">TR - 06800 Bilkent - Ankara<br />Tél.: (+90 312) 290 18 85 - Fax: (+90 312) 266 41 36<br />E-Mail: </span></span></span><span style="color: #888888;"><span style="text-decoration: underline;"><a href="http://www.ifea-istanbul.net/equipe/tezgor@bilkent.edu.tr"><span style="color: #000000;"><span lang="en-US"><em>tezgor@bilkent.edu.tr</em></span></span></a></span></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" lang="en-US"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Chercheur associé à l'équipe HeRMA, université de Poitiers.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Chercheur associé à l'équipe l'IFEA, Istanbul.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1 style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>FORMATION :</strong></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- Thèse d'État, Université des Sciences Humaines de Dijon : "Recherches sur l'artisanat hellénistique en Méditerranée orientale : quelques ateliers de figurines et de lampes en terre cuite en Asie Mineure et en Égypte", décembre 1993.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- Doctorat de troisième cycle en Histoire et Civilisation de l'Antiquité, Paris IV-Sorbonne : "Recherches sur quelques ateliers de coroplathie de Myrina à l'époque hellénistique. Étude archéologique et analyses de Laboratoire", mars 1982.</span></span></span></p>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><br /></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1 style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>PRIX ET DISTINCTIONS : </strong></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- Docteur <em>Honoris Causa</em>, Université Nationale Shota Rustaveli, Batoumi, Géorgie, 2 octobre 2010.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- <em>Diploma of Honour</em>, Musée National Géorgien, Tbilissi, Géorgie, 29 juin 2009. </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- Prix Gustave Mendel décerné par l’Académie des Belles-Lettres pour le livre cosigné avec M. Tahsin Sezer, <em>Catalogue des Lampes en Terre Cuite du Musée Archéologique d'Istanbul</em>, 1995.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- Lauréate d'une bourse Lavoisier du Ministère des Affaires Étrangères en 1993-1994.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
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<h1 style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>DOMAINE DE RECHERCHE :</strong></span><span style="color: #888888;"> </span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">L’artisanat de l'argile entre l'époque hellénistique et le début de l'époque byzantine, depuis l'atelier jusqu'au point de vente. En particulier les amphores produites à Sinope et dans les centres de mer Noire, et les figurines en terre cuite d'Anatolie et d'Alexandrie. </span></span></span><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>TRAVAUX ET RECHERCHES EN COURS À SINOPE ET EN MER NOIRE </strong></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>(2000 - ) :</strong></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Sur 	le terrain : les fouilles de l'atelier de Demirci-Sinope</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Directrice scientifique des fouilles de l'atelier de Demirci-Sinope dans le cadre d'une collaboration franco-turque avec le musée archéologique de Sinop (1993-2003). Une dizaine de fours ont été mis au jour, ils furent en activité entre les IIe-IIIe s. et les VIe-VIIe s. ap. J.-C. La production était essentiellement amphorique, mais des tuiles étaient également produites, ainsi que de la céramique commune, et en plus petite quantité, des lampes.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Grâce à ces fouilles, une typologie des amphores de l'époque romaine tardive a pu être établie dans des cadres chronologiques précis. Les recherches consacrées au commerce de ces amphores montrent que les exportations n'étaient pas limitées à la région pontique, mais s'étendaient jusqu'en Méditerranée orientale et même, dans des proportions qu'il reste à déterminer, jusqu'en Italie.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> La prospection sous-marine de deux épaves a été menée en 1997 à la pointe de la péninsule de Sinop. L'une contenait des amphores, et l'autre des tuiles qui avaient été produites dans l'atelier de Demirci.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> Ces fouilles et les campagnes d'étude se sont déroulées dans le cadre de la Mission Française de Sinope dirigée par Yvon Garlan. Elle a été </span><span style="color: #888888;">financée par la Commission des Fouilles du Ministère des Affaires Étrangères français, tandis que les Caves des vins Kavaklıdere d'Ankara offraient un important parrainage. Le musée archéologique de Sinop, ainsi que l'IFEA, ont régulièrement apporté une aide logistique. </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1 style="text-indent: 0.64cm; margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>Publications en français</strong></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- D. Kassab Tezgör (éd.), <em>Les fouilles et le matériel de l'atelier amphorique de Demirci près de Sinope</em>, <em>Varia Anatolica </em>XXII, Istanbul-Paris, 2010.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Fouilles des ateliers d'amphores à Demirci près de Sinop en 2000", <em>AnatAnt</em> IX (2001), p. 215-225 (en collaboration avec F. Dereli).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Fouilles des ateliers d'ampho­res à Demirci près de Sinope en 1996 et 1997", <em>AnatAnt</em> VI (1998), p. 423-442 (en collaboration avec İ. Tatlıcan).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Prospection sous-marine près de la côte sinopéenne : transfort d'amphores depuis l'atelier et navigation en mer Noire", <em>ibid.</em>, p. 443-449 (en collaboration avec İ. Tatlıcan et H. Özdaş).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Prospection d'ateliers d'ampho­res et de céramiques de Sinope", <em>AnatAnt</em> IV (1996), p. 325-334 (en collaboration avec Y. Garlan).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Fouilles des ateliers d'amphores à Demirci près de Sinope en 1994 et 1995", <em>ibid.</em>, p. 335-354.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Les timbres des ateliers hellénistiques fouillés à Sinope sont publiés par Y. Garlan : <em>Les timbres céramiques sinopéens sur amphores et sur tuiles trouvés à Sinope. Présentation et catalogue</em>, <em>Varia Anatolica</em> XVI, Istanbul-Paris (2004).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1 style="text-indent: 0.64cm; margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>Publications en turc</strong></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Sinop-Demirci amphora atölyeleri 2000 malzemesi kazısı",  <em>XXIII. Kazı Sonuçları Toplantısı</em>, II (2001), 2002, p. 235-242 (en collaboration avec F. Dereli).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Sinop-Demirci malzemesi 1998 yılı araştırma dönemi", <em>XXI. Kazı Sonuçları Toplantısı</em>, II (1999), 2000, p. 315-322 (en collaboration avec İ. Tatlıcan).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Demirci-Sinop amphora atölyelerinin 1997 Kazısı", <em>XX. Kazı Sonuçları Toplantısı</em>, II (1998), 1999, p. 447-456 (en collaboration avec İ. Tatlıcan et F. Dereli).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Sinop'ta sualtı çalışmaları", <em>IX. Müze Kurtarma Kazıları Semineri </em>(Antalya 27-29 avril 1998), 1999, p. 335-342 (en collaboration avec İ. Tatlıcan et H. Özdaş).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Sinop-Demirci anfora atölyele­ri­nin 1996 Kazısı", <em>XIX. Kazı Sonuçları Toplantısı</em>, II (1997), 1998, p. 465-481 (en collaboration avec İ. Tatlıcan et F. Dereli).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Sinop-Demirci anfora atölyele­ri­nin 1995 Kazısı", <em>XVIII. Kazı Sonuçları Toplantısı</em>, II (1996), 1997, p. 353-365 (en collaboration avec İ. Tatlıcan).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Demirci-Sinop Anfora Atölyeleri­nin Kazısı", <em>XVII. Kazı Sonuçları Toplantısı</em>, II (1995), 1996, p. 277-291. </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Sinop'ta seramik ve anfora atölyelerinin incelenmesi", <em>XVI. Kazı Sonuçları Toplantısı</em>, II (1994), 1995, p. 177-190.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>À 	l'Université de Bilkent, Ankara</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 0.64cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Les éléments de construction d'un four à l'identique de ceux fouillés dans l'atelier de Demirci ont été produits par les étudiants dans le cadre des cours donnés dans le Studio de Céramique du Département des Beaux-Arts de l'Université de Bilkent (Faculté d'Art, d'Art Graphique et d'Architecture) sous la direction d'Ahmet Özsalar, </span><span style="color: #888888;"><em>Assistant Professor</em></span><span style="color: #888888;">. Ce dernier a construit le four en mars 2006 dans la salle d'exposition du musée de Sinop consacrée aux fouilles de Demirci. Il a reçu un prix du Ministère de la Culture et du Tourisme en 2008 à l'occasion de la Semaine des Musées.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong> Publication</strong></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>- </strong><span lang="de-DE">"The Construction of a Roman Kiln in the Archaeological Museum of Sinop", in D. Kassab Tezgör (éd.), </span><span lang="de-DE"><em>Sinope, Un État de la Question Après Quinze Ans de Travaux</em></span><span lang="de-DE">, Actes du Symposium International, Sinope, 7-9 Mai 2009, </span>ACSS 16-1et 2 (2010), p. 199-216 et 543-546 (en collaboration avec <span lang="de-DE">A. Özsalar).</span><strong> </strong></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Au 	Musée de Sinop</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 0.64cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Conseillère auprès du Ministère de la Culture et du Tourisme turc pour la rénovation du musée de Sinop en vue de son entrée en 2010 au concours du "Best Museum of Europe" organisé par le Conseil de l'Europe. Également pour l’aménagement de la salle consacrée aux fouilles des ateliers amphoriques de Sinope dans laquelle a été construit le four.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Dans 	les musées de mer Noire</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 0.64cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Un Corpus des amphores romaines produites dans les centres de mer Noire et conservées dans les musées de la côte turque est en cours d'élaboration (Ereğli, Amasra, Sinop, Samsun, Amasya, Giresun, Trabzon). Il permettra de réunir les principaux types originaires de cette région et de compléter, si nécessaire, leur typologie. Les réseaux commerciaux seront également retracés.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Organisation 	de rencontres scientifiques</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">* 2006: </span><span style="color: #888888;"><strong>PATABS</strong></span><span style="color: #888888;"> I (Production And Trade of Amphorae of Black Sea), Table Ronde internationale organisée à Batoumi - Trabzon (27-29 avril 2006), en collaboration avec Dr. Nino Inaishvili, Directrice du Département d'Archéologie et d'Histoire de l'Art de l'Institut de Recherche N. Berdzenishvili à Batoumi. Cette rencontre est désormais devenue un événement régulier : elle a été suivie par </span><span style="color: #888888;"><strong>PATABS</strong></span><span style="color: #888888;"> II en Bulgarie en 2007 et par </span><span style="color: #888888;"><strong>PATABS </strong></span><span style="color: #888888;">III en Roumanie en 2009. La Table Ronde suivante se tiendra à Rostov-sur-le-Don (Russie). </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span><span style="color: #888888;"><span lang="en-US"><strong>Publications</strong></span></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY" lang="en-US"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><span lang="en-GB">- D. Kassab Tezgör et N. Inaishvili (éd.), </span><span lang="en-GB"><em>Production and Trade of Amphorae in the Black Sea</em></span><span lang="en-GB">, PATABS I, Batoumi-Trabzon 2006, </span><span lang="en-GB"><em>Varia Anatolica </em></span><span lang="en-GB">XXI, Istanbul-Paris, 2010.</span></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY" lang="en-US"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-bottom: 0cm; line-height: 100%;" lang="tr-TR"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><span style="font-size: small;">Les Actes de PATABS II ont été publiés : </span></span><span style="color: #888888;"><span style="font-size: small;"><span lang="en-GB">T. Stoyanov, A. Bozkova &amp; C. Tzochev (éds.), </span></span></span><span style="color: #888888;"><span style="font-size: small;"><span lang="en-GB"><em>Production and Trade of Amphorae in the Black Sea</em></span></span></span><span style="color: #888888;"><span style="font-size: small;"><span lang="en-GB">, </span></span></span><span style="color: #888888;"><span style="font-size: small;"><span lang="en-GB"><em>PATABS</em></span></span></span><span style="color: #888888;"><span style="font-size: small;"><span lang="en-GB"> II, Acts of the International Round-Table held in Kiten, Nessebar &amp; Sredetz, September 26-30, 2007, Sofia, 2011.</span></span></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY" lang="en-GB"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">* 2009: </span><span style="color: #888888;"><strong>Sinope: Un État de la question après 15 ans de travaux</strong></span><span style="color: #888888;">, Symposium international qui s'est déroulé à Sinop même entre les 7 et 9 mai 2009, sous les auspices des autorités de Sinop et de la Faculté d'Art, d'Art Graphique et d'Architecture de l'Université de Bilkent. (</span><span style="color: #888888;"><span style="text-decoration: underline;"><a href="http://www.sinope.bilkent.edu.tr/"><span style="color: #000000;">www.sinope.bilkent.edu.tr</span></a></span></span><span style="color: #888888;">). Le but était de réunir les recherches les plus récentes concernant Sinope et de marquer les quinze ans de la Mission française de Sinope.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>Publication</strong></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- D. Kassab Tezgör (éd.), <em>Sinope. Un état de la Question après Quinze Ans de Travaux</em>, Actes du Symposium International, Sinop, 7-9 mai 2009, <em>Ancient Civilizations from Scythia to Siberia </em>16-1 et 2 (2010), Éditions Brill, Leyde- Boston (2011). </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Ces Actes sont également publiés dans un volume séparé des Éditions Brill (2011).</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1 style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>AUTRES PROJETS EN COURS : </strong></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>La 	collection des figurines de terre cuite du musée Sadberk Han</strong></em></span><span style="color: #888888;"><span lang="tr-TR"><em><strong>ı</strong></em></span></span><span style="color: #888888;"><em><strong>m</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 0.64cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Cette collection est riche de plusieurs centaines de terres cuites. Elle comprend essentiellement des figurines de l'Anatolie à l'époque romaine, mais aussi de la Grèce et du Proche-Orient de différentes dates. Ce catalogue raisonné permettra de mieux connaître la coroplathie romaine en Asie Mineure qui a été peu étudiée jusqu’à présent. </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>La 	collection des figurines de plâtre du musée gréco-romain 	d'Alexandrie</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">L'étude de cette collection, qui sera faite en collaboration avec le Dr. Mervat Seif el-Din, directrice du musée gréco-romain, permettra d'étudier la technique de fabrication des figurines de plâtre et de la comparer à celle des figurines de terre cuite, qui étaient produites dans les mêmes ateliers.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
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<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Le 	deuxième tome des lampes du musée d'Istanbul</strong></em></span></span></span></p>
</li>
</ul>
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<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="text-indent: 1.25cm; margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">Il couvrira les époques romaine et byzantine en Italie, en Anatolie et au Proche-Orient. De même que le premier volume, il sera co-signé par M. Tahsin Sezer, conservateur du musée.</span></span></span></p>
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<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<h1 style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><strong>PRINCIPALES RECHERCHES ANTÉRIEURES ET CHOIX DE PUBLICATIONS :</strong></span></span></span></h1>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Prospections 	des ateliers de céramiques de Cnide</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "La céramique fine de l'atelier A 1 de Cnide", dans C. Abadie-Reynald (éd.), <em>Les céramiques en Anatolie aux époques hellénis­tique et romaine</em>,<em> </em>Actes de la Table Ronde d'Istanbul 1996 <em>Varia Anatolica</em> XV, Paris-Istanbul, 2003, p. 35-43, pl. 31-35.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Rapport préliminaire de la prospection archéologique d'un atelier de céramiques à Yerik Kuyu près de Tekir", <em>AnatAnt</em> I (<em>Bibliothèque de l'Institut français d'Études anatoliennes</em> XXXII), Paris, 1991, p. 32-37 (en collaboration avec N. Tuna et M. Picon).<br />- "Rapport préliminaire de la prospection archéologique d'ateliers de céramiques de la région de Tekir/Yazı Köy à İmamınburnu", <em>AnatAnt</em>, <em>Eski Anadolu</em> (<em>Varia Anatolica</em> I), Istanbul-Paris (1987) [1988], p. 53-59 (en collaboration avec N. Tuna).<br /></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Les 	lampes de terre cuite du musée d'Istanbul</strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- <em>Catalogue des Lampes en Terre Cuite du Musée Archéologique d'Istanbul</em>, I, <em>Époques préhistorique, archaïque, classique et hellénistique</em>, <em>Varia Anatolica</em> VI, Paris-Istanbul, 1995 (en collaboration avec T. Sezer) (versions française et turque).<br /></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Les 	 figurines de terre cuite de Myrina aux époques hellénistique et 	romaine </strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- </span><span style="color: #888888;"><em>Statuettes en terre cuite de Myrina, Corpus des signatures, monogrammes, lettres et signes</em></span><span style="color: #888888;">, </span><span style="color: #888888;"><em>Bibliothèque de l'Institut français d'Études anatoliennes</em></span><span style="color: #888888;"> XXIX, Paris, 1988.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Myrina, petite cité grecque de la côte anatolienne de l'Asie Mineure", dans E. Frézouls (éd.), </span><span style="color: #888888;"><em>Sociétés urbaines, sociétés rurales dans l'Asie Mineure et la Syrie hellénistiques et romaines</em></span><span style="color: #888888;">, Actes du colloque de Strasbourg (Novembre 1985), Strasbourg 1987, p. 173-189, pl. I et II.<br />- "X-Ray and Spectrographic Analyses of Terracotta Figurines from Myrina: an Attempt to Characterize Workshops", </span><span style="color: #888888;"><em>JAS</em></span><span style="color: #888888;"> 11 (1984), p. 103-117 (en collaboration avec M. Calamiotou, S.E. Filippakis, R.E. Jones).<br />- "Collection de l'École française d'Athènes (II), Trois statuettes de Myrina", </span><span style="color: #888888;"><em>BCH </em></span><span style="color: #888888;">104 (1980), p. 333-343.<br />- "Deux ateliers de coroplathes à Myrina", </span><span style="color: #888888;"><em>RLouvre</em></span><span style="color: #888888;"> 1978, p. 326-329 (en collaboration avec S. Besques).<br /></span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span> 
<ul>
<li>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"><em><strong>Les 	figurines de terre cuite et de plâtre d'Alexandrie à l’époque 	hellénistique </strong></em></span></span></span></p>
</li>
</ul>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- <em>T</em><em>anagréennes d’Alexandrie</em><em><span style="font-style: normal;">,</span></em> <em>Études Alexandrines</em> 13<em>, </em>Institut Français d’Archéologie Orientale, Le Caire, 2007.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;" align="JUSTIFY"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Myrina et Alexandrie", Catalogue de l’Exposition <em>Tanagra, Mythe et Archéologie</em>,  Musée du Louvre, 15 septembre 2003 - 5 janvier 2004, Musée des Beaux-Arts de Montréal, 5 février  - 9 mai 2004, p. 242- 253.</span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Les figurines de terre cuite de la tombe 1 de Gabbari", dans J.Y. Empereur et M.D. Nenna (éd.), </span><span style="color: #888888;"><em>Nécropolis</em></span><span style="color: #888888;"> 1, </span><span style="color: #888888;"><em>Études alexandrines</em></span><span style="color: #888888;"> 5 (2001), p. 409-421. </span></span></span></p>
<span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;"> </span></span></span>
<p style="margin-top: 0cm; margin-bottom: 0cm;"><span style="font-size: 10pt;"><span style="font-family: arial,helvetica,sans-serif;"><span style="color: #888888;">- "Le satyre du Caire à son retour des Indes", </span><span style="color: #888888;"><em>BCH </em></span><span style="color: #888888;">110 (1986), p. 303-315.<br />- "Quelques nouveaux moules alexandrins à Kom Giza", dans J.Y. Empereur (éd.), </span><span style="color: #888888;"><em>Alexandrina</em></span><span style="color: #888888;"> I (1998), p. 65-73 (en collaboration avec A. Abd el-Fatah).<br />- "Les figurines de plâtre du Musée Gréco-Romain d'Alexandrie", dans J.Y. Empereur (éd.), </span><span style="color: #888888;"><em>Commerce et artisanat dans l'Alexandrie hellénistique et romaine</em></span><span style="color: #888888;">, </span><span style="color: #888888;"><em>BCH</em></span><span style="color: #888888;"> Suppl. 33 (1998), p. 355-365.<br />-  "Des moules de Tanagréennes trouvés en fouilles à Alexandrie", dans A. Muller (éd.), </span><span style="color: #888888;"><em>Le moulage en terre cuite dans l'Antiquité</em></span><span style="color: #888888;">, XVIIIe Colloque du CRA, Lille, 1995 (1997), p. 353-374 (en collaboration avec A. Abd el-Fatah).<br /></span></span></span></p>