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<p style="margin-bottom: 0cm; font-style: normal;" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #ff6600;">Seminary in ethnomusicology (IFEA) 2010</span> </span></span></span></span></span></span></span></span></p>
<h1 style="font-style: normal;" lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Music and Identity : analysing the musical  construction of Turkey </span></h1>
<p style="margin-bottom: 0cm; font-style: normal;" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Monthly cycle of lectures in English.</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Organisation: Altu ­ Yılmaz, Nicolas  Elias, Ruben Tenenbaum</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Can Turkish society be understood  through the analysis of its specific musical processes? Whether through  the State Radio network (TRT), the urban scene or local organizations,  resulting either from imposed ideology or civil protest, the presence of  music in the public sphere causes intense discourse on identity and  musical change. By analysing the mechanisms of identity prevailing in  the emergence and categorisation of music, we postulate that there is an  analogy between music and identity, all the more since the / notion of  identity is subject to tenseness. Such an analogy in turn raises a  thorny issue: Is music captive of the identity mechanisms that stage it?</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Through a series of examples, the  object of this seminar is first to decode the construction of the  musical scene of Turkey in order to define its underlying ideological  frameworks (notions of authenticity, purity or tradition; ethnic  identity; multiculturalism…) and then to try and grasp some of the  processes at work in contemporary Turkish society (nationalisation,  regionalisation, urbanisation, state control/opposition of minorities,  “westernisation”…).</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Scheduled lectures: (temporary titles) </span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span style="color: #808080;"><span lang="en-GB">- 6</span><span><span><sup><span lang="en-GB">th</span></sup><span lang="en-GB"> of January: Dr Bülent  Aksoy (Bosphorus University), The Impact of State Radio on Turkish Music  in the Republican Era.</span></span></span></span></span> </span></span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span style="color: #808080;"><span lang="en-GB">- 15</span><span><span><sup><span lang="en-GB">th</span></sup><span lang="en-GB"> of February: Jean  During (CNRS), “The soufi's musics in Central Asia and Iran".</span></span></span></span></span> </span></span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- March: Turkey in the Istanbul  scene: The path of Kardeş Türküler.</span> </span></span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- April: Glimpses onto Ottoman music,  from an empire of decline to an empire of tolerance</span> </span></span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify" lang="en-GB"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span style="color: #808080;"><span><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span lang="en-GB">- May: yet to be defined.</span><span lang="en-GB"> </span></span></span></span></span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<span lang="en-GB"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span><span lang="en-GB">
<h1 style="font-style: normal;"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Séminaires d’ethnomusicologie 2010</span></h1>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #ff6600;">Musique et identité : analyser la  construction musicale de la Turquie</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Cycle de conférences mensuelles, en  anglais.</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Organisateurs : Altu<span lang="tr-TR">ğ Yılmaz, </span>Ruben Tenenbaum<span lang="tr-TR">, </span>Nicolas  Elias</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Peut-on étudier la société turque en  analysant le devenir de ses musiques ? Qu’elle se fasse par le biais de  la radio d’Etat, des scènes urbaines ou d’associations locales, qu’elle  résulte d’une idéologie imposée ou d’une contestation civile, l’entrée  de musiques dans l’ « espace public » est à la fois objet d’un discours  identitaire intense et cause de profonds changements musicaux. En  analysant les ressorts identitaires qui prévalent à l’émergence et à la  catégorisation des musiques, le postulat serait celui d’une analogie  entre musique et identité, d’autant plus étroite que la notion  d’identité est sujette à crispation. Analogie qui pose en retour une  question épineuse : la musique est-elle alors prisonnière des mécanismes  identitaires qui la mettent en scène ? </span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">A travers une série d’exemples,  l’objet de ce séminaire serait donc de décrypter la construction du  paysage musical de la Turquie, pour cerner les cadres idéologiques qui  la sous-tendent (notion d’authenticité, de pureté ou de tradition ;  identité ethnique ; multiculturalisme…) et ainsi appréhender certains  processus à l’œuvre dans la société turque contemporaine  (nationalisation, régionalisation, urbanisation, contrôle  étatique/opposition des minorités, « occidentalisation »…).</span> </span></span></span></span></span></span></span></span></p>
<span>
<p style="margin-bottom: 0cm; font-style: normal;"> </p>
<span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">Séances (titres provisoires) :</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span><span><span><span style="color: #808080;"><span><span>- 6 janvier : <span lang="en-GB">Dr Bülent  Aksoy (Université du Bosphore), The Impact of State Radio on Turkish  Music in the Republican Era.</span></span></span></span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"> </span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span style="font-family: Arial;"> </span></p>
<p style="margin-bottom: 0cm; font-style: normal;" align="justify"><span><span style="font-size: 10pt; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- 15 février : Jean During (CNRS),  « Les musiques dites soufies en Asie centrale et en Iran  »</span> </span></span></span></span></span></span></span></span></p>
<p><span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;">Cliquer ici pour<span style="font-family: arial,helvetica,sans-serif;"> voir la </span><a target="_self" href="../website/index.php?option=com_content&amp;task=view&amp;id=1755&amp;Itemid=1001"><span style="font-family: arial,helvetica,sans-serif;">Conférence en ligne</span></a><span style="font-family: arial,helvetica,sans-serif;">.</span></span></p>
<p> </p>
<p><span> </span></p>
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<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- Mars : La Turquie sur la scène  d’Istanbul ? Le parcours de Karde<span lang="tr-TR">ş T</span>ürküler</span> </span></span></span></span></span></span></span></span></p>
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<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- Avril : Regards sur la musique  ottomane, d’un empire de décadence à un empire de tolérance</span> </span></span></span></span></span></span></span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><br /> <span style="font-size: 10pt; color: #808080; font-family: arial,helvetica,sans-serif;"> </span></span></p>
<p style="margin-bottom: 0cm; font-style: normal;"><span><span><span><span><span style="font-family: arial,helvetica,sans-serif;"><span style="font-size: 10pt;"><span style="color: #808080;">- Mai : A définir</span> </span></span></span></span></span></span></p>
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